Last week I talked about lists. Well this week I was able to cross off, or at least through, one thing on my list – uniforms.
Whenever I plan to put a script into production I go through it with a fine tooth comb to break down exactly what’s needed. For First Signal the Nehru styled suits for two of the characters have been secured for some weeks. Personally, I thought it was going to be a bit of a challenge to get the look I wanted with the budget I set for costumes. I soon discovered there were numerous manufacturers that offered countless styles and ranges in price. In the end I got what I wanted for that look.
But there was one type of uniform that was proving a bit elusive–Air Force officer service dress. Yes, a good number of regional costume shops had air force officer uniforms. They would have worked fine if our story was set in the early 1990s. But as First Signal is set in the year 2014, we needed a contemporary look.
To start I discounted contacting the big costume houses that work with “Hollywood” budgeted films and TV shows. My thinking was why on Earth would they want to work with an indie film on the scale of First Signal? So contacting the official uniform suppliers to the Air Force began in earnest. But in the majority of cases you need to be authorized military personnel to make a purchase from those companies. So short of purchasing items piecemeal on eBay and the like, this was a major item on my list that wasn’t budging.
When I saw the season finale of Madam Secretary and the number of military uniforms that were used on that episode, I decided I had to take a different route. I went to their listing on IMDbPro to see who was in charge of costuming. No sooner did I contact one of the wardrobe supervisors via LinkedIn did he get back to me with companies and contact names. Yes, these were the big costume houses on the west coast.
The welcoming reception I received from Eastern Costume put aside my preconceived anxiety about contacting one of these companies. To say they are knowledgeable about costumes would be an understatement. After sending them some pictures of the types of Air Force service dress uniforms I was looking for, they gave me a rundown on prices that will work for First Signal. Is it a bit more than I budgeted? Certainly. But in this case anything less than a contemporary look just wouldn’t have worked.
The search, however, continues for a suitable location. The one thing I have done with all my films is to secure locations via a trade marketing partnership. It’s a pretty straight forward process that works great for everyone. A location allows us the opportunity to film and I promote and market the location. Well after the actors and crew have left, a location sees themselves promoted regularly on social media, mentioned in the press, credited at the end of the film, on official sites and other entitlements that benefit all concerned long after “That’s a wrap” is called. I have no doubt that a suitable location will be secured. But there are always surprises in this business. Like when you believe you have a deal and suddenly it goes from trade to a $10,000 plus fee! Um no thanks, I’ll keep looking! The one thing I have long learned in this business is never be desperate to do a deal. I look for partners not takers.
Since First Signal’s table read last Saturday there has been a flurry of activity behind the scenes. From location scouting between Massachusetts and New Hampshire to waiting to hear from the Department of Defense on production assistance, the pre-production process of a feature film is a myriad of activity that gives new meaning to one word – lists.
With our aim to secure the final locations in the next ten days, those working on the pre-production side will see their respective lists grow exponentially. As I believe organization is critical to any production, keeping a well ordered list means that you’re one step closer to the start of production.
Speaking of productions, this past week was an interesting one from the acting side of things. When I was auditioning for a film in Boston, I ran into one of the actors that I cast in First Signal. I think we were reading for the same part! To quote Bette Davis in Now, Voyager, “The world is small, but Boston is big”. Suffice to say we shared some interesting stories while waiting to be called. The one thing I’ve learned about the New England market, is that there are a number of us that operate on both sides of the desk. Personally, I prefer it that way as it gives me a fresh perspective on the business.
However, it was all business on Friday when I was at Charles River Media Group. A few weeks ago I was cast in a book promo/trailer. The book is not a work of fiction, but fact. The story takes place in Austria during World War II. The producer, who is also the author, gave all the actors a personally signed copy. I started to read the book last night and it’s a page turner. I’ll write up the project once the production releases stills.
This was my first time working with this director (who was also the director of photography). From the costuming he sourced to the way he directed the shoot, his style was engaged and calming. The actors were tremendously professional and took their respective parts seriously. The end product should be stunning.
Indeed this market is a small one. No sooner did I arrive and I recognized one of the actors I worked with from the Joint Base Cape Cod exercises. Although another actor doesn’t know it yet, when the time comes I plan to reach out to him to see if he’d like to play one of the secret service agents in First Signal.
This week I also launched the Facebook and Twitter accounts for First Signal. Suffice to say I was encouraged by the response. These are only the first steps towards developing the overall marketing communications plan for the project.
Whenever I’m involved in the production of an event, I always arrive early. First, I hate to be rushed. Second, it’s about setting everything up. Finally, I like to just sit and take it all in for a few moments. I don’t meditate. It’s about quiet time. Because the time for this event was starting shortly before 11 AM – the table read for First Signal.
This journey didn’t just start when I wrote the script for First Signal, it started back in 2006 when I wrote First World. When you write a screenplay you never really know where it’s going to go or who is going to be involved. But when I was watching Lindy Nettleton reprieve her character of Allison Colby, the Prime Minister of the United Kingdom from First World, I was not only enormously thankful for her return, but the realization of the journey this project has taken since those early days.
As a writer, there is something surreal about watching actors bring your characters to life. I’ll admit, when I was writing First Signal I had several actors in mind for certain parts. There’s a reason why you see filmmakers work with the same actors because you know what you’re going to get in a performance. But then there is also the excitement about working with new actors and crew. They bring things to the table that you just don’t see. Not because you don’t want to, but as the writer you tend to have blinders on to keep the train of the story on a certain track.
Case in point when Vernon Aldershoff and Adam LaFramboise were in a confrontational moment. Vern suggested the line of “You can sit down” or “Sit down” before his character answers Adam’s. As I mentioned to the room, I have no problem with such additions (or deletions) if it adds to the vibrancy of the story. As a filmmaker you have to let a story breathe. The key, is to make sure it’s remembered by the actors and then noted by the director. Yes, I made a variety of notes from yesterday’s table read and will be following up with the actors and crew.
This is the first time I’ve held a table read and I’m glad I did. It wasn’t just about hearing the words come to life, it was about the actors and crew meeting each other and getting familiar with their respective styles. In the end it’s about chemistry for the next time we are all together it will be on set.
It’s impossible to thank the actors and crew enough for believing in First Signal. Your dedication and talent means a first rate production. And from their hosting of First Signal’s auditions in April to yesterday’s table read, my thanks is also greatly extended to The Verve Crowne Plaza in Natick. Indeed, a film has many behind the scenes partners. Each one of them is part of the production engine that finds its way to the silver screen.
It was 1985 and my first trip out of the country was to England. I don’t remember what my first tourist stop was on that trip, but one destination was the British Museum. For me, I’ve always been drawn to the “old masters” – the works of Leonardo da Vinci and the like. There’s something about the imagery and stories those paintings tell. Whenever I travel I always endeavor to find a museum. But sometimes one does not need to board a plane to discover works of art. Here in Worcester, MA we have quite a jewel of our own – the Worcester Art Museum.
My mother enrolled me in a variety of art classes at the museum when I was growing up. I cannot stress the importance of being introduced to art, music or any other creative endeavor at a young age. Since those early days of mine, my mother has enrolled her great granddaughter in some classes at the museum. While I may be a bit biased towards a family member, I’ll just say that Julie is beyond gifted when it comes to creating original art. She’s also quite the storyteller with some videos she has made.
My mother and I both celebrated our birthdays this past week. The last few years I have started a trend of visiting a museum on mine. I hadn’t been to the Worcester Art Museum in years. In fact, I can’t remember the last time I even visited. But no sooner did I walk in and I saw some familiar exhibits from days long past. That’s what I love about museums, they understand the past while presenting the moment.
I’ve never been a fan of contemporary art. I personally find it pointless and without meaning and effort. Taking a white canvas and literally throwing paint at it, isn’t art in my book it’s just a waste of good paint. Or, to quote Nigel Bruce as Major Giles Lacy in Rebecca, “Not this modern stuff I hope. You know, turn a lampshade upside down to represent the soul in torment.” But that doesn’t mean one isn’t open to discovering new artists.
I discovered the work of James Dye this week. The moment I laid eyes on his works I found myself just staring at them. From the detail to the construction of his story to the messaging within, I’ve never seen an artist represent so much in a print. It is the type of work that will speak differently to every person that looks at it. Certainly Dye has his own message to accomplish, but it’s clear that the artist wants us to form our own representation of the work.
To quote from the Worcester Art Museum, “Through ink, James explores the ritual nature of art and the symbiosis of image and story. He draws inspiration from mythology both personal and established to create works that speak to the imagination”. There’s no doubt in my mind that a film could be created off one of Dye’s works. From what I learned he was partially inspired by the artist William Blake. In the movie Red Dragon, the character of Francis Dolarhyde is taken with the Blake painting The Great Red Dragon and the Woman Clothed in Sun.
But the world of film is where I will be concentrating this week as pre-production continues for First Signal.
One thing I’ve often talked about is testing. Whether it’s a screen test prior to a theatrical screening or testing equipment prior to a live event, I’m adamant about testing prior to production or going live.
I still remember to this day, that despite testing equipment the day before, a major live event I produced years ago ran into a major technical problem during the show. What happened? Someone behind the scenes decided to “think” and change the program without consulting anyone. The result? A total screw up. Thankfully the embarrassment was resolved in short order and the venue credited us $14,000 for their mistake.
Production is time and money. If you don’t set aside time to rehearse, test and think things through, the results can be disastrous if not embarrassing. In the past two weeks I have witnessed two major meltdowns with camera equipment during auditions. How does that happen in today’s day and age? And why don’t you have a backup system ready to go at a moment’s notice? It’s called preparedness.
As for preparedness, I attended the Memorial Day services at Battleship Cove last Monday. Not only does this museum do a wonderful job in organization and presentation, it’s the location itself that brings forward the meaning of this national holiday. When you are standing on the deck of a battleship that fought in World War II, it doesn’t get any more real than that.
I’ve been to Battleship Cove on a several occasions. There’s always something new to learn and discover. When so many are engaged in the here and now, it’s important that we take the time to never forget how and why well over 50,000,000 perished in World War II.
With less than two weeks to go until First Signal’s table read, pre-production continues on a variety of fronts. At this stage of the production it’s more waiting to hear from certain parties for confirmations, etc. I will say the DJI Spark continues to perform well for the required drone shots.