In the entertainment industry it is the “one sheet” that advertises and promotes a film. In an instant the release of a one sheet sets the tone for a film that could be weeks, months or years from release. It is a form of media that should be carefully thought out. While it’s impossible to convey the entire story in a film poster, it should at least project a certain atmosphere.
When I was in post-production with Justice Is Mind my goal was to conceive of a poster that would represent the general story. With an MRI image in the background we see two sides of Henri Miller. One looking forward in the present world and the other looking backwards into World War II. I had the general concept in mind when we were shooting so I had Vernon Aldershoff, the actor that plays Henri Miller, photographed accordingly.
With Serpentine, the story revolves around a figure skater caught up in a Cold War mystery. With a sheet of ice as the backdrop, a skater is centrally framed in Red Square to convey the premise of the story. For SOS United States, the image of two F35’s flying in proximity to a cruise ship, dramatizes the accompanying tag line that says it all.
There are times when the production of a one sheet has to be as accurate as possible. First Signal was one of them. While the science fiction aspect gives one a certain amount of creative freedom, some things need to be right. The Moon to Earth vantage point was modeled after the famed “Earthrise” picture taken from Apollo 8. But it was the star field that needed to be accurate. Thankfully, Celestia, a 3D astronomy modeling program, was available (Special thanks to Daniel Elek-Diamanta for creating the poster and finding Celestia!).
Right after I registered for AFM, I was wondering what I could create to represent my various projects. While they each had their own branding and collateral (depending where they were in the production pipeline), I realized that I didn’t. Those that know me and my projects know what I create, but there is a whole industry universe out there that doesn’t.
I am therefore pleased to present the one sheet for The Ashton Times. Designed by my longtime colleague and friend Adam Starr, it is designed to promote and illustrate the type of works I create. For the last couple of weeks it has been included in my industry communications and promoted on MyAFM and Cinando. As we are an industry of image, I think it’s important to create what we can to present our projects in the best possible light.
It seems fitting that I’m preparing to leave for AFM during the anniversary week when Justice Is Mind had its international premiere on Cunard’s Queen Elizabeth in 2014. That screening proved to me that you don’t have to be a major or mini studio or have A or B list actors in your film to have a marketable project. Indeed, you only need one thing…
…a good story.
I have been a space enthusiast ever since I was kid. I remember to this day some of the last Apollo missions to the moon, a time in our nation’s history when the United States achieved great accomplishments, when we worked through the problem to solve the impossible. But while the 1960s was a time America moved forward in the direction of science, it was far from forward when it came to civil rights.
Last night I saw the acclaimed Hidden Figures to a packed audience at The Strand Theatre in Clinton, MA. I’ve been wanting to see this movie ever since I heard about it. The story itself can best be summed up by its logline, “The story of a team of African-American women mathematicians who served a vital role in NASA during the early years of the US space program.”
The balance in story that director Theodore Melfi achieved between the rapid progress of the space program contrasting to the glacial pace of civil rights, created not only a must see film but one with a lasting message of hope. Hidden Figures is a movie that champions the possibilities of the human race when working towards a common goal, in this case the space race between the United States and Soviet Union. Indeed this is a movie for the history books, one that will be long remembered decades after its release.
But long remembered was another character in the film, astronaut John Glenn. This past week Glenn was laid to rest in Arlington National Cemetery. It was on February 20, 1962 that he boarded Friendship 7 at Cape Canaveral. It was this pivotal moment in the fledgling space program that was prominently featured in Hidden Figures.
Perhaps the one thing that made last night’s screening so memorable was the reaction of the audience when the credits started to roll—applause. When a film moves an audience to such a degree that they enthusiastically applaud that does make the journey for all those involved in making the film a worthwhile endeavor.
As I have often said, movies need to be seen in a theater. While I’ve been a champion of VOD since its inception, it is the theatrical experience that creates the event. In that moment a group of complete strangers (usually) get together for a single purpose—to be entertained.
Yesterday at 10:02 a.m. EST, NASA successfully launched the Mars Science Laboratory Curiosity. The car size Curiosity rover will travel 354 million miles through space before reaching the Red Planet next August.
In addition to its sheer size, Curiosity is an engineering marvel. Equipped with a laser to identify the building blocks of life, the 1 ton rover sports 10 scientific experiments including the Mars Hand Lens Imager (MAHLI). Imagine a scientist on Earth being able to see color pictures as small as 12.5 microns of Martian rocks and soil.
I was watching Curiosity’s launch online with a friend of mine in Canada. As we both worked together on a Star Trek fan film, it’s safe to say we have a passion for space exploration. When he commented on how it’s unfortunate that more people don’t get excited about these launches, it just reminded me of how most just don’t understand the space program and the great benefits it has bestowed on all of us on Earth. I’m not sure if it’s a deliberate ignorance because it’s too much to comprehend or just an unwillingness to want to know and more importantly learn.
I have sadly heard people say that all this “space money” should go to health care. Really? I want to say to these naysayers do you have any idea the advances in medical science that came out of the Apollo space program alone? CAT scanners, kidney dialysis, advances in computing and cardiovascular conditioning that improved physical therapy used in sports and medical rehabilitation centers. Believe me it’s a long list, but you get the point.
And let us not forget the countless jobs and industries that the space program supports and creates. As President Kennedy said during his famed speech at Rice University in 1962, “We set sail on this new sea because there is new knowledge to be gained, and new rights to be won, and they must be won and used for the progress of all people.” And it was President Reagan who echoed the benefits of space exploration, “Our progress in space, taking giant steps for all mankind, is a tribute to American teamwork and excellence. Our finest minds in government, industry and academia have all pulled together. And we can be proud to say: We are first; we are the best; and we are so because we’re free.”
Although they may have had other motivations at the time, one has to wonder if Leif Erickson, Christopher Columbus, Meriwether Lewis and William Clark knew what their explorations would yield for the futures of tomorrow. But one thing has to be certain – they must have all had a “curiosity” for unknown discoveries.
And that’s our challenge, “We’re still pioneers.”
With the final mission of the space shuttle program launching this Friday, July 8 with Atlantis’s scheduled lift off from Kennedy Space Center at 11:26 EDT, the debate begins on what is truly the next step for NASA and indeed our long term goals in space exploration on a planetary scale.
We have the grand and fantastic International Space Station, a Multi-Purpose Crew Vehicle in development, unmanned spacecraft exploring every facet of our solar system while discovering new worlds beyond our own and an exciting commercial space program being led by SpaceX. But what NASA really needs is a budget set in stone, law and time that spells out exactly where the agency is going to go without interference from the whims of a new American President.
In my view, there really have been only three Presidents that understood the importance of setting long term goals for the agency – Kennedy, Nixon and Reagan.
When the Apollo program ended in the early 1970s, the next phase for NASA was well underway with the space shuttle when Nixon announced the program in 1972. Of course a few years earlier, it was Wernher von Braun who said at the time of the Apollo 11 launch “You give me 10 billion dollars and 10 years and I’ll have a man on Mars.”
Back then NASA had direction and long term goals. I’m not saying we don’t have that to some degree now, nor were the 1960s and 70s not fraught with budgetary issues, but NASA’s direction cannot be decided every four years. NASA needs, at least, a 10 year plan that cannot be changed once it’s approved by Congress.
Of course, what I have always found uniquely interesting in the history of the space program is its origins from the 1930s and The Third Reich. For it was that impoverished nation of Germany that conceived the Silbervogel – a winged aircraft that, to some degree, gave birth to what evolved into the United States space shuttle.
One has to truly wonder what inspired those scientists to create what they did given their resources at the time. Could there have been some outside influence perhaps? After all, we are talking about the invention of new applications in science and technology.
I, for one, believe in the ancient astronaut theories. In addition to the general concept of First World being built around it, there are simply too many unanswered questions regarding the abrupt jump in technology and the development of modern civilization. Something, someone or some action had to be responsible. While evidence certainly exists of some sort of interference in our society, an answer has not revealed itself.
Over at Space.com, Andrei Finkelstein, Russian astronomer and director of the Russian Academy of Sciences’ Applied Astronomy Institute in St. Petersburg, said “The genesis of life is as inevitable as the formation of atoms.”
We have discovered over 1,000 extrasolar planets and with the success of the Kepler space telescope are discovering more everyday. Now that we know where these otherworld planets are, we can turn SETI’s radio antennas to very specific areas of the cosmos to listen.
But with SETI’s budget slashed and its Allen Telescope Array offline, how can we listen to possible signals from alien civilizations if they are aimed at Earth? SETI needs just $200,000 to start listening again.
I leave you with this thought. Why have Earth’s space programs morphed into a thousand different directions with no clear goal? Haven’t we all noticed that we have these great tools in science and technology but no coherent global program to unite these platforms in a mission of revelation? I’m not talking Biblical Revelation here, but the revelation in knowledge and understanding.
The answers we seek are probably already here, but we need the organization to find them – or maybe to let them find us.
The Paris Air Show is known as the worlds largest and for good reason. Not only is it the oldest, but it acts as a grand exhibit hall to the latest and greatest in aviation. This year, however, the talk was all about the ZEHST – The Zero Emission Hyper Sonic Transport.
Since the Concorde last flew about eight years ago, the commercial aviation market has stayed subsonic. While it might be nice to fly in the luxury of the A380, it saddens me that there’s no longer a choice if you want to fly supersonic.
EADS, the parent company of Airbus, introduced the ZEHST concept. The idea is that it will be able to fly at Mach 4 with over 100 passengers at over 100,000 feet and make the journey from New York to Tokyo in only 2.5 hours.
There’s no question that the ambition is an impressive one. But will it ever fly? From what I’ve read, EADS claims it could have a working model by 2020 and be in the market by 2050. I wish we could go back to the heady days of Apollo and Concorde when we decided to just do something great. The science and engineering are there so to quote Nike “Just do it!”
As the article states, the United States government classifies lunar samples as national treasures and well it should. Aside from the fact that these objects are from another world, they were brought back to this one by man for all of mankind to study and learn from. I for one believe it should be illegal for anyone to try to sell lunar objects.
Finally, for those of you that don’t subscribe to my email newsletter or missed it on Facebook or Twitter, last month yours truly was cast in a short science fiction film called Approved by Durjaya. The film “centers around a dystopian society in which there are strict rules enforced by a higher authority and each citizen is assigned to a group that determines their job and subsequently their life.” I play one of the two protagonists. The film is scheduled for release in December.
In closing, I’m also running a promotion for First World: Covenant. For those of you that purchased the ebook, I am offering a FREE autographed cover of Covenant that would be suitable for framing. Details can be found in my latest email newsletter.
In the First World universe the primary method of transportation by the Lunarians is the Arctran (Anti-gravity Robotic Command Transport Rapid Aeronautic Navigation). Styled like the retired Concorde, with the length of a 747 and in “Boeing Silver,” an Arctran’s primary function is to act as transportation between Central’s four Earth bases and the domed installation on the Moon, Lunaria. Of course no fictional story would be complete without putting the Arctrans to the test of combat, something they were never designed to do – well, maybe they’ve had some modifications along the way.
Anti-gravity propulsion is certainly nothing new in science fiction. One of my favorite movies that used anti-gravity as a plot device was The First Men in the Moon (1964). The one thing that I love about science fiction from the 1950s and 60s is that they try to explain the science behind the science fiction. In The First Men in the Moon, a scientist by the name of Joseph Cavor invents Cavorite – a gravity blocking substance with the properties of Helium. When this substance is applied to an object it defies the laws of gravity and propels itself. In the film, Cavor uses Cavorite painted blinds on his spacecraft (a sphere) to navigate. Imagine if it was that simple
In the real world, the last seventy years has seen a variety of research into the harnessing of anti-gravity technologies. During the Third Reich, Die Glocke was allegedly some sort of “Bell” that resisted gravity with electromagnetic propulsion. The only proof of whatever did actually exist is a test rig.
For years it has been speculated and reported that Boeing has been working on anti-gravity propulsion with the code name GRASP – Gravity Research for Advanced Space Propulsion. When we consider that the black technology computers used during the Apollo space program are now household technology, I think we can safely speculate that there are propulsion systems being tested that the public has yet to witness.
Next weekend I’ll be at the Rhode Island Air Show, maybe I’ll arrange for an Arctran to make an appearance. Better still, maybe our military would like to surprise us with something new.
I am pleased to announce that First World: Covenant has been published. My first ebook went live on Amazon yesterday afternoon.
For those of you that may not be familiar with First World, the story is set in the year 2018 when China announces its first manned mission to the Moon which sets forth the unraveling of a worldwide cover-up that began when Apollo 11 discovered a domed installation in the Sea of Tranquility, and with it, the origins of mankind.
Covenant is a prequel novella that takes place twenty-four hours prior to the events in First World: Revelation. Covenant revolves around four characters that each have a stake in the coming of a new world order and provides some additional background to the primary story that starts in Revelation. The synopsis can be found on the Covenant page and in the official press release.
The First World story really began in 2006 with one scene. I just imagined being on the beach when suddenly these space-like ships appear out of nowhere. OK, now where did I want the story to go.
Ever since I can remember, I have loved science fiction. I’m particularly fond of the classics from the 1950’s. I have also been fascinated with the number of conspiracy theories surrounding the Apollo missions. It’s hard to believe that some people actually think we never went to the Moon. So then where did these Saturn V rockets go?
Another area of interest of mine has been the various religious beliefs that are held by most of the human population on this planet and the governments that, let’s face it, control the population.
When I started to “pen” First World one of my other goals was to ground the story in history and major events. You’ll see what I mean when you read Covenant.
Since 2006, First World: Revelation has placed in three writing contests at leading film festivals, been produced as a short film that has screened at twenty science fiction conventions in over six countries and is running on Hulu.com through the IndieFlix channel (Yes, I am working on securing production of the feature-length version). As I mention in the acknowledgments, the words Thank You don’t nearly express my gratitude for all those that have supported this…adventure!
I hope you enjoy Covenant. I look forward to your comments.