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Posts tagged “actors

Next Stage

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Proxima Centauri in First Signal.

While the submissions continue to come in for the next class at the Naval Justice School, this past week took an interesting turn when I was cast as a policeman in an upcoming TV pilot. What was originally one day turned into three days on this production.

I always find these large scale productions interesting for a variety of reasons. Am I learning something new? Did I have a good time? And did I meet interesting people? I would say the answer was yes on all counts.

For me I always look at these “large-scale” productions with two different hats on – as an actor and filmmaker. As an actor I had to learn pretty quickly how this director worked. He gave me direction once and then returned on a couple of occasions to rehearse it without any verbal cues. He would appear, I would do what he directed and then he would leave. It must have been OK because after one rehearsal and two takes it was done. I guess we will see if that moment makes it in the final cut.

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A hand held holographic projector will be seen in First Signal.

As a filmmaker, what I appreciated was the level of detail on the built sets. The desk I was sitting at was complete with period files, notes, etc. Even the wording on the files was specific to the era. As we live in an age where movies and TV shows are constantly screenshot, the last thing you want is something on camera that shouldn’t be there.

But this week it’s back to my own projects.  In addition to the handful of actors to cast in the Naval Justice School (NJS) project, I start meetings on First Signal.  This will be my fifth class with NJS and it’s great to see so many actors return from previous classes.

After my first meeting this week on First Signal, my plan is to post for actors in regard to a table read. The goal is to have a read sometime in late February or early March. From there I move on to locations and then crew.

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A hand held holographic projector in First World.

And just when I think I’ve heard every excuse in the acting book, today there was a new one. I scheduled an interview with an actor days ago this morning in regard to the next NJS class. I couldn’t believe when I received an email this morning asking to push the interview back because, “I’m just trying to run some errands before the football games today and wasn’t sure if we could push back to 11:30.” Obviously I declined to do so. To every aspiring actor out there read these next words carefully – an actor declined to keep a scheduled interview for a paid gig because of football.

Here in Massachusetts (and New England in general) there is an obsession on football that borders on near hysteria. It’s all well and good that you have your passions, but when they interfere with work you have a problem. When you ask a producer/director to reschedule an interview because of your passion for a sport, I have two words of advice – don’t submit.

Can you even imagine for a minute if the day after I committed to this pilot that I emailed the casting director and said, “I can’t work tomorrow because I need to watch XX” I don’t even want to know the note that would go in my file. But I do know what that casting director would do after crossing my name off all their lists.

Next Actor.

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A read through for First Signal will be scheduled in the next several weeks.

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Actors and Agencies

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Tomorrow I’ll be attending The Westfield International Airshow. Part of SOS United States takes place at an air force base in Massachusetts. In the film the Concorde is seen as the “Air Force One” of the Prime Minister of the U.K.

This past week served to be an interesting one not only working with a variety of actors on the set of a movie filming in Boston, but in the selection process for the third outing at the Naval Justice School in September.

When the inquiry came in from the casting company about background work, I was interested because they also wanted to use my car in the film. My first Pontiac Solstice appeared in Justice Is Mind. My second, if it makes the cut, will appear in I Feel Pretty. I particularly liked how they “dressed” my car with New York State tags.

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My first Pontiac Solstice in Justice Is Mind.

But like the first time I did background work, it’s an opportunity for me to meet new actors and crew. I also wanted to see how they staged and used cars in a large scale production. With the camera setup, it didn’t take long to figure out why the cars were parked across the street.

As a director of course I take this all in on numerous levels. For me it’s like a vacation. I don’t have to worry about anything except showing up and doing what I’m told. Sure I felt a bit like Captain Kirk in Star Trek: Generations, but this wasn’t my ship I was just part of the crew. I will say this, the catering was excellent. Yes, I will judge your production, film or whatever by the type of food you serve. And if it ends with a great cup of coffee, that’s another star in my book.

But booking is where things turned for the next class at the Naval Justice School.  As Site Supervisor, sort of like director, I don’t make the final casting decision but I do recommend. As I mentioned to an actor earlier this week, “Those decisions are made in Washington.” It wasn’t gravitas on my end, the agencies that book the actors are based in the D.C. area.

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My second Pontiac Solstice with “New York State” tags.

I am always happy to recommend talent for other productions. If I’ve worked with you and the relationship was a positive one, those recommendations come easy. But if someone I know recommends an actor I haven’t worked with, I’ll forward the information if I like what I see with the caveat that I’ve never worked with this person before. This entire industry is a network. You never know who knows who and it is a terribly small world. It is that small world of industry contacts that had me sign with a new talent agency in New York this week.

While I have representation in the Boston market, I’ve been looking for a national reach for a few months. Let’s just say that some of the conversations and meetings have been beyond interesting and make for great cocktail conversation. But in the case of this new agency, we knew the same talent from a show I worked on over ten years ago, FOX’s Skating with Celebrities.

My point is this. It’s important to be nice whenever you can. Yes, there are sometimes difficult if not impossible people in this industry, but no gig lasts forever. This is an industry of moments and you only get one chance to make a first impression.

Recommendation.

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When I was on Skating with Celebrities in 2006.