On August 18, 2016 Justice Is Mind will celebrate its third anniversary. The same week that will see the website completed for the figure skating political thriller I’ll be announcing soon. Some ask where does the time go, for me it’s about taking the time to develop projects that I’m passionate about.
When I was writing Justice Is Mind back in 2010 writing a political thriller around the sport of figure skating was the furthest from my mind. The same could be said about Justice Is Mind when I was writing First World in 2006. As a screenwriter, it’s the idea that first calls to me and then if it sticks around a while I start to write those first few pages of a screenplay. I’m not one that writes a story using index cards, beet sheets or other devices, rather I let the story unfold as I build characters and the world they live in.
When I look at my dashboard on Amazon Video Direct and see how my films are doing across all their territories, yes, it’s a pretty cool feeling. Just like when you see your film screen in a theater. There is that sense of accomplishment that all involved in the project can share. Because, making a film is a project that does involve a village.
It is precisely because it takes a village that developing a new project takes a considerable amount of planning. Part of that planning is visiting possible locations, meeting with potential talent and laying the foundation before I seek to bring on a crew. This past week I had a great meeting at Northstar Ice Sports and from that meeting went to a local competition at the Cape (one that I competed in myself many years ago!).
I forget how small a world the sport is. No sooner do I arrive and I see one of the judges who I used to talk to regularly when I was actively involved in the sport. We still to this day reminisce about our time together at an International Skating Union Congress in Davos, Switzerland back in the 90s. I was one of the few members of the media to attend and she was moving up the ranks in the judging system. It was also nice running into a couple of coaches I haven’t seen in a while. All in all it was a great time.
This morning I was reading C. Hope Clark’s latest email newsletter and there was a particular passage that really stood out, “We should strive to be in awe of our work, and awe-struck by others. Instead of production, maybe we ought to focus on our power to seek and create awe. After all, wouldn’t you rather be remembered for the one, lone book than the fact you published a lot of forgettable stories? Or maybe you can find a place in the middle, but to do so, you need to slow down and think about the quality you produce.” I couldn’t agree more with her statement as it greatly applies to filmmakers.
If you’ve ever sat through the end credits of film you see the number of people that were involved that made the film come to life. Unlike a stage production that can be tweaked along the way once you wrap a film, it’s up to creative editing, or god forbid expense reshoots if you didn’t get what you wanted in the first place. I can thankfully say we didn’t need to do any reshoots on Justice Is Mind.
While there won’t be a special theatrical screening of Justice Is Mind this week, there will be online promotion to further introduce the film to a worldwide audience and build momentum for the sequel In Mind We Trust.
Indeed, while past projects continue to be promoted and marketed a new one is about to be announced.
I arrived at the theater shortly after 8 AM on Tuesday for a complete run through of Justice Is Mind prior to the festivities that evening. Why? Although we screened the film twenty times before, this was the first screening in a DCP format. Although the file was QC’d (quality control), I had to make sure there were no issues. Here I was sitting alone in a theater watching the highest quality of the film unfold. I normally don’t watch the end credits roll to the end, but this time I did reflecting on the literal army of people involved in the making of Justice Is Mind.
No sooner did my mother and I arrive back in Sturbridge later in the afternoon did the reunion start. First Jeremy Blaiklock, our Director of Photography, joined us for a drink and then Vernon Aldershoff, who stars as Henri Miller, came over to our table for a visit. It was then that this screening took on a new meaning for me—it was a reunion.
One by one they started to arrive. While I have seen the majority of them at various screenings, I was particularly excited to see Robin Ann Rapoport who plays Margaret Miller. The last time I saw her was at the world premiere two years ago. In all honesty, while we are all involved in other projects and jobs, it was like we just saw each other yesterday. So many of us remarked that, for whatever reason, this project has kept the “JIM family” together. But in the end, it does come down to performing for an audience.
As the end credits started to roll for me a second time that day, suddenly the audience started to applaud. We’ve had applause before, but I don’t remember it being this enthusiastic. This was an audience that got the story. They knew when to laugh and when to take certain moments seriously. Their comments after is truly what this process is all about. When a reporter said to me the next day in an email, “The film was excellent! I loved the style! It definitely was similar to Law & Order, like you previously told me!” As a filmmaker accolades like this are always great to hear!
After the screening many of us went to dinner and for the first time in the history of this project we just sat and enjoyed each other’s company. And, shockingly, we talked about things other than the film industry! But, of course, we all want to work together again.
I cannot thank the “JIM family” the media and Cinemagic enough for making the second anniversary screening of Justice Is Mind such a special occasion. It’s one for our history books.
So while I continue to present Justice for future screenings, events and distribution possibilities, my primary efforts are focusing on the next project. As the last five years can attest, I don’t jump into projects lightly. I believe in quality over quantity because at the end of the day it all comes down to two words.