Shortly after SOS United States won Best Screenplay at the Washington Film Festival, I was notified that the script was nominated for another Best Screenplay award at the LA Live Film Festival. Since I entered SOS United States into the film festival circuit, I have been very pleased with the results to date—14 official sections with 4 nominations and 6 wins. My weekly pitching also yielded a production company interested in reading the script. With a standard release form signed, SOS United States is now being reviewed.
While I remain optimistic for production to begin soon, the reality is that it just takes time to get a project off the ground—especially when you’re looking for investment. When you consider that some very notable films have been in “development hell” for years, you wonder how any film gets produced! I had no idea that the Dallas Buyers Club was written in 1992 and finally released in 2013. Patience is certainly key!
When I think about it, Justice Is Mind sailed along pretty quickly. From short film version to feature was two years. However, from script to screen, First Signal took four years. With First Signal, although we had limited locations in the story, they had to be right. Thus, an extended search. In addition, there were casting and schedule adjustments that also caused some delays. But in the end, the project was completed and released.
Part of First Signal’s release is the continued marketing I employ for the film. In addition to regular social media and pitching for new opportunities, I’m always looking for some interesting angle to capitalize on. Last week I posted a video to First Signal’s IMDb listing titled The UAP Revelation. Created in June for our YouTube channel to coincide with the announcement of the UFO report from the Director of National Intelligence to Congress, the idea was to cross promote the UAP video moment in First Signal with the same moment that was being discussed in the mainstream media.
This weekend I completed up to page 61 of my latest story in the “First World Universe.” With my final pages outlined, I’m hoping for a first draft by the end of October. In all my years of screenwriting I don’t think I’ve ever written a political thriller as complicated and involved as this one. We shall see how it’s received when I start sending it out for reviews and commentary.
As for commentary, a special shout out to Dan and Missy Eaton for producing another successful Military History Expo! From the Civil War through WWII, over 200 living historians (reenactors), three battle reenactments and special guests, brought history to life over this two-day event. It was great to see that nearly 1,000 people attended the festivities. Their expo is a wonderful event to not only learn about military history, but to see it come to life.
In regard to some First Signal trivia, the field you see in the film was the location of the Military History Expo when they produced it in Orange, MA. If you look at the still below, you can see the WWI & WWII trenches that were created for the expo. It was a fitting location for First Signal as part of the story goes back to WWII.
And so the new season started with a bang—literally. Yesterday I attended the Massachusetts Military History Exposition in Orange, MA. This is the second year this group produced this show. While last year focused on World War II, this year’s outing represented a timeline of military history. My favorite group was those representing the 16th century.
The group from the year 1528 called “Das Geld Fahlein” offered an excellent history on how troupes from those days were organized, compensated and fought. Imagine you are a knight in “shining armor” on a horse galloping towards several hundred of these 30 foot long spears and other types of sword defenses. It may have been low-tech even by 1528 standards but it did what it had to do—stop the enemy.
Another area of interest to me has been about communications and infrastructure during World War II. I talked to a few reenactors at the German camp about some technical aspects of how they communicated back then. The distance limitation in radio communication and the shelf life of the field batteries was very interesting. Needless to say, there’s always something new to learn at these events.
Of course the highlight of these types of events are the battle reenactments. While “Hollywood” would have multiple takes over a period of days if not weeks to shoot something like this, this is a one take moment. Once the action starts it just keeps going until there’s a victor. Yesterday was also the first time I used Facebook Live. I broadcast the World War II battle and had viewers all over the country. You can watch the video at this link.
But through all the uniforms and equipment of wars long past, there is the educational component of these events that’s so important. It is through events like this that one learns about the issues of those times and what brought yesterday’s societies to conflict and then peace. Like my experiences last year attending these events, it’s the reenactors that bring them to life. Their depth of knowledge and passion is what makes for a most enjoyable experience.
As so many of my projects have some sort of military component to the story, while I have a great time at these events, it’s all about networking and learning about the talent involved. Why on earth would I seek to hire actors, get costumes and source equipment from the ground up if I could reach out to one of these groups?