The Final Third
Last week I started on the final third in the novelization of SOS United States. At this point, I don’t see anything getting in the way of my goal to complete a draft by the end of March.
I will say turning a screenplay into a novel, isn’t as easy as it sounds. In a screenplay the entire process is visual. Of course, there are numerous methods in cinema to ascertain what a character is thinking. But in a novel, it can be described in detail along with their surroundings. When I immerse myself in these fictional worlds, I want the audience to experience what I’m thinking. Case in point, the bunker the President and Prime Minister find themselves in. Both the screenplay and novel were inspired by this real-world property in the Adirondacks.
Writing this novel has been a wonderful exercise to really understand the story, the characters and the world they live in. While I still believe the screenplay holds its own, the novelization of the story has grown both in character development and world building. Had the screenplay not done well in the festival circuit, I would probably be revisiting it a bit. But as it did win a variety of awards, I don’t want to tinker with it beyond contemporary updates to technology, etc. There is such a thing in this creative writing process as over analysis and self-doubt. It’s taken some time to learn as a writer, but at some point, you just need to literally put the idea to bed as a completed screenplay or book.
I wrote the screenplay for SOS United States nearly a decade ago. Unlike the screenplays and films in the First World Universe or Justice Is Mind and the sequel In Mind We Trust, SOS United States was a standalone. I’m not exactly sure where the original idea came from, but it does combine my interest in espionage, spies and intrigue in governments and multi-national corporations. I look forward to the day when the book and movie are released to the world.
Speaking of the First World Universe, I’m delighted to report that First Signal has garnered over 1.3 million views on YouTube! The film continues to spark all kinds of conversations on the VOD platforms and social media channels. While the range of interest (or non-interest) is all over the place, the bottom line is that nearly two years after its release, First Signal is still being talked about. Whether viewers love it, hate it or fall somewhere in between, all a filmmaker (or author) can hope for, is that the work is talked about.
I believe part of the driving force behind First Signal is the continuous reporting on UFOs, UAPs, mystery balloons and other atmospheric and aerospace anomalies, that are crossing every news service and social media platform. It also doesn’t hurt that the U.S. Department of Defense is publicly involved in the identification of this ‘phenomena’ and have set up an internal office to address it. Who knows, maybe elements of First Signal are true!
In closing, I took some time this week to revisit my first feature film Justice Is Mind. I was preparing some writing samples for a presentation and came across a variety of things linked with this project. When I found the filmmaking seminar presentation I did on Cunard’s Queen Elizabeth in 2014, it brought a smile to my face. I was reminded about the challenges I had to get Justice Is Mind off the ground and then realized that if you work hard enough, stay focused and stay determined anything is possible.
“The difficult we do immediately; the impossible takes a little longer.” – George Santayana
Picking up where I left off last week, having been given a trial subscription to Variety Insight and Vscore, I highly recommend it. It’s a wonderfully comprehensive service and does, as the name suggests, offer a wealth of insight. Like IMDB, Vscore rates popularity of actors across a “variety” of sources. From TV, film, awards and social media, an actor’s entire career is given a score.
This weekend I started to write the business plan for In Mind We Trust. While I’m modeling it after my plan for SOS United States, I did take a review of my original business plan for Justice Is Mind that I wrote in 2011. Needless to say some updates are in order.
When I wrote the plan for Justice Is Mind, it called for no theatrical release and signing with one distributor for VOD. So what changed? Theatres are embracing independent film (thus our theatrical release) and that distributor I was going to sign with changed its revenue model so now the payout to filmmakers is literal pennies based on minutes viewed. Terrible for the filmmaker but gangbusters for the distributor. Needless to say, they aren’t distributing Justice Is Mind.
Putting aside the story itself for a moment, In Mind We Trust is a unique film from the point of view of the characters. In addition to bringing back the majority of the stars, co-stars and some featured characters from Justice Is Mind, new starring, co-starring and featured roles now exist in In Mind We Trust. The goal is to attract some “named” talent to these parts for marketability.
While the industry has changed from a distribution point of view, and while you can get distribution with talented although largely “unknown” actors, the fact does remain that named talent does bring sales and marketing cache to a project. In addition, it also opens up additional distribution opportunities. However, as we have all seen, there is simply no guarantee of success one way or another. That being said, it’s about complimenting these roles with actors that would bring some gravitas to the characters without taking away from the overall story. In other words, not just putting in “so and so” to say we have “so and so”.
From the Chief Justice of the Supreme Court, Senator Caraway, General Blair and Hilma Miller, there are some great opportunities for named talent to be part of In Mind We Trust working alongside some of the actors that brought Justice Is Mind to life. Indeed, I can just imagine the marketing and public relations possibilities of such a pairing!
The goal, of course, is to put together a plan that’s not only attractive to financiers but making sure it reaches the right parties. This is the process that can take some time. Indeed, it took over a year to find the investors that saw my vision for Justice Is Mind. The great thing about In Mind We Trust is that Justice Is Mind has done well in the marketplace. It proves that there’s an interest in the original story that I’m looking to expand upon with the sequel.