Although I wrote a screenplay when I was in grade school (I wonder where that is), First World was my first “professional” effort. Aside from my passion for all things NASA and my love of science fiction, I’m not sure where the initial idea came from. It was in 2006 and I was living in Los Angeles at the time. Before I knew it I purchased Final Draft and just started to write. Many months and drafts later First World was born. Great, I finished a screenplay now what do I do with it.
Just because I was living in Los Angeles it didn’t guarantee any more access than if I was living on a remote island. So I started to submit my screenplay to film festivals and by my shock it was being selected. When First World was nominated for Best Screenplay at the California Independent Film Festival in 2007 I figured I was on to something. Did I win? No. But being nominated was good enough for me.
In so many ways I think it’s good to start out in this industry being a bit naïve. But one does learn quickly. Raising money for a feature film was harder than writing an original story, much harder. But I wanted to at least introduce part of the story to develop interest in the concept. So, I condensed the story and produced a 25 minute short film version with my friend Adam Starr. Since First World Adam has been part of all my films.
After the short was produced in 2007 I found myself presenting it at sci-fi conventions around the world. It soon found itself in India as the only film at the inaugural First Ever National Discussion on Science Fiction. As a magazine publisher, I knew distribution and promotion. This was one area of filmmaking that I didn’t shy away from. Suffice to say I was relentless in introducing this project to anyone that would take the time to read what I was pitching. Some paid attention, most didn’t, but those that did just continued to build awareness for the project. In the end First World screened at 21 sci-fi conventions.
Some years later when the VOD world started to emerge an upstart website called hulu was born. Through my distributor IndieFlix I got First World on the site. There was something quite glorious to see First World run on VOD with ad interruptions. Remember, it’s either advertising or a subscription fee that pays for these services. Filmmaking and the VOD platforms are not a free enterprise!
After the hulu run I placed First World on Amazon’s Create Space. It was a relatively new service, but I was all about experimenting. Soon after Amazon ripped First World from our submitted DVD (yup that’s the way they got it on their system in those days). It took about three months but then it happened…my first payment from Amazon. Every month since I’ve been paid something from Amazon Create Space for First World.
But then something else happened in 2016—Amazon announced Amazon Video Direct. Short of it, filmmakers could now take advantage of the same system that distributors did. All we had to do was enter the required data, upload poster, film, trailer, closed caption file and presto we are worldwide across all of Amazon’s platforms. It took quite a bit of doing, but I was able to render a large enough file for First World.
First World has been on Amazon Video Direct for a year and has generated 464, 172 viewed minutes—translation this short film from 2007 has been watched over 17,000 times in the past year.
Since First World I have gone on to write, produce and direct three other films – Evidence, Justice Is Mind and Serpentine: The Short Program—all of which are on Amazon Video Direct. But like this article that recently ran about Amazon Studios, I also believe in theatrical distribution. While VOD is a godsend to filmmakers, a theatrical release showcases a film.
Am I still waiting to turn First World into a feature? Yes. But as Evidence brought forth my first feature film with Justice Is Mind, time will tell if that happens with First World and Serpentine. The entertainment industry teaches us patience and that it is ever changing and sometimes volatile. But there is one thing that this industry looks to when considering a project…
A visit to an estate. Military trials at a naval base. A meeting with the Prime Minister. No, this isn’t the plot for a new screenplay (although I have some ideas), but what my last couple of weeks have been like in Newport, RI.
I discovered Newport back in the early 1980s when my mother first brought me down to the seaside city. Touring the mansions and learning about the Gilded Age was something to see for someone who grew up on a farm. It was two decades plus later when I struck a deal with The Preservation Society of Newport County to photograph Nancy Kerrigan at Rosecliff. It’s hard not be awe struck at the majesty of these great “cottages” and imaging the grand parties of days long past.
Although I’ve toured all the mansions, I haven’t visited The Elms since those early days. The self-guided tour is a nice improvement from the live tour guides. It lets you go at your own pace and learn about additional details that time doesn’t permit with a guide. It seemed fitting to my Newport visit that The Elms was built for coal baron Edward Julius Berwind who supplied coal to the Navy. Because back to the Navy it was for the last few weeks.
Last Thursday I finished working at the Naval Justice School as an actor in their mock trial program. This was my “second tour” at the school. While I’ve been fortunate to have a variety of interesting opportunities in the industry, this by far offers not only the ability to act but to learn something in the process.
First, there are generally no set lines per se rather a scenario for your character with action points that must be adhered to. In my view it takes role playing to a whole new level. While there’s a highway and destination for each character, it’s the exits along the way that give the character and the entire scenario depth.
But for me it’s the atmosphere and the importance of the assignment. Yes, I’m working with other actors, but our primary interaction is with the officers, students and staff at the school. In other words this is real life. The students that attend the school are generally all lawyers and graduate from this program for military postings all over the world. Suffice to say we take it seriously. You can learn more about the Naval Justice School at this link.
What was nice about this “tour” was not only working with some of the same actors from the first assignment but meeting some new talent as well. The actors I’m pictured with here at the school are extremely talented. I had the opportunity to see some of them perform their character and they had me believing they were living that person.
Of course I was watching with my director hat on. Because who knows what project I may be working on next or have the opportunity to recommend an actor that is both talented and professional. Just as when I produce my projects, I want to work with actors that understand the word “team” without striving to become the center of attention off stage.
As for talent, I had the wonderful opportunity to visit with Lindy Nettleton who invited me to her play reading group. Lindy, as some of you may remember, played the Prime Minister in First World. I’ll still never forget her audition. She arrived with the actor who was auditioning to the play the President. We couldn’t find a quiet place for their audition, so what did these two professionals do? They got into character outside an elevator bank and read their lines…brilliantly!
Finally, for those of you that are car enthusiasts, I highly recommend the Audrain Auto Museum. A must see!