The title of this week’s blog pretty much sums up my day yesterday in Newport, RI. No, I wasn’t back at the Naval Justice School, it was literally a day trip of cars, coffee and forts. With the warm weather back here in New England (for the most part), this is the time of year when I look for interesting day trips on the weekends.
The Preservation Society of Newport County and Audrain Automobile Museum teamed up for a terrific event at Rosecliff that brought together cars and coffee (thankfully it was Starbucks!). The one thing about car enthusiasts is we are passionate people. Yes, conversations start around a particular vehicle but then generally migrate to other topics. In the end we learn something new. In this connected (yet disconnected) electronic age we live in, events like this get us out of the house and into social settings.
Passion was also evident when I took a tour of Fort Adams. I’ve seen the signs for years pointing towards Fort Adams, but finally visited yesterday. The history of this fort is beyond impressive. From its founding, to how it was constructed to its unique place in American history, our tour guide was not only a wealth of knowledge but enthusiastic. I can’t recall when a tour guide conveyed such a diverse amount of information during a tour.
It is about passion how things move forward. If you’re one of those people that live in a “someday” world, you will miss out on things that inspire. When I travel, meet new people and learn something new that’s just one more idea for something I might build or create at some point. Rosecliff, built from a fortune made long ago, is now visited by tens of thousands a year. Fort Adams, built to defend the United States and known for its technical innovation is now being showcased by guides who share its enthusiastic history in a modern world.
Creating does take time and nothing happens overnight. The one thing that’s important is to surround yourself with people that are supportive. I know that sounds like some sort of off the shelf self-help book, but it’s true. It’s OK that you might not share my vision or passion for something, but you’ll forgive me if I steer my ship past your port.
Putting aside for a moment what drives our motivations to create, yesterday was also about the preservation of history. In parts of our world where museums and heritage sites have been destroyed by terrorism, yesterday reminded me about the importance of preserving history for future generations. So while you may read about history in a textbook, there’s nothing like experiencing it in real life.
In this industry it’s all about building a brand. It’s when to say yes to a project and when to say no. And while we all like to get paid for our services, there are some things that transcend remuneration and that’s awareness. When I’m approached about a project my first consideration isn’t money it’s about building my brand. I always ask myself if this project is going to help build towards something bigger down the road.
Yes, there are plenty of “exposure only” opportunities. There are many times I’ve said yes to these types of projects because I knew it was going to be another building block on my brand. I knew by doing it, I was either going to get some great exposure, tape for my reel or some other solid representation of my work that I would be proud to promote. But of course not all these projects are the same. Like those with a narcissist director who is only interested in promoting their own agenda while ignoring those that helped along the way (they’re called actors and crew).
When I set out to produce a project I’ll be the first to say that sometimes they don’t pay much, but what the actors and crew get in return is sizable promotion in addition to a copy. From traditional to social media, if someone is going to throw their hat in my ring, it’s important that I bring them as much promotion as possible. Everyone knows the deal from the start and you are either on the same page or you aren’t.
As some have noticed, I tend to work with the same people. We see this all the time in the industry. A producer or director that has their reliable stable of actors and crew they can count on. Of course, we always expand our network with each project. There were some outstanding actors I worked with last month at the Naval Justice School that I hope to work with in another project.
I believe this is why when some projects are announced (particularly independent films) most of the key parts are already taken. It’s not because a director isn’t interested in new talent, it’s because limited resources means they need to be able to count on tried and true talent on both sides of the camera. This is where building a reputation is just as important as awareness. Some years ago it was a culmination of awareness and reputation of national TV appearances that eventually led to a starring role on a network TV show.
If you’re going to choose one of the hardest industries to break into, I think it’s important to build your brand to be known for something. Because once you are known for one thing, you can build it into another.
I have been a space enthusiast ever since I was kid. I remember to this day some of the last Apollo missions to the moon, a time in our nation’s history when the United States achieved great accomplishments, when we worked through the problem to solve the impossible. But while the 1960s was a time America moved forward in the direction of science, it was far from forward when it came to civil rights.
Last night I saw the acclaimed Hidden Figures to a packed audience at The Strand Theatre in Clinton, MA. I’ve been wanting to see this movie ever since I heard about it. The story itself can best be summed up by its logline, “The story of a team of African-American women mathematicians who served a vital role in NASA during the early years of the US space program.”
The balance in story that director Theodore Melfi achieved between the rapid progress of the space program contrasting to the glacial pace of civil rights, created not only a must see film but one with a lasting message of hope. Hidden Figures is a movie that champions the possibilities of the human race when working towards a common goal, in this case the space race between the United States and Soviet Union. Indeed this is a movie for the history books, one that will be long remembered decades after its release.
But long remembered was another character in the film, astronaut John Glenn. This past week Glenn was laid to rest in Arlington National Cemetery. It was on February 20, 1962 that he boarded Friendship 7 at Cape Canaveral. It was this pivotal moment in the fledgling space program that was prominently featured in Hidden Figures.
Perhaps the one thing that made last night’s screening so memorable was the reaction of the audience when the credits started to roll—applause. When a film moves an audience to such a degree that they enthusiastically applaud that does make the journey for all those involved in making the film a worthwhile endeavor.
As I have often said, movies need to be seen in a theater. While I’ve been a champion of VOD since its inception, it is the theatrical experience that creates the event. In that moment a group of complete strangers (usually) get together for a single purpose—to be entertained.
As the venerable Hannibal Lecter said, “Shall we say dinner and a show?”
Before we finished working at the Naval Justice School (NJS) several of us agreed to get together to see a play one of our fellow actors was in. Phoenyx Williams was certainly pulling double duty. Playing an NCIS Agent along with me during the day he would then travel back to Providence for nightly performances in the “Post-Electric Play” Mr. Burns (by Anne Washburn). Williams played the “electric” Mr. Burns.
But before the play, we met up for dinner at the excellent Federal Taphouse & Kitchen. Although it was exactly a week since we last saw each other at NJS, it was great catching up with new friends and sharing some interesting stories. I’ll just say this, lots of laughs! Of course the director in me is always mindful of the clock and we were soon on our way to the Wilbury Theatre for a 7:30 show.
Although most of us had been briefed on the synopsis, we honestly didn’t know what to expect. The premise from their website states, “After the collapse of civilization, a group of survivors share a campfire and begin to piece together the plot of “The Simpsons” episode “Cape Feare” entirely from memory.” It started at the campfire and then went on to two additional acts with two intermissions. I have to confess, I’ve never watched The Simpsons.
As a writer, producer and director I’ve certainly created experimental work. But with experimental work comes risk. While the story wasn’t for me (as one of the actors in the play said to me this play is either for you or isn’t), the acting, writing and production itself was excellent. Although I didn’t care for the story, the execution was brilliant and the actors are wonderfully talented. The “fun” highlight was when the actors moved the audience (we were on risers with wheels!). In conclusion, the third act was owned by Williams. He nailed it.
Whether it’s stage or film, this entire industry is an experiment of some sort or another. I applaud anyone that creates an original work and doesn’t try to duplicate someone else’s efforts. I hear time and time again from filmmakers and actors who try so hard to be like this filmmaker or this actor. How about creating your own brand? You can be sure that I want to see what Anne Washburn comes up with next and I’ll be following these actors!
As for next, this past week was also about reorganizing my projects. With Serpentine: The Short Program released, my focus goes back to promoting that project along with In Mind We Trust (the sequel to Justice Is Mind), First World and SOS United States. I say now what I’ve said before, projects do not come to fruition overnight. It takes abject dedication to bring a work to life. Whether that be a play, movie or performing career.
But with every new experience comes a new idea.