When I set out to write First Signal in 2017 my goal was to simply write a prequel to First World. What I couldn’t have foreseen was the timeliness of the film when it was released in 2021. It was in 2017 when The New York Times suddenly released videos that purported to be UAPs (Unidentified Aerial Phenomena). Provided by Luis Elizondo, who was once the head of the Advanced Aerospace (or Aviation) Threat Identification Program, the videos sparked a media frenzy the world hasn’t seen in decades on this subject.
In early June the head of the U.S. intelligence community along with the secretary of state will be delivering to the U.S. Senate a report on the topic of UAPs also know as UFOs. What will be revealed in that report and what will be disclosed to the public, I’m fairly confident will be two different things. But one thing is certain, the questions on who or what is behind these videos simply will not stop. In fact, any concealment by the government will only further exacerbate the claim that the government is hiding something from the public.
I was about halfway through writing First Signal when these videos were released. While I wanted to include them in the story, I also wanted to broaden the “government coverup” aspect to not only include the central storyline of First Signal, but what the government may or may not do during such a crisis.
In one scene, General Reager states quite clearly that public doesn’t have the right to know the truth, “I call it protecting the people from themselves.” President Colton echoes his position when she states, “There are some matters of state that can’t be disclosed.” Do I believe that this may be the case with the upcoming June report? Who knows. But given present world events, I don’t think those of us that would frankly welcome an alien presence on Earth are going to be told much…if anything.
But putting aside my personal feelings on the matter of UFOs, the media around this subject is most certainly a boon for films like First Signal. As an independent filmmaker we do what we can with the resources we have to attract attention to our projects. Yet we always hope for some sort of outside influence to further propel our films forward. This happened with Justice Is Mind when suddenly “thought identification” technology was in the news during the time the film was released.
One does have to wonder if this report to Congress could create something on the order of an Operation Troy like we see in First Signal. Honestly, if the military knows about an alien presence on Earth or in our solar system, wouldn’t they use every conceivable method at their disposal to fully understand it? Of course they would along with, more than likely, linking with the militaries and intelligence agencies of other countries. They say knowledge is power, but sometimes one must also ask the question, “Do you really want the answers to the questions you seek?”
On a personal level, I do hope in my lifetime we definitively learn that we are not alone in the universe. I truly believe that this knowledge will benefit our planet not hinder it. As Cedric Yonah says in First Signal, “This is a time to study and investigate. Can you imagine what you could learn from them?”
Two days after the world premiere of First Signal, Daniel Groom and I taped interviews with some of the staring actors for up the upcoming VOD release. These videos will be published in increments as a series over a twelve-week period.
I have always enjoyed the interview process and talking about a variety of subjects. For me I don’t force ideas or new ventures, they just seem to present themselves. When I started a figure skating magazine back in the early 90s, it was because I wanted something to read about the news of the sport. Justice Is Mind came to being after writing the sequel to First World and seeing a show about mind-reading on 60 Minutes. First Signal was born out of sitting in a bunker-like room at the Naval Justice School and revisiting my notes from First World. Stay tuned for our first episode and announcement.
A few days prior to our world premiere, I pitched another theater about screening First Signal. As the details weren’t finalized at the time, I didn’t talk about it. But just days after the actor interviews, the New Hampshire premiere of First Signal at Smitty’s Cinema was confirmed. This past Thursday, Patience McStravick (Major Ellen Sampson), Paul Noonan (General John Reager) and I found ourselves in Tilton, NH at another premiere!
Smitty’s Cinema is a four-location chain based in New Hampshire. What’s great about these local theaters is their enthusiasm. From the moment the deal was confirmed, they went to work on marketing the premiere. Combing their efforts with ours, resulted in a successful screening. To support our efforts, The Concord Monitor ran a great story with The Laconia Daily News picking up our press release.
As I noted with our world premiere at Greenfield Garden Cinemas a few weeks earlier, I witnessed with Smitty’s Cinema—local communities supporting theater and independent films. The shared experience learning about a new film in the paper, to seeing the film in a theater to talking about the film after screening, theaters bring communities together.
Today, I am putting the final touches on a private screening for First Signal. Tomorrow will be a celebration of cast, crew and our guests before First Signal is released to the world. In some ways it feels like this journey is coming to end, but one thing I’ve learned over the years is nothing really ends in this industry, it’s always about new beginnings.