As filmmakers we tend to operate in a vacuum. We generally write our screenplays in a bit of isolation and only expand our audience when our projects go into production. It’s easy to take refuge in people that will like our work, but we all know that’s not realistic. As creatives we look for our work to be seen by audiences outside of our own. Of course, there’s always that worry of what others will think. But that’s the very nature of what we do—we create to exhibit.
“For all those avid fans and not-so fans of sci-fi theme, this is a movie that edges all others this season and will go a long way in the mainstream if launched globally.”
This past week a notification popped up on First Signal’s Facebook page. When I clicked on it, I couldn’t believe what I was reading. It was a posted review. As I haven’t been promoting First Signal to the media for reviews, I was wondering how it came about. I then saw where the post originated. The Utah Film Festival & Awards posted, what could only be described, as a glowing review. Every word was a positive one. What I particularly enjoyed was the following passage, “For all those avid fans and not-so fans of sci-fi theme, this is a movie that edges all others this season and will go a long way in the mainstream if launched globally.” You can read the entire review on the screenshot below or their Facebook page.
Being thankful for this review would be an understatement. After I read it a few times I started to reflect on the origins of this project and how it came so close to never happening on more than one occasion. One thing I learned is that perseverance is key. If you believe in your project, you have to keep pushing despite all obstacles. Those that have worked with me know that I’m someone that doesn’t give up. As a literary agent friend told me last year, “You are truly a dog with a bone.” The First World Universe, that First Signal is part of, has been in development for over a decade.
I’m also pleased to announce that First Signal is an official selection of Beyond the Curve International Film Festival. When I was looking at their selections page and saw First Signal’s poster among a sea of films, I was struck by the sheer quality of the other projects. Some of these posters are truly works of art. My congratulations to all.
As for art, I saw Tenet last week and could easily attribute it to the surrealism of a Salvador Dali. The one thing about a Christopher Nolan film is he demands that his audience think. Not just in one dimension, but at least three. When I first see a Nolan film, I take in the stunning cinematography that’s always complimented with a rapturous score. The first viewing must be seen in a theatre as that’s where it’s designed to be experienced. The second time I focus on just the story to grasp the message. But it’s the third time, with captions on, that I do my best to understand the nuances of what Nolan wanted to achieve. What I love about his films are the subtle messages through numerous clues. I think this is why I love The Man in the High Castle so much – with every viewing I learn something more. I’ve always believed a film (or TV series) should be multi-layered.
Since my last post, First Signal has been accepted as an official selection in the Bucharest Film Awards and Aasha International Film Festival. To date, this makes eleven festivals that have accepted either the trailer or feature. I have to say I’m very encouraged by these early results. While there’s no guarantee of acceptance to any festival, I remain hopeful that First Signal will continue to be discovered by film festivals around the world.
Although I had planned to start screening First Signal independently of film festivals in October, I have put that plan off until 2021 and will wait and see how the film does during its festival run. Since I’ve submitted to additional festivals over the last few weeks that have a United States or world premiere requirement, any independent screening would jeopardize acceptance.
The theatrical market is the lifeblood of the film industry. While PVOD has demonstrated great promise during the last few months, theatrical is the key to success. Without theatrical, certain types of films either simply won’t get made or will be done so with dramatically reduced budgets. Sadly, some states have enacted the most draconian and restrictive requirements for theatres I’ve ever seen, while some (Los Angeles and New York) aren’t open at all. These types of restrictions do nothing except ruin industries while promoting fear to keep people out of indoor gatherings. I’ve never subscribed to those narratives.
The bright side to all of this is that smart states and countries have very relaxed if not completely opened their economies. They smartly treat citizens like adults and not like children. What this means is the obvious, businesses and creative industries will flock to these destination points. We all know enough now to know what is reasonable about events from the last few months. But, sadly, there are those governments that, for some odd reason, what to keep control of their citizens. Those citizens will simply move as no reasonable person wants to live under any form of totalitarianism.
I continue to remain optimistic that 2021 will return the world to normalcy. Some say the world will never be the same again. Some live in a world of such pessimism that optimism is like a foreign language to them. There are those times you have to look far down the tunnel to see a glimmer of light. But when that light is found, I prefer to be with those that share that destination. Life is too short, to waste on those that want to hold you back in their world of darkness.
While I do some repositioning with First Signal’s marketing plan for the festival market, an idea came to mind the other day for an offshoot story that would focus on one of the characters that is introduced in First Launch. This is a character that I introduced in First World, but never fully explored. Between my archive and what I have of this character in First Launch, my aim would be to create a stand-alone story that would expand the “First World Universe” and compliment the sequel.