The hotel is booked. The luggage is packed. Around noon I’ll be leaving for a week. This is the week of the mock trials and are the “performance” days. But unlike a theatrical or film premiere, no tickets are sold. There’s no public audience. But when all is said and done, all of us involved take our performances out into the real world.
Having played this character for the third time, there’s always something new to learn. Some new process, procedure or training an agent will need to know. Or an area of law that will be focused on. It’s one thing writing a legal drama like I did with Justice Is Mind, it’s another to be on the witness stand being questioned and cross examined by an actual lawyer. In a screenplay I know where the dramatic arcs are. I never know when they are coming in this setting!
So often I hear about this acting class or that acting class. This technique or that technique. I see actors obsess about learning this secret or that secret to acting. In my view I’ve always liked the way Anthony Hopkins has described the process, “I just learn my lines.” In the case of the NCIS Special Agent I play, I need to know my background and statements. I then research certain areas of law and procedure that may apply and then visualize the setting.
As for settings, while I’ve worked with most of the actors and staff from the school before, it has been great working with Monty Lyons. As some of you may remember, Monty played a police detective in Justice Is Mind and did an excellent job in the role. In this program Monty and I play the same character. Owing to the structure of the program we don’t often see our characters performed by other actors, so when I saw Monty play the role the other day, it was interesting to see his take on it. If I was to score his performance from the old figure skating scoring system, I’d give him a 6.0!
Finally, reuniting with some of these actors has brought forth some new ideas for projects down the road. Looks like I’ll start writing a new screenplay next week.
Tomorrow is a motion hearing in court. Not a real court. But the mock trial program I’m in at the Naval Justice School (NJS). While I can’t go into specifics for a variety of reasons, it involves my character as an NCIS Special Agent to be informed on matters pertaining to “my training” and certain actions I took. Sorry I can’t say more.
As an actor it gives me the opportunity to create a character. As this is a role playing part, as long as I know my background, there is a certain amount of leeway I can bring to the performance. The goal is to create a realistic environment for the students in the program. Because when this program is over, these students go out into the real world.
Creating worlds is what the fall is all about with the film markets. Toronto just finished with AFM coming up in early November. Some of the discussions that I’ve seen on filmmaking sites talk about the importance of having a teaser to represent a project. I couldn’t agree more. It honestly doesn’t take too much effort to create a sample of what a project could look like. Although I love reading a good script, being able to see some sort of visual does help bring it to life.
As for bringing a project to life, I firmly believe not going broke in the process. Yes, we all want to see our written word come to life, but it seriously isn’t worth emptying a bank account or maxing out credit cards. About a month ago I learned that an indie film that was in post-production hell finally climbed out of it when a producer mortgaged their house to finish it. Seriously.
But whether it’s a teaser, short or feature film, you want to work with actors and crew that do their part. Let me be clear, professionalism has nothing to do with union status and everything to do on how you comport yourself during a project. Are you prepared? Do you know your character? Do you show up on time? Are you contributing to the project or taking away from it?
There are people I’ve worked with on both sides of the “camera” over the last ten years that I wouldn’t hesitate to work with again. If you look at my projects you see many similar names. But sadly, there are those that I just won’t engage with on a future project. Nothing is harder on a production than an actor not being prepared or a crew member not doing their job. Simply, there are too many people looking for an opportunity and to prove themselves in the process.
The one thing that I enjoy about this industry is discovering new talent. And that truly is what this industry is all about—talent. Because there’s a “talent” in bringing a project to life.