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Posts tagged “acting

In Line

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Kim Gordon and Paul Lussier in Justice Is Mind. Two of the most brilliant actors I have ever worked with.

It’s not fashionable for actors to not learn their lines. Your number one job requirement when cast in anything is to learn lines. If you refuse to do that, please find another occupation or avocation.

When I read this interview with Bill Nighy (one of my favorite actors) that is has become “fashionable” for actors to not learn their lines, I always wonder where such nonsense started. Seriously, how do you execute a film (forget a play) when an actor doesn’t have their lines down? This is akin to a Director of Photography not interested in operating a camera.

Over the years I have unfortunately come across actors and performers that think it’s OK not to be prepared. Being unprepared is not only disrespectful to those in the cast and crew that have done their homework, but as a director I’ll never cast you in anything.

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Robin Ann Rapoport and Vernon Aldershoff in Justice Is Mind with Michele Mortensen and Richard Sewell.

As a writer/director I do have to count myself lucky with the actors I have cast in my films. Out of the four films I’ve produced, only two of the actors arrived to set without having their lines memorized to say nothing of having read the script.

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Vern and Robin in Evidence. Two excellent actors reunited in Justice Is Mind and Serpentine: The Short Program.

In one of my short films I was very excited to work with a particular actor who was also a producer/director. I was incensed when not only didn’t he have his lines memorized, but laughed it off in the process. Didn’t he care that there were about 15 people on set that saw this behavior? It was during that moment that I was reminded of a student film I was in the year before. One of the actors I had a scene with made a big deal that actors need to know their lines. I kid you not when our scene started he didn’t have his lines memorized at all. He thought it was cool. I was having none of it. Needless to say when he submitted for Justice Is Mind his submission was deleted.

This being said, ALL the actors I worked with in Justice Is Mind and Serpentine: The Short Program had their lines brilliantly memorized. For those that have seen Justice you know it was a dialogue heavy production. The courtroom scenes alone were basically one monologue after another. Their preparation and professionalism made the production a smooth one resulting in an on time and under budget finish. Professionalism (which has nothing to do with union status) goes a long way.

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This one still from Serpentine: The Short Program features the stars of Justice Is Mind.

However, responsibility also falls to the director as well. Whenever I put a film into production, I always make sure the actors have received their scripts well in advance. Isn’t that my job? To give actors the tools they need to succeed? I can’t blame actors for not having their lines down if I don’t deliver them in a timely fashion.

Case in point I was approached this past week to be in a film that was shooting this week. Before I committed the director confessed they were still “tweaking” the script and it should be ready shortly. What the hell does that mean? Do I get it the day before? Or day of! Needless to say, I declined to be involved. I’m sorry, if you can’t get your act together on the production side, you’re asking for a disaster on set. Honestly, this isn’t rocket science.

Professionals.

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Jeffrey Phillips as the President with Lindy Nettleton as the Prime Minister in First World.  As a first time writer/director, I count myself lucky to have worked with these two professionals. Jeffrey was also in Justice Is Mind.

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Special Agents

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With some of the actors at the Naval Justice School last week.

The hotel is booked. The luggage is packed. Around noon I’ll be leaving for a week. This is the week of the mock trials and are the “performance” days. But unlike a theatrical or film premiere, no tickets are sold. There’s no public audience. But when all is said and done, all of us involved take our performances out into the real world.

Having played this character for the third time, there’s always something new to learn. Some new process, procedure or training an agent will need to know. Or an area of law that will be focused on. It’s one thing writing a legal drama like I did with Justice Is Mind, it’s another to be on the witness stand being questioned and cross examined by an actual lawyer.  In a screenplay I know where the dramatic arcs are. I never know when they are coming in this setting!

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Monty Lyons (l) in Justice Is Mind.

So often I hear about this acting class or that acting class. This technique or that technique. I see actors obsess about learning this secret or that secret to acting. In my view I’ve always liked the way Anthony Hopkins has described the process, “I just learn my lines.” In the case of the NCIS Special Agent I play, I need to know my background and statements. I then research certain areas of law and procedure that may apply and then visualize the setting.

As for settings, while I’ve worked with most of the actors and staff from the school before, it has been great working with Monty Lyons. As some of you may remember, Monty played a police detective in Justice Is Mind and did an excellent job in the role. In this program Monty and I play the same character. Owing to the structure of the program we don’t often see our characters performed by other actors, so when I saw Monty play the role the other day, it was interesting to see his take on it. If I was to score his performance from the old figure skating scoring system, I’d give him a 6.0!

Finally, reuniting with some of these actors has brought forth some new ideas for projects down the road.  Looks like I’ll start writing a new screenplay next week.

Newport.

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“Chateau-sur-Mer” one of the “Newport Mansions” in Newport, RI.