This past week was another exciting one for both space history and the space program. From the 46th anniversary of the Apollo 11 landing on the Moon on July 20, 1969, to new images from New Horizon’s flyby of Pluto and the discovery of ‘Earth’s cousin’ Kepler 452b , NASA continues to excite and motivate a new generation just as it did back during the days of Apollo.
I have always loved the space program and, of course, science fiction. From Destination Moon in 1950 to Apollo 11 in 1969, we see time and time again the influences movies have in the real world and visa-versa.
The same can hold true for the science fiction of mind reading I postulate in Justice Is Mind. Just this week, two articles came out that not only further the conversation of neuroscience in the courtroom, but the actual real world implications of the science of mind reading.
In fact, the origins for Justice Is Mind are in the space program of the 1960s. When I was writing the sequel to First World, the idea came to me that on return to the installation on the Moon, inhabitants had to pass through a “mind reading like” device to gain entry. Thus some simple research brought me to a “thought-identification” story on 60 Minutes. The rest, as they say, is history. Justice Is Mind was written, produced and released with our second anniversary screening coming up on August 18.
Regarding the promotional efforts I do for First World, Justice Is Mind and SOS United States, it is always interesting to me to see which one gains the most traction. This past week First World spiked sharply with my Apollo 11 posts, SOS United States saw its highest impressions ever with the U.S. Embassy opening in Cuba and Justice Is Mind increased dramatically with a story titled, “Scientists Say They Can Read Your Mind, And Prove It With Pictures“.
Marketing a film takes time, consistency of message and perseverance. The major studios have the benefits of seemingly endless marketing budgets and A list actors. For a truly independent film like Justice Is Mind, it’s important to have a hook and to see what resonates with audiences. For this project, I have always seen consistent engagement when it comes to media related articles that have to do with mind reading and their real world applications in court or the perceived abuse by government.
When doing my follow calls to the media this week, the one thing that has resonated well was that the sequel is in development and that a concept trailer exists. We shall see how this all pans out in the next couple of weeks as we lead up to the second anniversary screening of Justice Is Mind on August 18 at Cinemagic in Sturbridge, MA.
This weekend I hit page 110 of the sequel to Justice Is Mind. For the last several pages the characters and related plot points have been converging to an end point. It’s moments like this in my writing that I find myself going back to the beginning of the script to make sure I haven’t left anything out. But this is the first draft, and like any first draft, there will be edits.
As some may know, one of my favorite authors is Barbara Taylor Bradford who wrote A Woman of Substance. I came across an interview she did in Gotham last year on what some of her writing secrets are. She makes an outline that doesn’t go more than 10 pages. That’s generally about the same practice I employ. For me, I want to have an idea where the characters are going, but to give them flexibility if some new idea or plot twist comes up. In fact, I already adjusted the ending a bit for the sequel.
The one thing I don’t do is over edit. I really believe you can edit too much and water down what may have been OK in the first place. But this is all personal preference. Of course, if a project has been green lit there are those adjustments that sometimes you just need to make for a variety of reasons. I was looking at my first draft for Justice Is Mind back in 2010. I’ll just say this, thank God I changed the last ten pages!
But like Emma Harte in A Woman of Substance had her “Plan with a capital P”, I have the same thing with the “Justice Is Mind” project. It may take some time to implement, and I certainly won’t divulge it all here, but with a short and feature film completed, a sequel in development and notes for the fourth leg of this project, it’s moving. With each leg the goal is to continue to increase the profile of the project. Ambitious? Sure. But so was the feature film.
Speaking of the feature film, I’m pleased to report that Justice Is Mind can now be streamed on Roku through the new VHX channel. VHX just announced it last week. It’s certainly a great development and it just gives audiences more viewing options. I’m hoping to announce some additional distribution options for Justice Is Mind shortly.
On the political front I was more than delighted to read last week that relations between the United States and Cuba continue to thaw. In my political thriller SOS United States, it’s Cuba that comes to the aide of the United States. When I think of the number of times I have travelled in the Caribbean (mostly by cruise ship) only to see Cuba just over the horizon. It’s time this failed embargo is lifted.
And just as I was finishing up this blog post one of our supporters said, “You know when folks see a movie I don’t think they really get the work, the really hard work the writer has thinking up every word and making it come out sounding natural.” Suffice to say I appreciate those words!
From the writing of the screenplay, raising the money, producing, directing and marketing, audiences really have no idea what goes into the production of a film. And as Emily Best of Seed & Spark said in an article this week, “Every film is a business.” Because in today’s day and age of independent filmmaking, there is one thing you need to have.