And so it begins. The casting notices for First Signal have been posted to Backstage and New England Film. Audition dates are scheduled for April 14 in Nashua, NH and April 15 in Natick, MA. So far the responses have been very encouraging. Although the cast for First Signal is substantially smaller than Justice Is Mind, that just raises the importance of casting the right actor for each part.
The characters listed on the casting notice are open, but three of the lead characters have already been cast (The President, Prime Minister and Major Sampson). The one thing I’ve learned about casting and directing is that once you work with a certain set of actors, you know what they can bring to the table. This is why you see so many directors working with the same actors from one film to another. It’s not that they aren’t interested in discovering new talent, it’s that they know the actor can breathe life into these characters and are easy to work with. But make no mistake about it, I love discovering new talent. Then there are the actors I’ve worked with in the past who are auditioning for the same part in First Signal. I promise you casting is not an easy process.
But the one thing I don’t believe in is the taped audition. Sure, all actors send in a reel of past work, but you can’t evaluate an actor properly unless they are standing in the same room with you. They may deliver a dynamic and exciting audition on tape, but how do they get along with others on set? Are they friendly or standoffish? Do they like the director? Sometimes it’s not about talent but about fit of personality.
As for fit, the April 15 auditions will take place at The Verve Crowne Plaza in the same conference room in which we produced Serpentine. Another part of the filmmaking process is about developing relationships with location and marketing partners. Thanks for having us back!
Whenever I start the process of preparing a project for pre-production I start to breakdown the script. Every filmmaker has their own process, but for me I start on page 1 and list what’s needed apart from the characters themselves. Aside from the three locations and uniforms, the majority of the breakdown notes for First Signal is stock footage.
I’ve posted about stock footage before and its importance in film production. Without stock footage First Signal would only come to light with a significant seven figure budget. One scene calls for a “Helicopter Taking Off From Roof”. In the days before stock footage, such a scene would have to be produced. Now, it costs about $50.
For me the breakdown of a script brings the reality of production that much closer. Once that list is done, I just start to pull all these pieces together and check them off one by one. Of course, there’s always things that come up that seem next to impossible. With Justice Is Mind it was the 11th hour securing of an MRI center to shoot the pivotal scenes of the mind reading process.
The one thing I’m adamant about when producing a film (or anything for that matter) is organization. Nothing is worse than arriving on set and disorganization (or incompetence) seems to be the status quo. I honestly don’t understand it.
When I’m cast on a project I just do as I’m told. But I’m also observing everything. The one thing I have observed with these “large productions” is that there are simply too many cooks in the kitchen all trying to out maneuver each other. On a set there is only one cook, the director. It’s pretty laughable when a production assistant gives you direction opposite of what the director just gave you. Their look when I say, “Well the director wanted me to do it the other way” is priceless.
As for communication, next weekend I’ll be posting a casting notice on Backstage and New England Film for the characters in First Signal that have not been cast. Auditions will be in April. These next two months are going to very busy. The next Naval Justice School class starts on Friday for the next few weeks, then it looks like I’ll be casting for a major military exercise in April and May.