The email came in on a Thursday afternoon. A producer from station KABC-AM 790 in Los Angeles wanted me to do a phone interview on Friday with Jillian Barberie and John Phillips for their popular morning drive talk show. The subject was figure skating. The topic was an incident between two skaters at the World Figure Skating Championships in Japan.
I co-starred with Jillian on FOX’s Skating with Celebrities. She was a skater and I was one of the judges. No sooner did we meet on set than we became fast friends off the ice. Needless to say I was very excited to do the interview. First, it was Jillian but second she’s a great interviewer. It was a reunion of sorts as we haven’t seen each other since I moved back east in 2008. The moment the interview started we picked right back up where we left off all those years ago. You can listen to the interview at this link. Those few moments on air with Jillian brought back so many great memories from my time in LA.
As for the world of entertainment, last year I was cast in a documentary titled Reconstruction: America After the Civil War. As you see in this still, it was shot entirely in green screen. In the production these shots will be animated to recreate areas of the documentary for which no photos or film exist. From what I’ve seen, this looks like a brilliant documentary about an important part of American history after the Civil War. The documentary airs on PBS April 9 & 16. To learn more click here.
In just over a month principal photography begins on First Signal. Since I wrote the script in late 2017, it’s amazing how fast time has gone by. It was becoming real enough over the last month when certain props arrived, but when the Air Force Uniforms started to arrive last week it was then that we all could feel the day coming.
I decided to buy the uniforms rather than rent. Not only was it about the same price for the weeks we needed them, I look at the uniforms as a smart investment. First, we’re not constrained to a limited amount of time with them. What happens if we need to reschedule shoot dates past the rental period? What happens if after we wrap we want to do some pickup shots? With this acquisition, the budget is locked down.
With cast and crew complete, final props being created and actors going through fittings, it’s this moment in pre-production where things are fine-tuned and coordinated. One could say we’re rolling out of our Vehicle Assembly Building.
It was early in 1994 when the call came in. The Montel Williams Show wanted me as a guest to discuss the “Tonya/Nancy” fallout. Naturally, I was beyond thrilled, excited and, yes, nervous. But I had just launched a figure skating magazine and was eager for all the promotion I could get.
I remember like it was yesterday the days leading up to my first TV appearance. The call with the producer going over details of the planned show. Their booking of my flight to New York and my hotel. In the end I drove to the city the day before as a snowstorm threatened to cancel flights from Worcester. I couldn’t believe I was in New York as a guest on one of the most popular syndicated talk shows of the time. The taping went great and the rest as they say was history – over 15 years of TV appearances around the sport of figure skating (the total count is around 300). Because they wanted me on that show and because I said yes, it launched my career and created a brand in the process. Someone reading this is now asking how much I was paid in cash. The answer is simple – zero. It was exposure.
Throughout my career the one thing I have endeavored to keep is an open mind. When an opportunity presents itself the first thing I look at is the exposure. Is it going to look good on my resume? Might it lead to something else? Will the footage be worthwhile? Perhaps the most important – will I have a good time. Sure, the compensation package is a consideration. But currency shouldn’t just be measured in dollars and cents. Each “gig” is cumulative. By simple example, many high profile “non-cash” TV appearances led to a $2,500 an episode paid gig as a Judge on FOX’s Skating with Celebrities.
Unfortunately, what I’m seeing in this industry lately are closed minds unwilling to see the big picture. An actor, who I booked on a paid gig last year, recently took to social media to call out a listing they saw about how actors apparently weren’t being compensated. Instead of ignoring the posting they thought it was a good idea to take their “vent” to social media to get like-minded people to agree with them. I have seen other similar postings or have heard of those brought to my attention. These actors believe they’re doing the industry a service when in fact they just expose themselves as nonprofessionals. What’s curious about some is that they are represented by reputable agents. Do these agents know what their clients are doing on social media? Sadly, they don’t think about the possible fallout from defamation or that they have now branded themselves as troublemakers. Believe me when I tell you, producers, casting agents, directors and employers look at your social media before hiring you for a gig or a job. I now understand why some of these folks have painfully thin resumes.
To quote Paul McGill in my favorite book A Woman of Substance, “We are each the authors of our own lives, Emma. We live in what we have created. There is no way to shift the blame and no one else to accept the accolades.” Whether I’m creating a project or considering the opportunity to work on one, I always look at career “currency” and how it will increase my brand. This is all about leveraging one project after another. The one thing everyone wants in this industry is to be noticed. I think it’s best to be known for ones accomplishments rather than complaints.
I’m now thinking to myself, what if I said no back in 1994? Would my career have launched? Who knows. But one thing I do know is this is an industry of endless opportunities. It also doesn’t hurt to have a little bit of luck and being in the right place at the right time.