Last week I had my first pre-production meeting on First Signal. That meeting was with an actress friend I met last year at the Naval Justice School who inspired me to write the story. She will be playing one of the starring roles. At some point this week I will be posting for actors relative to a table read.
As we both talked about last week, what’s exciting is building a project from the ground up. I fondly remember the days when I first heard actors saying the lines I wrote for First World. But it’s when it all comes together for a feature that project takes on a different scope. Those pre-production meetings for Justice Is Mind were involved to say nothing of the number of auditions. While it’s important to cast the right actors for a role, I believe it’s equally important they are enthusiastic about the story.
When one considers the number of projects looking for attention, enthusiasm is critical. Anyone that has been part of my projects knows that I push them (and everyone involved) as far as possible. As leadership starts from the top down, so does enthusiasm. Let’s be honest, nothing is worse than working with someone on a project who is a Debbie Downer. This isn’t about drinking the Kool-Aid, it’s about having a positive attitude.
Speaking of positive developments, all the actor contracts came through for the next class at the Naval Justice School in March. I’m looking forward to a class reunion with some as well as working with new actors I cast in the project. What’s particularly exciting is that we have a retired NCIS Special Agent that will be playing an NCIS Special Agent. As I said to her this week, your resume reads like a Tom Clancy novel! But in all seriousness, it will be great to work with someone so knowledgeable on the subject.
As for knowledge, I’ve been seeing a wide variety of reports relative to First Signal. From buildings on the Moon to alien spacecraft taking off, it certainly helps when you see mainstream media reporting on a project you’re developing.
What I think is great about the independent film world are the sheer number of opportunities and distribution outlets now available to filmmakers. But that doesn’t mean putting all your eggs into one basket. Case in point The Sundance Film Festival. This article in Variety pretty much summed up this year’s festival and market.
I honestly can’t imagine producing a film in the high six or low seven figures and counting on a festival to bring in a distribution deal. When you consider how fractured audiences are now, producing something esoteric or polarizing isn’t going to secure a mainstream distribution deal. As I mentioned in an investor pitch this week, “while it’s easy to source the past performance of other films, we know there are simply no guarantees in this industry when it comes to a financial return.” And while there are no guarantees, why limit yourself geographically when there’s a whole nation out there looking for unique stories? That’s what audiences want, a solid story.
SPACE – LAGRANGE POINT TWO
While the submissions continue to come in for the next class at the Naval Justice School, this past week took an interesting turn when I was cast as a policeman in an upcoming TV pilot. What was originally one day turned into three days on this production.
I always find these large scale productions interesting for a variety of reasons. Am I learning something new? Did I have a good time? And did I meet interesting people? I would say the answer was yes on all counts.
For me I always look at these “large-scale” productions with two different hats on – as an actor and filmmaker. As an actor I had to learn pretty quickly how this director worked. He gave me direction once and then returned on a couple of occasions to rehearse it without any verbal cues. He would appear, I would do what he directed and then he would leave. It must have been OK because after one rehearsal and two takes it was done. I guess we will see if that moment makes it in the final cut.
As a filmmaker, what I appreciated was the level of detail on the built sets. The desk I was sitting at was complete with period files, notes, etc. Even the wording on the files was specific to the era. As we live in an age where movies and TV shows are constantly screenshot, the last thing you want is something on camera that shouldn’t be there.
But this week it’s back to my own projects. In addition to the handful of actors to cast in the Naval Justice School (NJS) project, I start meetings on First Signal. This will be my fifth class with NJS and it’s great to see so many actors return from previous classes.
After my first meeting this week on First Signal, my plan is to post for actors in regard to a table read. The goal is to have a read sometime in late February or early March. From there I move on to locations and then crew.
And just when I think I’ve heard every excuse in the acting book, today there was a new one. I scheduled an interview with an actor days ago this morning in regard to the next NJS class. I couldn’t believe when I received an email this morning asking to push the interview back because, “I’m just trying to run some errands before the football games today and wasn’t sure if we could push back to 11:30.” Obviously I declined to do so. To every aspiring actor out there read these next words carefully – an actor declined to keep a scheduled interview for a paid gig because of football.
Here in Massachusetts (and New England in general) there is an obsession on football that borders on near hysteria. It’s all well and good that you have your passions, but when they interfere with work you have a problem. When you ask a producer/director to reschedule an interview because of your passion for a sport, I have two words of advice – don’t submit.
Can you even imagine for a minute if the day after I committed to this pilot that I emailed the casting director and said, “I can’t work tomorrow because I need to watch XX” I don’t even want to know the note that would go in my file. But I do know what that casting director would do after crossing my name off all their lists.