This past week served to be an interesting one not only working with a variety of actors on the set of a movie filming in Boston, but in the selection process for the third outing at the Naval Justice School in September.
When the inquiry came in from the casting company about background work, I was interested because they also wanted to use my car in the film. My first Pontiac Solstice appeared in Justice Is Mind. My second, if it makes the cut, will appear in I Feel Pretty. I particularly liked how they “dressed” my car with New York State tags.
But like the first time I did background work, it’s an opportunity for me to meet new actors and crew. I also wanted to see how they staged and used cars in a large scale production. With the camera setup, it didn’t take long to figure out why the cars were parked across the street.
As a director of course I take this all in on numerous levels. For me it’s like a vacation. I don’t have to worry about anything except showing up and doing what I’m told. Sure I felt a bit like Captain Kirk in Star Trek: Generations, but this wasn’t my ship I was just part of the crew. I will say this, the catering was excellent. Yes, I will judge your production, film or whatever by the type of food you serve. And if it ends with a great cup of coffee, that’s another star in my book.
But booking is where things turned for the next class at the Naval Justice School. As Site Supervisor, sort of like director, I don’t make the final casting decision but I do recommend. As I mentioned to an actor earlier this week, “Those decisions are made in Washington.” It wasn’t gravitas on my end, the agencies that book the actors are based in the D.C. area.
I am always happy to recommend talent for other productions. If I’ve worked with you and the relationship was a positive one, those recommendations come easy. But if someone I know recommends an actor I haven’t worked with, I’ll forward the information if I like what I see with the caveat that I’ve never worked with this person before. This entire industry is a network. You never know who knows who and it is a terribly small world. It is that small world of industry contacts that had me sign with a new talent agency in New York this week.
While I have representation in the Boston market, I’ve been looking for a national reach for a few months. Let’s just say that some of the conversations and meetings have been beyond interesting and make for great cocktail conversation. But in the case of this new agency, we knew the same talent from a show I worked on over ten years ago, FOX’s Skating with Celebrities.
My point is this. It’s important to be nice whenever you can. Yes, there are sometimes difficult if not impossible people in this industry, but no gig lasts forever. This is an industry of moments and you only get one chance to make a first impression.
Unless you’ve been living in a galaxy that is truly far far away, inhabitants of the planet Earth are eagerly awaiting for Star Wars: The Force Awakens to hit theaters on December 18. We’ve seen the trailers, the stills and countless articles speculating on the story itself, but the latter is truly nothing less than a state secret – and well it should be. This past week on IndieWire even Mark Hamill stated, “I’m Not Even Authorized To Tell You I’m In Episode VII.”
When I was booked on Skating with Celebrities back in 2005 all of us involved in that show, including the studio audience, were sworn to absolute secrecy by an iron clad contract. The show was produced live to tape and then aired in early 2006. Yes, everyone I knew asked me in one way or another who won. Some were downright angry I didn’t confess the results and some were, ready, offended. Like I cared. You don’t risk an entire production and litigation to satisfy one person, who will tell another and so on.
There were so many things I learned on that show that I have taken to my filmmaking work. Like my contract with FOX, the agreements I put in place for Justice Is Mind had a photography and non-disclosure clause. Most were totally fine with it, but it did strike some as overly controlling. My on camera work up until Skating with Celebrities was mostly live so there was no need for a non-disclosure, but you quickly learn the reasons why such things are necessary. Think about it, do you want to risk giving away the ending to a project that has been years in development and lessen its commercial appeal? Even now, I don’t allow clips to be manipulated or edited without my written approval.
We very much live in a “look at me” society with social media leading the charge. Sadly, I see so many posts about submissions, meetings and auditions that I would want to keep off the radar. What if your film doesn’t get accepted? That meeting falls apart? You don’t get cast? At any given time I have more irons in the fire than I can sometimes keep track of (thank god I have my lists!). Unfortunately, premature announcements can derail a deal that may have come to fruition if given enough time.
One such deal that was months in the making was the international premiere of Justice Is Mind on Cunard Line’s Queen Elizabeth ocean liner. Imagine if I had breathed a word of it prior to it being a done deal. Cunard just simply could have said they declined to screen the film, I would have had serious embarrassment written all over my face to say nothing of tarnishing the brand of a film I have worked on for years. In the end the timing worked out great. The deal came through right before one of our screenings. I announced it publicly in May 2014 prior to our screening at the Elm Draught House Cinema.
Perhaps one of the most famous plot secrets was around one of my favorite films Witness for the Prosecution. In addition to director Bill Wilder holding the last ten pages of the film from the actors until it was shot, the end credits of the film features the following “The management of this theatre suggests that for the greater entertainment of your friends who have not yet seen the picture, you will not divulge, to anyone, the secret of the ending of Witness for the Prosecution.” Starring Tyrone Power, Marlene Dietrich and Charles Laughton, I highly recommend this 1957 classic.
But one thing that’s not secret was discovering that Justice Is Mind was named number two on a user created IMDb list. What film was number one on that list? Star Wars: The Force Awakens.