I was inspired to write Justice Is Mind back in 2011 when I first saw a 2009 segment on 60 Minutes titled Reading Your Mind. The story focused on advances in fMRI technology and rudimentary “mind-reading” that was being researched and studied at Carnegie Mellon University. We had the honor to screen Justice at Carnegie in 2014 in front of the scientists and students that were spearheading this new technology.
As I postulated in Justice Is Mind, imagine the day your memories can be read by a machine. But also imagine the day when your memories can be used as evidence in a court of law. From what I have recently learned that day is apparently here in technology if not soon to be in court. This article in PetaPixel titled, ‘Mind-Reading’ Technology Translates Brainwaves into Photos,” is just one of several recent articles discussing this technology. This article states in part, “The researchers then fed this information into a computer’s artificial intelligence (AI) algorithm which could build an accurate image based on the information from the fMRI scan.” Let us reflect for a moment on what this truly means.
We can certainly look towards many films and TV series on what the future may bring. Star Trek is often referenced as accurately predicting future technology. Frankly, it’s still pretty amazing to me what our “smartphones” can actually do. As has often been discussed, today’s smartphones have thousands of times more computing power than the Apollo era computers. Technology, however, is one thing, but what about the UFO phenomenon?
When I wrote First Signal in 2017, the premise was relatively straight forward. The story was a prequel to the events in First World. Those events were the revelation of an alien presence on Earth. While UFO sightings have been claimed since biblical times, governments have been relatively loath to acknowledge even the slightest possibility of their existence. Oh, there are the countless investigations, public and otherwise, along with more documentaries than I can count, but never before has the government began to embrace the possibility that UFOs, or as they prefer the reference UAPs, exist.
However, over the last year, and just recently, there have been countless articles on the very subject. This article in Space.com titled, “NASA ‘going full force’ to gear up for UFO study,” certainly seems to ask the larger question, “Are they preparing us for some sort of revelation?” Some of the comments on First Signal’s listing on YouTube state, “I really hope this movie is a prophecy” and “It all could be possible and with that if it was or did happen our gov. officials could keep the truth from us all.”
As for whether government officials know more or not on the subject of UAPs, one definitive thing I can say, is that they know about First Signal. One of my marketing priorities was to make sure all the relative agencies knew about the film. From NASA to the Air Force, to members of Congress and The White House, all were on the distribution list.
I truly feel with the James Webb Telescope we will soon learn more about our place in the cosmos than ever before. In First Signal the famed telescope is mentioned in relation to its “future” parking position at Lagrange point 2 (L2). The same place in space that an alien satellite was spotted. Just last week the telescope discovered carbon dioxide on a distant world.
“This is a time to study and investigate.” – Cedric Yonah in First Signal.
Last week I had my first pre-production meeting on First Signal. That meeting was with an actress friend I met last year at the Naval Justice School who inspired me to write the story. She will be playing one of the starring roles. At some point this week I will be posting for actors relative to a table read.
As we both talked about last week, what’s exciting is building a project from the ground up. I fondly remember the days when I first heard actors saying the lines I wrote for First World. But it’s when it all comes together for a feature that project takes on a different scope. Those pre-production meetings for Justice Is Mind were involved to say nothing of the number of auditions. While it’s important to cast the right actors for a role, I believe it’s equally important they are enthusiastic about the story.
When one considers the number of projects looking for attention, enthusiasm is critical. Anyone that has been part of my projects knows that I push them (and everyone involved) as far as possible. As leadership starts from the top down, so does enthusiasm. Let’s be honest, nothing is worse than working with someone on a project who is a Debbie Downer. This isn’t about drinking the Kool-Aid, it’s about having a positive attitude.
Speaking of positive developments, all the actor contracts came through for the next class at the Naval Justice School in March. I’m looking forward to a class reunion with some as well as working with new actors I cast in the project. What’s particularly exciting is that we have a retired NCIS Special Agent that will be playing an NCIS Special Agent. As I said to her this week, your resume reads like a Tom Clancy novel! But in all seriousness, it will be great to work with someone so knowledgeable on the subject.
As for knowledge, I’ve been seeing a wide variety of reports relative to First Signal. From buildings on the Moon to alien spacecraft taking off, it certainly helps when you see mainstream media reporting on a project you’re developing.
What I think is great about the independent film world are the sheer number of opportunities and distribution outlets now available to filmmakers. But that doesn’t mean putting all your eggs into one basket. Case in point The Sundance Film Festival. This article in Variety pretty much summed up this year’s festival and market.
I honestly can’t imagine producing a film in the high six or low seven figures and counting on a festival to bring in a distribution deal. When you consider how fractured audiences are now, producing something esoteric or polarizing isn’t going to secure a mainstream distribution deal. As I mentioned in an investor pitch this week, “while it’s easy to source the past performance of other films, we know there are simply no guarantees in this industry when it comes to a financial return.” And while there are no guarantees, why limit yourself geographically when there’s a whole nation out there looking for unique stories? That’s what audiences want, a solid story.
SPACE – LAGRANGE POINT TWO