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Posts tagged “Laura (movie)

The Revelation

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First Signal starts in 2014 at the 40th G-7 Summit. As soon as the President arrives in Brussels she meets with an Air Force General who discloses an alien satellite in Earth orbit.

This week I completed a first draft of First Signal. I have to say there is something immensely satisfying about completing a script. From the moment I get the idea for a story it’s weeks and months of research, notes and random thoughts.

For me writing doesn’t start and stop at my computer. While I don’t believe in writer’s block, there are those times when after I do a bit of writing I just see the story stop for a moment. Sometimes it just takes a change of air to get the characters and storyline talking to me again. In my case, it’s generally a trip to the gym or watching a movie that brings me back to the computer.  In fact, after I saw Darkest Hour last weekend I was inspired to write a critical speech in First Signal. If you can’t get inspired after watching Winston Churchill there’s a problem!

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What did Air Force Space Command discover in Earth orbit?

Like Justice Is Mind I wrote First Signal to independently produce, not to submit to production companies or agents. While my other projects are in various stages of review or consideration by the latter, First Signal is not part of that mix.

It is ironic how this whole project came to being. Here I am at the Naval Justice School talking to one of the actresses. Suddenly, the idea for a limited location drama that largely takes place in an underground bunker came to mind. After talking with her about the idea, I just started to write it with her as one of the new characters in the “First World” universe.

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What does Russia and the United Kingdom have to do with this?

While I love acting and performing, I think my greatest joy comes from creating projects and original stories. Although it has been some years, I remember the days of Justice Is Mind and the dedicated cast and crew that made it possible. Unlike a play, when you create a motion picture it’s out in the world forever. As I often watch films from the 1930s and 40s, I wonder who may be watching my films in say the year 2088. From that era I count Gone with the Wind, Rebecca, Laura and Now, Voyager as some of my favorites.

Although I plan to reach out to a variety of actors and crew I’ve worked with in the past, the next step in this process will be a casting notice for a table read (one part is already cast).

First Signal—When Air Force Space Command receives a signal from an alien satellite in Earth orbit an emergency meeting with the President reveals a government conspiracy.

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The first draft of First Signal.


Idea and Consent

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Gene Tierney explains how the Senate works in Advise & Consent (1962).

Yesterday, I arrived at the Boston Marriott Copley Place and did something I haven’t done in 14 years – I picked up a media credential at a World Figure Skating Championships. The procedure was the same. I checked in at credentialing, gave my name, proceeded to another station, showed a government ID with photo, they took my picture, printed the credential and I was done. It reminded me of voting. (Political side note: I believe, strongly, that you must have a government issued photo ID to vote.)

Having long accomplished what I wanted to in the sport from my publishing and TV work (yes I skated and coached as well…long ago!), who would have thought an idea would have come to mind with the sport as the backdrop. For this week it’s about reporting solely from an observation point of view and for inspiration as the story I’m writing culminates at a “worlds”.

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Justice Is Mind was inspired by a 60 Minutes story on thought identification.

I’m not entirely sure where the inspiration for this new story came from. I know with Justice Is Mind it was from watching a 60 Minutes broadcast on thought identification. For SOS United States it was the Cold War aspects of the real SS United States ocean liner coupled with the political thriller movies of the 1960s.

Of course the sport itself has changed dramatically over the last 14 years. All you have to do is read this article by Christine Brennan in USA Today to get a feel for where the sport was and now where it isn’t. Sure, there will be tens of thousands of fans in attendance this week. Sure, the official hotels and arena are dressed and set designed to showcase this beautiful sport. Indeed, it is beautiful to watch. If it’s filmed right there’s nothing like the grace and power of a performance on ice, coupled by the drama off the ice. Sadly it’s the millions outside the storied walls of the rinks that have long left the sport.

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The idea for SOS United States came from my interest in the Cold War and political thrillers.

The reasons are many, but the writing was on the wall after the 2002 judging scandal and the subsequent change in the scoring system. Long gone is the 6.0 system. It was a system the general public understood and could be marketed. But now a system is in place that supports anonymous judging. Yes, for those that have never followed anything in the sport, you read that right. I’ll just say this, it may not be good for the long term viability of an Olympic sport, but it makes for a great plot point in a political thriller.

One of my favorite films is Otto Preminger’s Advise & Consent. There’s a masterful scene that takes place in the Senate in which the glorious Gene Tierney explains to two visiting dignitaries how the Senate works. You can be sure, that there will be a similar scene in my story in an attempt to explain the judging system. As I was leaving credentialing yesterday and saw someone approaching me who I hadn’t seen in years, suddenly another Preminger classic that starred Tierney came to mind. In the film Laura,  newspaper columnist Waldo Lydecker (played by Clifton Webb) was describing a party scene, “It was the usual roundup of b-stars and nondescript characters.”

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“It was the usual roundup of b-stars and nondescript characters.” – Waldo Lydecker in Laura (1944)

INT. ICE RINK  – OPENING CREDITS


Five Year Mission

Gail Sullivan as Helen Granger with Robin Ann Rapoport as Margaret Miller in Justice Is Mind.

Gail Sullivan as Helen Granger with Robin Ann Rapoport as Margaret Miller in Justice Is Mind.

No this post isn’t about the five year mission about the Starship Enterprise (I love Star Trek), it’s about the concept, development, launch and marketing of an independent feature film called Justice Is Mind.

With our second anniversary screening coming up on August 18 at Cinemagic, it’s hard to believe that five years has gone by since I first started to write the screenplay.  From the screenplay, to the short film Evidence to the feature Justice Is Mind, it is a journey I would do again in a heartbeat.

Charles Laughton and Walter Pidgeon in Advise & Consent (1962).

In the Senate. Charles Laughton and Walter Pidgeon in Advise & Consent (1962).

This past week Gail Sullivan who plays Helen Granger in Justice Is Mind commented on Facebook, “How many movies are showing after two years? Just the classics, which means this one is definitely a classic!” Those words meant a lot.  But it also meant something else that’s very important to remember, just because a film is released once and isn’t part of the “studio system” doesn’t mean that it can’t be released again and again.

Visiting the replica of the Senate at the Edward M. Kennedy Institute for the US Senate last weekend.

Visiting the replica of the Senate at the Edward M. Kennedy Institute for the US Senate last weekend.

Will Justice Is Mind become a true classic? Only time will tell. But the glorious thing about filmmaking now is that video on demand makes longevity possible.  Gone are the days when a film is made and forgotten (unless it develops a cult like following). For me, it’s all about discovery.  While I love contemporary independent films like The King’s Speech and The Imitation Game, it’s classics like Laura and Advise & Consent that are true finds for me.  Then there is my passionate interest in 1950s science fiction (add The 27th Day to my list). But in the here and now there is Justice Is Mind to market.

This past week I finished up my interviews with the regional press. What will they report on? That’s up to them. But like I said last week, I try to always provide some sort of newsworthy hook. From the concept of the film, our screenings to date, the anniversary and the development of the sequel In Mind We Trust, all the reporters had their own take.

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One asked if I would have done anything differently. Yes, there is one thing. I wouldn’t have wasted good money listening to “experts” about film festival submissions, I would have just planned a theatrical release from day one. Thankfully, I got wind of the festival world before our world premiere so I started working feverishly on our theatrical release in the summer of 2013. If you want to read an excellent article about the film festival world, check out this article.  Bottom line, unless it’s a film market (Toronto, etc.), I’d much rather have my film screen in theaters dedicated to my film (with audiences paying for tickets) rather than having to play in a chorus with others. Sorry, I’m an “independent” filmmaker.

So as I continue to work on the final leg of the marketing and public relations push for Justice Is Mind’s second anniversary screening on August 18 at Cinemagic, I’m reaching the apex of the screenplay I’m adapting from the book Winds of Fall. Actually, that’s timing pretty good for a first draft to be finished by the fall.

The mission continues.

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Next Move

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This morning I was reading the Hollywood Reporter’s excellent profile on filmmaker Christopher Nolan. I loved his quote, “If you want to make a calling card, you go to Kinkos. You don’t spend three years of your life putting a film together”. That could not be truer when making a feature film.

For the Justice Is Mind “project” it started in 2010 with the script, 2011 with the short, 2012 with the feature and 2013 to the present for the release and general marketing. Simply put, filmmaking is a long tail business. Yes, it’s all very exciting and “cool” to be shooting a film, but these are projects that we are married to for years. By example, my first short film First World was produced in 2006 and released in 2007. It’s 2015 and revenue is still coming in on monthly basis. It doesn’t take a rocket scientist to see the value in a film library. I just have three films in my library, but imagine a company with hundreds of titles all earning some sort of revenue on a monthly basis.

With First World under consideration and SOS United States completed at the script stage, I just passed the 95 page mark on the sequel (yes, I have a title) to Justice Is Mind.  The story, is much bigger in terms of scope. Instead of a trial in Massachusetts, we are at a congressional hearing in Washington, D.C.  Am I ready to release the title and logline? Not yet. While I’m happy where the story is going, I always remain “open minded” on direction.

It was reported a couple of weeks ago that an agreement has been reached to redevelop SS United States. In SOS United States the SS Leviathan is modeled after the great liner.

It was reported a couple of weeks ago that an agreement has been reached to redevelop the SS United States. In SOS United States the SS Leviathan is modeled after this great liner.

For me writing and developing a story is like playing chess.  The pieces of your story might move in a typical fashion at the start, and just when you think I’m going to give you what you want, I’m going to turn it. As Unsung Films said about Justice Is Mind, “And this is when the film changes gear for one last time, turning into a science fiction tale – unexpectedly and viciously.” Yes, there will be a couple of unexpected turns in the sequel. But like Justice Is Mind, the clues start early.

China's Yutu rover on the Moon.  In First World, China announces its first manned mission to the Moon in 2018 - four years ahead of schedule.

China’s Yutu rover on the Moon. In First World, China announces its first manned mission to the Moon in 2018 – four years ahead of schedule.

One of the reasons why I admire Christopher Nolan as a filmmaker is because he creates original stories that resonate (I loved Inception). Personally, I’m really over the homogenized films that are created to appeal to the widest possible audience, but don’t tell a story.  Seventy years later Laura is still a great film. Likewise with the 1968 production of 2001: A Space Odyssey. That’s what we call long tail!

According to the Hollywood Reporter 2014 box office was down 5% from last year marking the biggest drop off in nine years. Sadly, this doesn’t surprise me. I just know from the audiences that saw Justice Is Mind, they want original stories. I understand the economics of why a studio spends $150 million on one motion picture, but imagine dividing that budget by 10? We know there are all kinds of original stories just waiting to be told.  In the end it comes down to what audiences want to see and how they want to watch.

Yes, I have gone to Kinkos. To print scripts.

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