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First Item

This coming Sunday, June 27 is the Massachusetts premiere of First Signal at The Strand Theatre in Clinton, MA. Suffice to say, I’m looking forward to our next screening. Since First Signal arrived on VOD in April it’s been continuous steady marketing efforts, but a screening is an event. As such, it should be promoted that way. To that end, I was very pleased to see The Item’s “Area native film, ‘First Signal,’ gets Massachusetts premiere at The Strand” article in the latest issue.

When I was reflecting on my past films at The Strand, it was The Item that always published a solid article before a screening. Those notices are a godsend to any filmmaker as they not only alert audiences to a screening event but contribute to the overall branding of the film. Securing press for a VOD only release of an independent film is not easy. But a theatrical screening? That sets it apart from the tens of thousands of other films vying for ink and eyeballs.

As I mentioned to a friend in the industry a few weeks ago, the media and filmmaking landscape has changed significantly since I released Justice Is Mind in 2013. Simply, there are more films being released and less media outlets to report. And if they can report, page counts and staff have been reduced. My point—getting media attention takes work and is harder. Yes, there are countless blogs and then there is social media, but a “newspaper article” is quite grand as they reserved space for you. Almost like a film festival, they vetted what they are going to report.  

1931 Chrysler CG Imperial

In regard to marketing and promotion, we are eight weeks into First Signal’s series of actor interviews. For those that want to gain some insight into the creation of First Signal and how the world of independent filmmaking works, you can check them out at this link. As each interview was about 35 minutes long, we had them broken down into three parts for each actor. Starting this Saturday, I’ll be posting part three of each actor’s interview. Look for a new one each Saturday for the next month.

Panzer V “Panther” Ausf. A

Today I went to the American Heritage Museum (where we filmed First Signal’s actor interviews), to attend their Tanks, Wings and Wheels event. The team that brings this museum to life does so in a way that has you leaving with a unique perspective on the history of war. From the introductory film to the WWI trench experience to the “Winds of War” War Clouds room followed by the main exhibits, the American Heritage Museum is a total immersive experience brilliantly presented. For those of you that are interested in learning more about this outstanding military history museum and attending some of their unique events, check them out at this link.  

The Strand.


A Strand Return

Anyone that follows the entertainment industry knows that the entire playbook on how films are being released and marketed has been thrown out. Last year, films that were slated for a theatrical release went direct to the streamers. Others held back until there was a thaw in the global crisis. Some released last year. Some…. Well, you get the picture…literally.

For First Signal, once the film was complete last year, I started with the film festival market. This worked out well from a brand building point of view. The majority of festivals were virtual and did a wonderful job at marketing and promoting. As the festival run was coming to an end, I planned for our world theatrical premiere to be followed by a couple of more screenings before we went to VOD. I wanted to capitalize on the press we had to date and the social media presence we were developing from the festivals.

First Signal’s VOD release through our distributor Indie Rights could not have gone smoother. Within the first week we hit the top ½ 1% of all films listed on IMDb, there was a dip the following week, but by week three we were trending again in the top 1%. How this all translates from a revenue point of view I won’t know for some months.  While marketing continues in earnest to promote our VOD efforts, I see no reason why theatrical can’t also be part of the mix. In my view, it’s about giving customers choices on how they want to experience a film.

I am delighted to announce that First Signal will have its Massachusetts premiere on Sunday, June 27 at 2 PM at the historic Strand Theatre in Clinton, MA! You can read our official press release at this link. The June 27th screening will mark my fourth film at the Strand. I remember like it was yesterday when my short film Evidence screened after J. Edgar. It was a thrill beyond words to see this short film come to life on the silver screen. While I certainly hoped to make the feature length version of Justice Is Mind, I had no idea that I would be screening the completed feature at the Strand two years later.

My point to all of this, is simple. Whether it’s VOD, theatrical, a special event, film festival or other venue, each moment should be seized because at the end of the day they all complement each other. With tens of thousands of films vying for eyeballs and attention from consumers and the media, every action that can bring attention to a film can only be a good thing.

As for attention, I’m also pleased to announce that First Signal won Best Screenplay and Writing at the Harrogate Film Society Festival Features in the United Kingdom. It’s very exciting just to be accepted to a festival, but to win is a true honor. Because when a film reaches the win stage, it has gone through many levels of vetting and review.  In essence, it’s a vindication that as a filmmaker you’re on the right track.

Of course, one can never rest on their “laurels” as new projects need to be realized. That same week of First Signal’s win, my political thriller screenplay SOS United States won Best Screenplay at the Chhatrapati Shivaji International Film Festival. As I’m making every effort to raise the capital to produce this story next year, each accolade is another step towards that goal.

On Screen.