Two days after the world premiere of First Signal, Daniel Groom and I taped interviews with some of the staring actors for up the upcoming VOD release. These videos will be published in increments as a series over a twelve-week period.
I have always enjoyed the interview process and talking about a variety of subjects. For me I don’t force ideas or new ventures, they just seem to present themselves. When I started a figure skating magazine back in the early 90s, it was because I wanted something to read about the news of the sport. Justice Is Mind came to being after writing the sequel to First World and seeing a show about mind-reading on 60 Minutes. First Signal was born out of sitting in a bunker-like room at the Naval Justice School and revisiting my notes from First World. Stay tuned for our first episode and announcement.
A few days prior to our world premiere, I pitched another theater about screening First Signal. As the details weren’t finalized at the time, I didn’t talk about it. But just days after the actor interviews, the New Hampshire premiere of First Signal at Smitty’s Cinema was confirmed. This past Thursday, Patience McStravick (Major Ellen Sampson), Paul Noonan (General John Reager) and I found ourselves in Tilton, NH at another premiere!
Smitty’s Cinema is a four-location chain based in New Hampshire. What’s great about these local theaters is their enthusiasm. From the moment the deal was confirmed, they went to work on marketing the premiere. Combing their efforts with ours, resulted in a successful screening. To support our efforts, The Concord Monitor ran a great story with The Laconia Daily News picking up our press release.
As I noted with our world premiere at Greenfield Garden Cinemas a few weeks earlier, I witnessed with Smitty’s Cinema—local communities supporting theater and independent films. The shared experience learning about a new film in the paper, to seeing the film in a theater to talking about the film after screening, theaters bring communities together.
Today, I am putting the final touches on a private screening for First Signal. Tomorrow will be a celebration of cast, crew and our guests before First Signal is released to the world. In some ways it feels like this journey is coming to end, but one thing I’ve learned over the years is nothing really ends in this industry, it’s always about new beginnings.
After over a year of searching and talking to sales agents and distributors, I’m pleased to announce that Indie Rights picked up First Signal for worldwide distribution. Our official press release can be found at this link.
As I mention in the press release, I’ve known of Linda Nelson’s company for many years. I first heard of Indie Rights when Justice Is Mind was having its theatrical run in 2013. Since then, I have come across a variety of sales agents and distributors. There are very few constants in this industry except one thing – reputation. While there was another company I was considering, Indie Rights had the best reputation among filmmakers. If you’re a filmmaker with a completed project, I highly encourage you to visit their website to learn more.
This truly is an industry about reputation. If you treat people well, if you’re honest, if you do the job you were contracted to do, that type of currency can be cashed in anywhere. But if you are difficult to work with, fail to deliver or impede the process, you’ll find your dance card pretty empty. I’ve talked about this before, there’s a reason why you see the same actors, crew and other partners working together from one project to another – reputation.
As we begin the process of organizing the deliverables for Indie Rights, I now turn my attention to First Signal’s marketing plan. In addition to what I’m hoping to do theatrically, the plan also includes First Signal’s VOD release (May). This will be markedly more involved than what I did for Justice several years ago. As the release will involve multiple outlets and countries, the key will be to put together a plan that can be somewhat replicated from market to market. As an independent filmmaker, the challenge is to put together a plan that is possible, sustainable and affordable. In all honesty, I do enjoy the marketing aspects of film projects. For me it’s about introducing audiences to a new film, whether they are here in the United States or some distant land. The one universal language we all have in common is the art of film (although dubbing may be involved!).
I’m also pleased to announce that my political thriller SOS United States is now an official selection of two festivals, winning one. SOS United States won Best Plot at the Gold Star Movie Awards. For 2021 the marketing for SOS is to continue the film festival submission process, while presenting the project for 2022 production.
The political thriller genre is truly my favorite. Whether I incorporate the genre in sci-fi with First Signal, psychological thrillers like In Mind We Trust (the sequel to Justice Is Mind) or my figure skating drama Serpentine, the political thriller genre weaves throughout all of them. For me, I like a plot that takes many twists and turns. One of my favorite political thrillers is The Odessa File. The central character (played by Jon Voight) is a journalist. I always like a film that has a journalist as it lends credibility to the plot when the character investigates. The surprise ending in The Odessa File is well worth the watch.