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Posts tagged “film poster

One Sheet

Mark Lund-The Ashton Times - AFM Poster

In the entertainment industry it is the “one sheet” that advertises and promotes a film. In an instant the release of a one sheet sets the tone for a film that could be weeks, months or years from release. It is a form of media that should be carefully thought out. While it’s impossible to convey the entire story in a film poster, it should at least project a certain atmosphere.

When I was in post-production with Justice Is Mind my goal was to conceive of a poster that would represent the general story. With an MRI image in the background we see two sides of Henri Miller. One looking forward in the present world and the other looking backwards into World War II.  I had the general concept in mind when we were shooting so I had Vernon Aldershoff, the actor that plays Henri Miller, photographed accordingly.

With Serpentine, the story revolves around a figure skater caught up in a Cold War mystery. With a sheet of ice as the backdrop, a skater is centrally framed in Red Square to convey the premise of the story.  For SOS United States, the image of two F35’s flying in proximity to a cruise ship, dramatizes the accompanying tag line that says it all.

There are times when the production of a one sheet has to be as accurate as possible. First Signal was one of them.  While the science fiction aspect gives one a certain amount of creative freedom, some things need to be right. The Moon to Earth vantage point was modeled after the famed “Earthrise” picture taken from Apollo 8.  But it was the star field that needed to be accurate. Thankfully, Celestia, a 3D astronomy modeling program, was available (Special thanks to Daniel Elek-Diamanta for creating the poster and finding Celestia!).

Right after I registered for AFM, I was wondering what I could create to represent my various projects. While they each had their own branding and collateral (depending where they were in the production pipeline), I realized that I didn’t. Those that know me and my projects know what I create, but there is a whole industry universe out there that doesn’t.

I am therefore pleased to present the one sheet for The Ashton Times.  Designed by my longtime colleague and friend Adam Starr, it is designed to promote and illustrate the type of works I create. For the last couple of weeks it has been included in my industry communications and promoted on MyAFM and Cinando. As we are an industry of image, I think it’s important to create what we can to present our projects in the best possible light.

It seems fitting that I’m preparing to leave for AFM during the anniversary week when Justice Is Mind had its international premiere on Cunard’s Queen Elizabeth in 2014. That screening proved to me that you don’t have to be a major or mini studio or have A or B list actors in your film to have a marketable project. Indeed, you only need one thing…

…a good story.


First Poster

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First Signal is being formally reviewed by the Pentagon (Department of Defense).

The development of a film property isn’t just about the actual filming, it’s about creating imagery, branding and a marketing campaign. Long after you type the first word of your script, it’s the first image associated with the story that everyone remembers. How many times do we read about a project in development or one that has long ago been filmed, until we see an image associated with it?  First Signal is much more to me than just another film project. It’s about setting the right tone and creating the “world” of First Signal.

Although I had a general idea of what I wanted to see in a promotional poster, I had no idea that Daniel Elek-Diamanta was thinking along the same lines. Daniel, as some of you know, is an accomplished composer. He brilliantly scored Justice Is Mind and Serpentine. Unless he’s not available, he knows he’s always my number one. Weeks ago he agreed to score First Signal. In addition to his talent scoring films, he’s also a brilliant graphic designer. When he sent me a surprise draft of a promotional poster for First Signal it’s like he read my mind (Justice Is Mind?).

I am therefore pleased to present the first promotional poster for First Signal by Daniel Elek-Diamanta! Inspired by the famed Earthrise photo from Apollo 8, with a star field created by Celestia an open source virtual 3D astronomy program, the poster was released today on IMDb and social media.

Also launching today is First Signal’s official url www.firstsignalmovie.com. The site presently points to First Signal’s Facebook page, but will soon be directed to a custom designed website. The footage has already been selected with Daniel working on an introductory score.

Standing out in this industry is a herculean task. Sure, I go to my social media feeds and I see what’s going on locally. But it truly comes down to making a national and international push for a project. I’ve never had any interest in being a “popular local.” For me, it’s about someone discovering my films who lives far away from where it was created.

When Justice Is Mind had its international premiere on Cunard Line’s Queen Elizabeth back in 2014, nobody on the ship, aside from my mother, knew me or anything about the film. All they knew what was in the daily communique. Those passengers were my most important audience. Thankfully the screening was, I’ll say it, smooth sailing.

I also received word this week that the Department of Defense is formally reviewing First Signal for possible cooperation. As some of you may know, the military has entertainment liaison offices that work with the industry. Although First Signal is science fiction, there are numerous elements to the story that are based in the real world. And like the legal aspects of Justice Is Mind, I think it’s important to insure the military and science aspects are properly vetted.

The Pentagon.

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A Giant Leap

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Buzz Aldrin salutes the U.S flag on the Moon.

July 20, 1969. The 49th anniversary of the Apollo 11 mission – “we came in peace for all mankind.”

Although at 4 years old, I was too young to remember the historic event of the Eagle landing on the Moon, I fondly recall the later Apollo missions in the early 1970s. Those grainy black and white pictures being transmitted from the Moon to our television sets was a remarkable achievement. Indeed, it truly was “one small step for man, one giant leap for mankind.” In those days the world watched in wonder as the impossible was achieved, not once, but several times.

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Neil Armstrong climbing down the ladder.

When you think of the new technologies, sciences and discoveries that resulted from the space program of the 1960s and 70s, it’s clear that a giant leap was achieved on numerous levels. You can’t bring together that many scientists and engineers and focus them on a single end goal without achieving breakthroughs that were literally out of this world. Of course, another result of the space program was the motivation it gave to so many.

In my case, I developed an interest in astronomy which led to my passion for science fiction.  When I combined these interests and wrote First World in 2006, I had no idea where that journey would take me. In the film world it led to the production of the short film version of First World in 2007, followed by Evidence and my first feature film Justice Is Mind. In the real world, I have been fortunate to see the space shuttle Atlantis land at Edwards Air Force Base, Discovery and components of the Apollo program at Steven F. Udvar-Hazy Center, the Enterprise at The Intrepid Sea, Air & Space Museum and Freedom 7 at John F. Kennedy Presidential Library and Museum.

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The plaque left on the ladder of Eagle.

In the world of entertainment, two of my favorite TV series that involved the Moon are UFO and Space: 1999 with my favorite sci-fi movie being War of the Worlds (1953). But over the last several years “Hollywood” has produced some excellent must see films. I could list many, but my two recent favorites have been Hidden Figures and Arrival.  Two completely different films, but with compelling messages of the possible when faced with the impossible.

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A first look at some artwork for First Signal.

As for possible, progress continues on First Signal. With Daniel Elek-Diamanta designing our first promotional poster, the look of First Signal is beginning to take shape. With more location scouting planned over the next several days, I have no doubt that the right location will soon present itself. When a launch is planned, all the conditions need to be right. I don’t want to settle on a substandard location just for the sake of keeping a schedule. Not only do I need to be excited as a director, but I want the actors and crew to feel equally motivated with their surroundings.

Next steps.

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Apollo 11 takes off.


An Original Age

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With Kim Merriam at Rosecliff. Newport, Rhode Island.

Last Sunday my friend Kim Merriam and I went on a day trip to Newport, Rhode Island. Aside from knowing Kim since we first met as teens at the local figure skating club, Evidence and Justice Is Mind were both shot at her house. As I’ve toured every Newport Mansion at least twice, I left it to her to pick which one to tour. She selected my favorite mansion – Rosecliff.

Rosecliff is particularly special to me. Having first visited the mansion with my mother in the early 1980s and being the location for The Great Gatsby and other films, we photographed Nancy Kerrigan there for the cover of the figure skating magazine I used to publish. It also gave me some additional ideas for the political thriller around the sport of figure skating that I will be formally announcing this week with the launch of the website.

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Rosecliff’s backyard. In this new story one of the central characters reflects on a critical moment when standing in her backyard.

In the story there are two starring characters, a champion figure skater and the president of the national governing body. While the former has been struggling financially, the latter, in addition to her skating responsibilities, runs a multi-national industrial concern. The setting for her estate should be a grand one like a Rosecliff. On a side note, in early 2017 Rosecliff will be featuring an exhibition to all the films that have been shot at the mansion. That will be a must see!

As an independent filmmaker, it’s about laying the foundation for all aspects of a new project well in advance. From visiting possible locations to talent, crew, etc. This week I began reaching out to colleagues I used to work with regularly in the sport to introduce them to the project before the announcement. It was one thing when I went to World’s this year in Boston telling people I had an idea, it’s another to send them a completed script.

It was great working with Adam Starr over the last few weeks to create the first concept poster of the project. In addition to being an Emmy Award winning cinematographer, I’ve worked with Adam since my days as a magazine publisher. From producing my first corporate video back in the day to his special effect work on Justice Is Mind, he really knows how to take an idea and run with it.

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In this new political thriller around the sport of figure skating, part of the story revolves around North Korea.

When he created the official poster for Justice Is Mind, my idea for the concept was pretty straight forward. I wanted to incorporate an MRI scan along with a picture of Henri Miller looking towards the future and the reincarnated Wilhelm Miller looking towards the past. He pretty much got it on the first pass.

Writing an original story takes time. It is not something that is just thrown together for the sake of rushing a project to market. For me it’s about developing and creating a project that’s long remembered after its initial release. Isn’t this the whole reason why we get into screenwriting and filmmaking – to  tell original stories?

For those that follow me on social media you’ll see me post a “Now watching…” comment usually followed by a film produced between the 1930s and 1970s. I gravitate towards those decades as that’s when original stories were told to great fanfare without the special effects being the story. Thankfully with the democratization of the film industry from production to distribution, filmmakers have the opportunity to tell their stories outside the Hollywood system.

INT. ICE RINK – OPENING CREDITS

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The official poster of Justice Is Mind as designed by Adam Starr. Justice celebrated its third anniversary on August 18, 2016.


First Draft

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The political thriller around the sport of figure skating culminates at a World Championships in Moscow.

After six months of research and writing I finished the first draft for the political thriller around the sport of figure skating. From the tranquility of local skating rinks to the power capitals of the world, the story centers around a champion figure skater, her mysterious new sponsor and the president of the “American Figure Skating Federation” as they traverse a Cold War mystery that has engulfed the skater’s family since the 1970s. While the title of the story will soon be revealed, the working logline is as follows, “A champion figure skater finds herself in a decade’s long government conspiracy involving her missing mother and a Cold War mystery that culminates at the world championships.”

Writing an original story takes time, at least for me. I move the process along, but don’t rush it. I let the characters speak to me and the settings they are in. While the story started and ended the way I had originally planned, I always find it interesting how suddenly the idea comes for this character to do this or that character to do that. In the end, I like to see characters evolve.

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In the story, an official draw turns into a media spectacle when questions are hurled at officials and skaters that nearly derails a sensitive negotiation between two world powers.

Since SOS United States went under review some months ago, I’ve had the time to devote to this project, a project that I’m planning to put into production the way Justice Is Mind came to market. Some have asked how this process moves forward. First, the script is now being read by my trusted attorney for the last twenty five years. In addition to trusting his judgment and comments, it’s also for legal purposes. Over the week the script will get registered at the Writers Guild of America and then at the U.S. Copyright Office. After WGA registration the script will roll out to a select group for their comments.

During the script review process a concept poster will be produced along with website registration and a preliminary design. The project will be formally announced once the concept poster is complete along with a synopsis. I usually let a project sit for a week or two after a first draft before I tackle the synopsis. It’s not so much as a challenge to write, but you need to decide what to write. I never like giving away the whole story because in the end the synopsis is also a promotional tool. In Justice Is Mind we don’t learn the outcome of the trial, just that the situation is dire. If you want to know what happens, I say watch the movie.

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The FBI has been investigating the skater’s family since the late 1970s following a Cold War incident in West Germany that concludes at the World Championships in present day Moscow.

But following the Justice Is Mind model, will be the production of a short film version to develop interest and present the production aspects of the intended feature, in this case, the first ten pages of the script that introduces the primary characters and their world. By the end of next week, or first of the following, I will be reaching out to several actors and crew that I have worked with on First World and Justice Is Mind. This will be in addition to reaching out to area skating rinks that I’m familiar with and other locations.

Of course, critical to the process will be the interest of a skater who can project the starring role on and off the ice. A tall order? We shall see. The one thing that will not happen is using a double. It was one thing in Justice Is Mind when an equestrian was used in the advanced riding scenes, but even the actress that played that part was a rider.  Yes, I’ll be looking for a “Lynn-Holly Johnson” type. On the production side, there will be the filming of the skating sequences and having them look as dynamic and exciting as possible. I already have color scheme in mind that will play out throughout the production.

Yes, this is a very exciting time but having been down this path before with Justice Is Mind it’s all about planning, production and execution.

On the ice.

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With Mary Wexler (Judge Wagner) at the Massachusetts premiere of Justice Is Mind in 2013. The short film version, Evidence, premiered at this theater in 2012.


Impressions

Henri Miller having the FVMRI procedure.

We all know the old adage. You get one chance to make a first impression. But in the world of independent filmmaking, impressions are what make a project. It’s not just about releasing your key art, trailer and feature, it’s about building an audience along the way on both the consumer and industry side so when those events do occur you’ve already built some sort of market for your project.

Developing an audience and awareness for a film (or any project for that matter) takes time and is not easy. Sure every filmmaker wants the widest possible release for their film, but unless you have major studio level financing behind you (and even that may not work…remember John Carter and Battleship) or strike literal gold on the viral front, you have to package your project the best you can with the resources available to you so when you start talking to distributors you have something in addition to the film to present.

Henri Miller booked at the Oxford Police Station.

Last week we released the first official poster for Justice Is Mind. I came up with the concept in September but really had no idea it could work visually and still get a message across. Justice is a large story with numerous undercurrents that revolves around a first of its kind criminal trial. But it does center on a key theme—the science fiction of MRI-like mind reading technology and its consequences.

When the statistics on our press release indicated over 100,000 headline impressions I was wondering what triggered this avalanche of audience. I went to Google and typed “Justice is Mind official poster released” and over 300,000 results returned. What I discovered is that Justice hit on science fiction, real estate, writing, restaurants, courtroom news, independent film and a variety of other topics including town specific news (Oxford, MA, etc.). Suffice to say, the press release was very successful. Why? That’s a pretty good question. Something in the release triggered the push it received. While it was certainly in the keywords and phrases, the resulting data will well figure into the continued marketing of Justice Is Mind.

Henri Miller in the cell.

With the poster now listed on impawards, movieweb, themoviedb, movieposterdb and others, Justice Is Mind is being nicely presented on forums outside of this website, our Facebook page and soon to be launched dedicated website. In regard to Facebook, I was really pleased to learn that the demographics for Justice Is Mind are pretty evenly split among all age groups. But women win with 55.6% of overall reach.

Margaret Miller confronts Joseph Miller.

But other impressions are even more important and they have nothing to do with the world of social media. You can have the greatest marketing program behind you, but without great photography and performances it doesn’t matter. Again, it comes down to first impressions. Having seen the rough cut of the first 22 minutes of the feature and heard the same with the score, the product is looking great. The post-production process really is like building a car. It’s designed (pre-production), fabricated (production), built (post-production) and driven to market.

Our next event will be the official trailer. The one thing I can impress is that there will be a post or two…or three…or…

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P.S. And for those of you following me on Facebook or Twitter, this past week the DVD of the short film version, Justice Is Mind: Evidence, was released on Amazon. The short will also have its ninth screening at Loscon on November 25 in Los Angeles!