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United States

The Reporter

The story largely takes place in Washington, D.C.

Creating a new screenplay from scratch is a process. While I have the latest installment of the “First World Universe” in title, logline and ending, coming up with a beginning and letting the characters “talk” to me while I create their world is not easy. But as I just passed the page 15 mark, the story is starting to nicely unfold.

This story takes place a year after the events in First Signal and a year before the events in First Launch. What I’m already seeing in the story is just how interwoven all these characters are in society. Although President Colton and General Reager are larger than life figures, their respective humanity comes through to understand why they do what they do.  Likewise, we will see what truly drives this reporter. It’s not just to get a story. Then we see how an alien presence on Earth just actually does integrate itself among the population.

The President’s private residence

From a production point of view, this story will be larger than First Signal but smaller in scope than First Launch (which truly does require a multi-million-dollar budget). I’m writing this particular story with the aim of producing it myself. It will mean securing the right locations for believability and impact but having been down this route with two features and other projects I know it’s doable.

Operation Troy under command of General Reager

What’s exciting from a writing perspective, because I’ve seen certain of these characters come to life in First Signal, it does make it easier to write them as their motivations have largely already been seen. But then there are always those areas of character that have yet to be explored and discovered. I’m molding the Reporter character from a few real-life reporters I have known personally. One is obsessed at getting the story and will literally call and knock on every door to get it. Another is more methodical. To achieve their goal, each step is well thought out, researched and investigated. Finally, there is the one that is looking for fame—hopefully with a strong set of ethics as a guiding hand.   

After so many years of work the “First World Universe” is no longer a dream, it’s a reality with the launch of First Signal this past March. As First Signal continues its distribution and marketing plan, another story unfolds.

These, whatever they are, started at the G-7 last year. Her daily intelligence meetings are well documented along with other state matters. But these blocks of time just aren’t explained.Kate Cloverton, The Washington Herald

Next Scene

The story continues!


The Correspondent

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After AFM First Signal is back in pre-production with production commencing in May.

Sorting through the numerous business cards and materials I gathered at AFM, I began my follow ups a few days after I arrived home. The return correspondence has been very encouraging. For obvious reasons I won’t publish the names of the companies I’m talking with, but suffice to say things are moving in a positive direction for two of my projects. The devil is in the details of course, but as filmmakers we are used to countless details.

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At the American Heritage Museum.

As I begin to ramp up pre-production for First Signal with a May production start date, I was talking to a fellow filmmaker the other day about the importance of insuring there’s a market for our projects after we wrap production. There’s simply too much time and money involved to wind up on a shelf which translates to holding up a return on investment.

I’ve talked about this subject before when I was marketing Justice Is Mind. It was vital to me that Justice was introduced in a theatrical setting. While many submit to film festivals at considerable expense and wait for an acceptance (a practice that was frowned upon at AFM unless it’s an A level festival with potential buyers in attendance), I pushed for a theatrical run. The result was a limited run of 14 theatres, box office revenue, an international premiere on an ocean liner and substantive media placements. If I worked for years to get my film off the ground the last thing I’m going to do is pay $$$ to a second tier film festival. Then wait weeks (if not months) for a decision by a committee, then, if accepted, be at the mercy of a programmer to place my film in a time slot convenient to the festival, ceding box office revenue (filmmakers don’t receive a cut from festivals) and sharing in their public relations efforts with other films.  As you can imagine, the public relations and release strategy for First Signal is already in the planning stages.

Speaking of planning stages, I had the opportunity today to visit the American Heritage Museum in Hudson, MA at the Collings Foundation. Some of you may remember my trips to the Collings Foundation for their World War II reenactment event “Battle for the Airfield” or their “Wings of Freedom Tour” around the country.

Although they are in “preview” until their Grand Opening in April of 2019, what I saw today was truly outstanding. The museum represents the history of war in America. Although it starts with the Revolutionary War all the way to the War on Terror, the primary focus is generally on World War I and World War II.

The tour starts in the orientation theatre and then proceeds to two immersive experiences before advancing to the main exhibit hall. The first is the World War I exhibit complete with a trench you can walk through. From there you proceed to the World War II exhibit which features a Mercedes-Benz W31 and Panzer 1A. Click this link to learn about all the tanks, vehicles and artifacts that will be part of the museum when it reopens in the spring. Of course, as a filmmaker, their use of archival film to enhance the static displays was brilliantly done.

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Never Forget.