From actors I’ve cast in past projects to learning about new talent in the region, since the notice went live I’ve been very encouraged by the quality of the submissions. However, for this project I’ll be reaching out to additional sources for certain roles. The goal of the table read isn’t just to hear the script, it’s also about casting possibilities for the feature film itself.
The character of Cedric Yonah is particularly important to the overall story. Not only does the actor need to be great at his craft, but he also must have a certain look. I can almost say that I’ve received enough quality submissions for all other characters, but I’m still looking for this one. This isn’t exactly “The search for Scarlett” but let’s just say the search is ongoing.
This reminds me of the classic sci-fi film The Day the Earth Stood Still. As I understand from the development process, director Robert Wise didn’t want to have a recognizable actor walk out of the spaceship as it wouldn’t have been believable. But it had to be an actor with gravitas and a certain look. The casting of Michael Rennie as Klaatu/Mr. Carpenter was brilliant.
Casting is not an easy process. I remember the three hundred plus submissions for Justice Is Mind. While I was fortunate to find some of the leading roles from the short film version Evidence, there were numerous parts that I needed to cast. In as much as you want to see a quality audition, it’s also about how you get along with the actor during that brief time. I do believe it comes down to the sixty second impression.
However, what I still don’t understand is how simple submission instructions aren’t followed. When I submit for a project I make sure I follow the instructions to the letter (why wouldn’t I?). If you refuse to follow submission instructions, how are you going to be during filming? I kid you not I received a submission that literally said here is my IMDb link and Google me. Sorry, if you can’t submit a required headshot, resume and link to your reel you just get relegated to archive.
But this is just part of the development process. Every project takes on a life of its own. I always find it interesting where a project gets its start. First Signal started at the Naval Justice School. But Justice Is Mind actually got its start when I wrote the sequel to First World and was researching mind reading technology. Thus my discovery of the 60 Minutes story from 2009 on thought identification being developed at Carnegie Mellon University (CMU). Four years after that story Justice Is Mind screened at CMU.
This morning I finished up the notes for the prequel to First World. The next step is to place it in Final Draft and iron it out. That’s generally the process I use when writing a script. I write out the scene structure and dialogue in Word first. I just find it 10x easier to make quick adjustments in Word before formatting in Final Draft. But when I take that next step in Final Draft that’s when the final story starts to take shape.
I’ve written a variety of scripts over the years. Some produced, some waiting for a deal, but this is one that I specially wrote to produce independently. In the end I’ve stayed with three locations and what will be a liberal use of stock footage. But unlike First World, I think this story has given me the opportunity to really create a solid backstory for two of the main characters. It also examines a presidency in crisis along with an out of control military leader.
As with Justice Is Mind, writing an original story is not easy. We receive our initial round of inspiration but then it’s up to us to figure out the rest. What I always aim to do is to have a beginning and ending in mind. Sure it may change some along the way, but if I have in mind the beginning of Act I and the ending of Act III, then I’m good to start. In my view an Act II should always be what I call “the mess” because that’s what the characters are trying to make sense of and resolve.
This story has a solid protagonist and antagonist. It was my goal to give each side not only a reason for their actions but the ability to carry them out. As a writer we wear many personality hats to create our stories. Many is the day when I thank God I’m working alone because I talk my dialogue out. I don’t think the strange looks from my cats qualifies as the need for being institutionalized, but if a neighbor randomly heard me talking like my characters I’d probably be visited by some sort of federal agency.
Once the first draft is done later this week I’ll be sending it to the actress that inspired me to write it. For me, it’s pretty easy to write a character when you model it on the actress that will play it. However, for the rest of the characters involved, one of my plans is for a table read. I never did that for Justice Is Mind owing to a variety of matters, not the least being the size of the cast, scheduling and time constraints. In the end that worked out fine. But with this project as the majority of the action takes place in a conference room and a field, it’s important to get the character interaction just right.