Being a filmmaker, I’m an avid reader of the industry trades. From The Hollywood Reporter, Variety and IndieWire to several email newsletters (SSN Insider is my favorite). In general, I look to get a feel for the industry and where it may be going. As I’ve written about in earlier posts, navigating this industry is like being on the bridge of a ship and deciding what port to sail into. The choices are numerous and in some cases smartly promoted. One of these choices was a film festival.
I attended my first film festival back in 2007 when First World was nominated for best screenplay out of over 80 submissions at the California Independent Film Festival. Having placed in the top 5 for this contest it was a total thrill to attend, network and then hear the title of my first screenplay announced as a finalist in a theater. I didn’t win the Slate Award but it was honor enough to be nominated. It was at this festival that I realized I had developed a new trade.
In this industry it seems just natural that you start to pick up new trades. You may start as a writer or an actor and before you know it you may be producing and directing your first short film. You start to get into some festivals, perhaps some theatrical exhibition and then score some media. Soon thereafter you realize you want to make your first feature film. Every level of this industry takes time and patience and despite what one might read in the trades, none of this happens overnight.
One thing that never happens overnight is film financing. It doesn’t matter what your station is in the industry. Film financing, in particular, is very nuanced. As for my projects, I’ve fully funded some and have had investors (public and private) in others. In one case I used crowdfunding. Larger projects, if they can attract the right talent, can also achieve pre-sales. But that’s being challenged owing to certain bankable “A” list availability to commit to a project before one scene is even shot. But one area that I’m particularly excited about is equity crowdfunding. There have been numerous articles on the subject, so I would do your own searches. That being said, it offers filmmakers yet again another option–and port?
With First World, In Mind We Trust and SOS United States in various stages of review and development, the one thing I have committed to is producing the first ten pages of the political thriller I’m writing around the sport of figure skating as a promotional vehicle. As some may recall, I made a short film version of Justice Is Mind titled Evidence. The point of that short was to not only develop interest in the project but to bring together an initial cast and crew to insure that various aspects work.
What are the primary challenges with this new project? A figure skater that can do a couple of triple jumps and can act. No matter how it has been done before, using a double for either the extreme close ups of a jump or distance shots just doesn’t work. A skater has a particular way they stand on the ice along with body type. The other part of this short is developing some new techniques to film a skating program that truly captures the grace, style and power that a skater projects. In essence I want the audience to experience the program not just see it.
Perhaps the greatest challenge of course is developing an original story. As I enter the closing of the second act to this political thriller, I remember where I was at the time when writing Justice Is Mind. At this moment I’m literally living with the characters and all the plots and subplots. But rather than taking the easy way out on their resolution, I will let the story sit for a few days and let the story speak back to me.
Having grown up in the 1970s and 80s there was an entertainment medium called the mini-series that produced some terrific programming. When I attended WWII Weekend yesterday, I was reminded of The Winds of War and War and Remembrance. Perhaps it was these two great mini-series that got me interested in the Second World War. For those that follow me on social media or this blog, you know I often tour museums like Battleship Cove or attend events like WWII Weekend. When I was in Albany, New York a couple of week ago I toured the now museum ship USS Slater.
For those of you that may be interested, I highly recommend WWII Weekend. This was my first time attending this event and I have to say they did a masterful job. To quote from their website, “WWII Weekend is one of New England’s premier living history events, providing the public with an interactive, educational and fun WWII experience that is difficult to come by. Participants will have the chance to examine and learn about multiple different kinds of World War 2 vehicles and weapons, as well as how the soldiers of that era lived, by walking through Allied and Axis encampments and interacting with the reenactors.”
First, I believe it’s important to take the time to occasionally experience one of these events or attend one of these museums. Even though our present world is currently gripped with a variety of regional conflicts, I think it’s important to remember that at two points in the last century nearly every country in the world was engaged in a world war. For me personally, it’s about learning something new and inspiration for my writing.
When I brought Justice Is Mind back to World War II, the amount of research I did was on the same level as that of the courtroom scenes and experimental science behind mind reading technology. It was after our international premiere on the MS Queen Elizabeth that several guests came up to me and complimented how we handled that element of the story, particularly the very end. Although that area of the screenplay was pretty well vetted, it only matters how it’s received by the public after it’s produced. With a film, there’s generally only one chance to get it right. To quote Bill Sampson in All About Eve after a film is released “You’re in a tin can.”
Although the political thriller I’m writing around the sport of figure skating doesn’t go back to WWII, when I was looking at field communications equipment at the WWII Weekend yesterday, a certain angle occurred to me which I could take with this story. In this new story codes and encryption are a key element to the final act.
The one thing I enjoy the most about being a writer is the research. Whether it’s learning about historical events and how they can be woven into a particular plot or about certain technologies and how they shape a story. Who would have thought that a program on “thought identification” on 60 Minutes would have resulted in Justice Is Mind?
Of course, as a filmmaker, one of the exhibits I found truly fascinating was all the vintage cameras. In today’s world we simply hold up our cell phone and roll as much “film” as you generally want. In those days they may have had to deal with springs and cameras the size of large bricks, but filmmakers and photographers from that era produced groundbreaking work under often arduous conditions.