Over the last couple of weeks I’ve been talking to my friends in the UK about the upcoming “Brexit” vote. They all had different points of view from those that wanted to stay in the European Union and those that wanted to leave. This post isn’t about one American’s position, but about my special relationship with our friends across the pond.
Putting aside what we learned in school, I was somehow introduced to Barbara Taylor Bradford’s masterpiece A Woman of Substance. The story is based in the UK and to quote “A Woman of Substance charts the life of Emma Harte, from kitchen maid at the beginning of the 20th Century, to respected business woman and Grandmother in the 1980’s.” The book was turned into a brilliant mini-series that saw such famous British landmarks as the storied Harrods turned into Harte’s. You can bet that one of my first destinations was tea at Harrods!
When I started a newsmagazine for the sport of figure skating in the early 1990s, I found myself again in the UK when I attended the 1995 World Figure Skating Championships which were held in Birmingham, UK. I soon found myself conducting business in the country from distributing our magazine to working with editors. At one point I had struck a deal with the national governing body to conduct an all too “United States” direct mail effort. I say United States, because I learned the biggest lesson at the time…I discovered that the English like to buy their magazines at kiosks (newsstands). Oh sure we had a nice amount of subscribers, but we also secured a pretty good newsstand contract in the country as well.
After publishing, my first screenplay First World was partially based in the UK. Part of the story has the Prime Minister calling for an emergency meeting with the President of the United States at a military base in the UK to reveal the actual mission of the Apollo space program. I filmed that segment actually down the street where I now live. To this day we were so fortunate to have a wonderful British actress who now resides in the States to play the Prime Minister.
I’ll never forget her audition. I was staying at a hotel with some of the cast filming another scene when Lindy Nettleton arrived along with Jeffrey Phillips (who played the President). Owing to scheduling and space limitations the audition took place in a hallway. They were both brilliant. After the film was released, we had a few screenings at science fiction conventions in the UK.
When I posted notices for cast and crew for my first feature film Justice Is Mind we received responses from literally all over the world. But there was one composer from England by the name of Daniel Elek-Diamanta. In today’s day and age of the internet it doesn’t matter where you live, talent is talent. To say he had talent would be an understatement. Instinctively, not only did we click, but he understood Justice Is Mind instantly. He scored the entire film to critical acclaim. When our original sound mixer dropped out, he found a terrific company in Visionary Sound headed up by Timothy McHugh. In the end, they both saved the day.
Of course, perhaps one of the highest tributes Justice Is Mind received was when we had our international premiere on Cunard Line’s Queen Elizabeth ocean liner in 2014. Suffice to say you can’t get any more British than Cunard!
My point to all of this is simple, no treaty keeps people from working together for the common good. Talent doesn’t know boundaries it simply wants to create. From magazines to film, those that I’ve worked with in the UK have brought something special to the projects I’ve worked on. That’s what the “special relationship’ between the United States and United Kingdom means to me.
“We make a living by what we get, but we make a life by what we give.” – Winston Churchill
This past week Justice Is Mind went live on Hoopla. To quote from their Facebook page, “hoopla digital partners with public libraries across North America to provide online and mobile access to videos, music and audiobooks. Enjoy thousands of movies, TV shows, videos, music and audiobooks that library card holders can borrow from their public library.” As I wanted to get Justice Is Mind into libraries at some point, our placement on Hoopla just took care of that across the United States.
When I say some point, I talk about a possible DVD for Justice Is Mind. Yes, on the back burner, is the possibility of making a DVD for Justice. I say possibly, because anyone that’s involved on the distribution side of the industry knows that profits in this sector have sunk like the Titanic (particularly for indie-films). Just go into any Wal-Mart and see the studio quality films in the $5 bin or even more market reality when you see a studio film at a dollar store for well a dollar. Because digital distribution doesn’t really involve a manufacturing component, it’s simply easier to execute on a domestic and international level. But believe me there are costs involved for VOD. Let’s just say that closed captioning in languages other than English gets a bit pricey.
There was a pretty good article on IndieWire this week titled “You Can’t Bulls—t’ And 6 More Revelations On How To Market An Indie Film.” I could not agree more with this statement “Even in the age of VOD, nothing beats the theatrical experience.” As I saw with Justice Is Mind in terms of audience and media placements, nothing does beat a theatrical experience. Simply, when you gather a group of people into a room to see a film it becomes a shared experience. There wasn’t one screening of Justice in which attendees didn’t ask questions or discuss the film after in the lobby.
When I set out to write a new screenplay I’m already thinking of how the project will be placed in the market. What angles does it have that I can pitch to a theater, distributor, school or convention? First World was a pretty straight forward science fiction film. But as a psychological sci-fi thriller, Justice Is Mind is a bit of a genre hybrid. But the one common theme was the ethics around mind reading and it’s possible, if not probable, ramifications on society.
While some in the industry complain that there are too many movies being made, I believe there’s never enough. Because there are always those hidden gems that one can discover and promote. The gem in the world of distribution is in fact VOD. When you have library after library of films available to stream instantly, they certainly take up less space than a DVD! But don’t get me wrong, I do love my DVD collection.
It’s these new platforms like Hoopla that offer a terrific new avenue of options to Amazon and Netflix (Justice is on Amazon). More importantly, and call me old fashioned, Hoopla works with libraries. When you have traditional publishing working with digital publishing, the experience can only be a positive one because it yet again gives the customer that one thing they want – choices.
Today I finished Act Two of the political thriller I’m writing around the sport of figure skating. With a story that traverses a season in the sport along with over 40 characters on and off the ice, this stage of the writing process is a point of reflection. It’s a point when I review my notes (there are 25 pages) and read the script from the beginning. I liken it to building a road. The “earthwork” has been done, but it needs to be paved. For me, the Final Act (or in this case Act Three and/or Four) is both the most exciting and nerve wracking. Why? Because the road has to lead to a destination — a conclusion.
Every writer works in their own way. And while books, seminars and industry experts dictate how you should do the process, I promise if you talked to ten different screenwriters you would get ten processes of mixed results. For me, I look at a character or story arc and see if it has evolved. Nothing is worse than watching a movie and not seeing a character or story resolution. I’d rather take some extra time to get the last acts right than have audiences leaving disappointed or, worse, with a predictable ending.
When I wrote Justice Is Mind the initial premise was someone facing their own memory at trial. But for anyone that has seen the movie, while that may be the central core, there’s a conflux of other activities going around it. In my view, nothing is linear in real life and it shouldn’t be in film. For me, I always love a good twist at the end or a surprise ending. Two of my favorites with surprise endings are The Sixth Sense and Witness for the Prosecution. Both films couldn’t be more different in genre, but they brilliantly pulled off an ending that I don’t think anyone saw coming. As of this moment, I believe I have the surprise ending all set for this story, but as it’s not written yet that can certainly change!
As for a mix of things, there was a great practical article in Forbes titled How To Finance An Independent Film by Bryan Sullivan. While I’ve known about these steps for some time, it was nice to see a “drama” free article just present the facts. Often with the trades or some of the bloggers I follow (or used to follow), there’s this air of judgment or bias in their reporting that does nothing but lecture. This is an industry of creatives that develop stories for an audience. And while there most certainly are standard ways to accomplish that, the last thing we need to hear are “You can’t do this” or “You can’t do that” when it comes to building projects. Bottom line, all projects and their path to market take different roads.
I’ll admit there is a certain satisfaction in creating an original story. In the case of this story around the sport of figure skating, it’s worked out well so far that I was involved in the sport in so many different areas. From skating (I passed that Junior Free before the rule changes!), to teaching, to publishing a magazine for the sport to TV analyst work, I can say that this story travels from learn to skate, to receptions to the world championships with the FBI and NSA steadfastly involved that builds a story that takes us around the world.
Representing the United States.
When I was living in New York City in the 1980s there was ship docked a couple of avenues away that I would sometimes notice. In those days it was a dawn walk down 10th avenue in the morning on my way to Sky Rink before I went to work at Time magazine. That ship was the aircraft carrier USS Intrepid.
Last week I traveled to the city to spend the day at The Intrepid Sea, Air & Space Museum. I’m not sure if there is another museum in the world that offers an aircraft carrier from World War II, the Concorde, the Space Shuttle Enterprise and the Galileo shuttle from the famed TV series Star Trek. Needless to say among the array of exhibits there’s plenty to do!
When I was researching and writing both First World and SOS United States there was so much at the museum that touched on these stories. Not only do both involve aircraft carriers, the basis for First World is the 1960s space program and the return of the Concorde in SOS United States as Commonwealth One for the Prime Minister of the UK. It’s one thing researching a subject, it’s entirely another to experience them in real life.
Of course, being a Star Trek fan, I know the museum is getting a Star Trek exhibit in July. What I didn’t know is when I walked into the Space Shuttle pavilion I would see the Galileo shuttle from the TV show! I had just watched a documentary on the group of fans that saved this storied piece of TV history from a piece of discarded junk to a restored prop of broadcast quality. Yes, it was a total geek out moment seeing this iconic prop.
As for history, I remember seeing the Space Shuttle Enterprise on TV when it did its atmospheric tests in the 70s. Although I saw the Space Shuttle Discovery some years ago at the Steven F. Udvar-Hazy Center, the way the museum has the Enterprise displayed along with its related history and exhibits made the pavilion one of the highlights of my visit.
When I was at the museum I took two guided tours, Pacific War: USS Intrepid in WWII and Concorde a Supersonic Story. For the respective price of $15 and $20, they were wonderfully informative and were essentially private tours. For WWII it was another guest and myself. The tour was all the more interesting as the other guest was a veteran of the Korean War. If it wasn’t for those brave men and women that serve in our military, we would be living in an unrecognizable world today.
Having always been a fan of the Concorde, I saved what turned out to be a private tour until the end of the day. If you grew up in the 70s the Concorde was all over the news. Simply put she was so far ahead of her time that just to see the plane was a cool experience. I first saw Concorde in 1985 on my first trip to London as she was taxing at Heathrow. As I understand it from the terrific guide I had, this is one of the few Concordes in the world that you can actually go into. When I was sitting in the passenger seats I was just thinking to myself about the amazing conversations and deals that went down in the cabin during her time in service.
As for time, I met up with my former business partner Lois Elfman for a wonderful dinner at Bistro Citron (highly recommended!). I first met Lois during my days in New York City at the offices of the Ice Theatre of New York (for insiders Moira’s loft). As many know we went on to launch a newsmagazine for the sport of figure skating that we proudly built into the world’s largest with an “intrepid” team.
Speaking of building, I just completed the second act of the political thriller I’m writing around the sport of figure skating “If she skates the way she did at sectionals she’s going to worlds. And the Federation can’t stop it.”