Capturing the essence of a movie usually starts with the one sheet (poster), followed by stills and then the trailer. It’s about developing the film’s brand and the PR campaign around it. For First Signal, the first official one sheet was designed by Daniel Elek-Diamanta (who is also our composer). The poster represents the famed “Earthrise” photo from Apollo 8 along with some sort of alien satellite or ship between the Moon and Earth. As the First Signal story is rooted in the Apollo space program, I thought the blend of science fact with fiction would make for a compelling picture.
With editing well underway, the next step in the branding process is to tell First Signal’s story through carefully chosen stills. Quoting Arthur Brisbane from an article in 1911, “Use a picture. It’s worth a thousand words.”
Our first “picture” tells part of the First Signal story with Air Force One arriving in Brussels, Belgium. To the casual observer they just see Air Force One over a newscast. But for those that are following First Signal, they will see much more. Not only does the still lend to the logline, an emergency meeting with the President, it represents the arrival of Earth’s most well-known plane. I say Earth’s because something else arrives later in the story. The rotating planet Earth in the chyron graphic is later identified as another world. But it’s the crisis in Ukraine that leads to a government conspiracy to thwart an insurgent military action that’s at the heart of the First Signal story.
Over the weeks and months ahead, the idea is to create a campaign to bring awareness to First Signal for its release in 2020. When you consider the tens of thousands of films made in any given year, the marketing and communications efforts need to be just as well thought out and planned as principal photography was. For First Signal it’s about building off our early press.
As for building, next week I start the research process for AFM. But prior to AFM, I’ll be presenting First Signal next week to some interested parties that are traveling to Toronto.
Finally, I’m re-presenting First Signal’s one sheet now with credits. As you will see, it truly does take a village to make a motion picture. While a director has a vision and acts as conductor, they are only as good as their orchestra.
With 2018 coming to an end in just over a week, I always reflect this time of year on what was accomplished. For me it’s not about volume but the quality. On the talent side, I’m looking forward to the PBS reconstruction documentary I was part of this past summer. It’s scheduled to air in the 1st half of next year. There was also my work with the Naval Justice School and the National Guard exercises. But perhaps my most ambitious mission to date was putting First Signal into pre-production and attending the American Film Market.
A film requires countless elements to be successful. There’s finding the right actors, crew, props, etc. But perhaps one of the greatest challenges is finding the right location. We often hear the phrase, “Location, Location, Location” when it comes to real estate, it’s also true when it comes to filmmaking.
Although we knew we were going to film the “bunker” scene at the McAuliffe-Shepard Discovery Center, I was hoping for other location possibilities at the museum. After an audition we held a couple of weeks ago, we drove up to the Discovery Center to meet with museum officials. This was also an opportunity for the director of photography and one of actors to see the facility. Needless to say, everything worked out beautifully. With the exception of the scenes in the field, First Signal will be entirely produced at the Discovery Center.
Excited doesn’t even begin to describe how we all feel about this opportunity. For First Signal the location provides a perfect backdrop to the story. For the Discovery Center it will showcase the museum for years to come. For both, the marketing and public relations opportunities are endless.
As a filmmaker what’s terrific about this arrangement is that it’s all being produced in one location. Nothing can be more taxing on a cast and crew when numerous locations are involved. It’s like you’re starting over from day one. When talent on both sides of the camera are relaxed and in a familiar environment, it only enhances the end result. Because that’s what this is all about, the end result.
The production of a feature film isn’t just about the days on set, it’s mostly about the pre and post production. This is why I always aim to plan as much as possible in pre-production so when the day comes when I first call “action” nothing is left to chance and we can all enjoy the process.
Like planning for a launch, that first day of production comes up faster than you think. As that day approaches you only hope that you’ve covered all your bases. But it’s all about surrounding yourself not only with a talented cast and crew, but a location partner that believes in your project as much as you believe in their mission.
A few months ago while searching for First Signal locations I came across The McAuliffe-Shepard Discovery Center in Concord, NH. A museum that honors Alan Shepard and Christa McAuliffe with a “mission is to inspire every generation to reach for the stars, through engaging, artful and entertaining activities that explore astronomy, aviation, earth and space science” is right up my alley of interests.
Last Sunday I took a day trip to visit the museum. When you first arrive you are greeted by a 1:1 scale model of the Mercury-Redstone 3 (Freedom 7) that launched Alan Shepard to space. When you see a life size replica of the space program standing in front of you, it puts those early years of the space program into perspective.
For space and science enthusiasts, this museum really gets it right. You’re first greeted by a NASA funded tribute wall to Alan Shepard and Christa McAuliffe before proceeding to the main exhibits. Some of the exhibits include the experimental XF8U-2 Crusader Jet, the Mercury capsule and developmental path and images of the Lunar Reconnaissance Orbiter. The resolution of the images this satellite has captured make you feel that you are actually on the Moon. Stunning doesn’t even begin to describe what you’re staring at. Considering that part of First Signal’s story revolves around satellites, I found the CATSAT story to be particularly interesting.
Of course no science museum is complete without a planetarium. The Discovery Center’s 103 seat theater did not disappoint! I arrived just in time for the Take Flight show that brilliantly animated the history and science of aeronautics. After the show, there was the space shuttle simulator (it’s not easy!) that was very engaging. But I felt like I was in a scene from The Andromeda Strain when I took a picture of myself in infrared. Between the static exhibits and the interactive, the museum really has something for everyone. One thing I enjoy the most about developing new projects like First Signal is the research. It takes you to places that you might not normally go.
While I was at the museum, I couldn’t help but remember the tragedy of the Space Shuttle Challenger that took the life of all seven astronauts (including Christa McAuliffe). It reminded me of a quote I used in First World from President Reagan’s memorial speech about the accident. In one line he summed up what the dedicated men and women in the space program represent, not only to the United States but the world.
“The future doesn’t belong to the fainthearted; it belongs to the brave.”
– President Ronald Reagan; Houston, TX; January 31, 1986
July 20, 1969. The 49th anniversary of the Apollo 11 mission – “we came in peace for all mankind.”
Although at 4 years old, I was too young to remember the historic event of the Eagle landing on the Moon, I fondly recall the later Apollo missions in the early 1970s. Those grainy black and white pictures being transmitted from the Moon to our television sets was a remarkable achievement. Indeed, it truly was “one small step for man, one giant leap for mankind.” In those days the world watched in wonder as the impossible was achieved, not once, but several times.
When you think of the new technologies, sciences and discoveries that resulted from the space program of the 1960s and 70s, it’s clear that a giant leap was achieved on numerous levels. You can’t bring together that many scientists and engineers and focus them on a single end goal without achieving breakthroughs that were literally out of this world. Of course, another result of the space program was the motivation it gave to so many.
In my case, I developed an interest in astronomy which led to my passion for science fiction. When I combined these interests and wrote First World in 2006, I had no idea where that journey would take me. In the film world it led to the production of the short film version of First World in 2007, followed by Evidence and my first feature film Justice Is Mind. In the real world, I have been fortunate to see the space shuttle Atlantis land at Edwards Air Force Base, Discovery and components of the Apollo program at Steven F. Udvar-Hazy Center, the Enterprise at The Intrepid Sea, Air & Space Museum and Freedom 7 at John F. Kennedy Presidential Library and Museum.
In the world of entertainment, two of my favorite TV series that involved the Moon are UFO and Space: 1999 with my favorite sci-fi movie being War of the Worlds (1953). But over the last several years “Hollywood” has produced some excellent must see films. I could list many, but my two recent favorites have been Hidden Figures and Arrival. Two completely different films, but with compelling messages of the possible when faced with the impossible.
As for possible, progress continues on First Signal. With Daniel Elek-Diamanta designing our first promotional poster, the look of First Signal is beginning to take shape. With more location scouting planned over the next several days, I have no doubt that the right location will soon present itself. When a launch is planned, all the conditions need to be right. I don’t want to settle on a substandard location just for the sake of keeping a schedule. Not only do I need to be excited as a director, but I want the actors and crew to feel equally motivated with their surroundings.
Last week I had my first pre-production meeting on First Signal. That meeting was with an actress friend I met last year at the Naval Justice School who inspired me to write the story. She will be playing one of the starring roles. At some point this week I will be posting for actors relative to a table read.
As we both talked about last week, what’s exciting is building a project from the ground up. I fondly remember the days when I first heard actors saying the lines I wrote for First World. But it’s when it all comes together for a feature that project takes on a different scope. Those pre-production meetings for Justice Is Mind were involved to say nothing of the number of auditions. While it’s important to cast the right actors for a role, I believe it’s equally important they are enthusiastic about the story.
When one considers the number of projects looking for attention, enthusiasm is critical. Anyone that has been part of my projects knows that I push them (and everyone involved) as far as possible. As leadership starts from the top down, so does enthusiasm. Let’s be honest, nothing is worse than working with someone on a project who is a Debbie Downer. This isn’t about drinking the Kool-Aid, it’s about having a positive attitude.
Speaking of positive developments, all the actor contracts came through for the next class at the Naval Justice School in March. I’m looking forward to a class reunion with some as well as working with new actors I cast in the project. What’s particularly exciting is that we have a retired NCIS Special Agent that will be playing an NCIS Special Agent. As I said to her this week, your resume reads like a Tom Clancy novel! But in all seriousness, it will be great to work with someone so knowledgeable on the subject.
As for knowledge, I’ve been seeing a wide variety of reports relative to First Signal. From buildings on the Moon to alien spacecraft taking off, it certainly helps when you see mainstream media reporting on a project you’re developing.
What I think is great about the independent film world are the sheer number of opportunities and distribution outlets now available to filmmakers. But that doesn’t mean putting all your eggs into one basket. Case in point The Sundance Film Festival. This article in Variety pretty much summed up this year’s festival and market.
I honestly can’t imagine producing a film in the high six or low seven figures and counting on a festival to bring in a distribution deal. When you consider how fractured audiences are now, producing something esoteric or polarizing isn’t going to secure a mainstream distribution deal. As I mentioned in an investor pitch this week, “while it’s easy to source the past performance of other films, we know there are simply no guarantees in this industry when it comes to a financial return.” And while there are no guarantees, why limit yourself geographically when there’s a whole nation out there looking for unique stories? That’s what audiences want, a solid story.
SPACE – LAGRANGE POINT TWO
When I wrote Justice Is Mind in 2010 I had no idea that the science of mind reading and its related legal and ethical implications would present itself in the real world the way it did (Pamela Glasner’s article in The Huffington Post pretty much sums it up). There’s no question this public awareness helps when I market the film.
In the sequel, In Mind We Trust, part of the storyline picks up from the end of Justice Is Mind – lost artwork from WWII. In the story it’s revealed that Wilhelm Miller worked in transportation whose responsibility was to ship stolen artwork via train, artwork that disappeared at the end of the war and begins to resurface through the Miller family.
It is oddly ironic that over the last few weeks there has been substantive media attention to an alleged underground NAZI gold train that disappeared at the end of the war. Apparently, a death bed confession revealed its whereabouts. There’s no question that there are countless unresolved mysteries from that time period. And the stealing of artwork, gold and other treasures during the war is another horrid atrocity that the world continues to face and rightly so. Now that Poland’s military is involved in the search, we should have a resolution one way or the other sooner rather than later.
But then we move forward in time to First World and SOS United States. When I wrote First World back in 2006 sure China had ambitious plans with their space program. But I had no idea it would move along at the pace it has. There’s no question, that unless something substantive happens to China’s economy, that country will land a man on the Moon. Much like the space race when the Soviet Union successfully put Sputnik in orbit, it was a wake-up call to the United States. And wake-up our country did by landing a man on the Moon in 1969. Curious how Russia announced this past week they are going to the Moon. Something tells me that China and Russia will soon be cooperating.
This of course brings us to SOS United States. Although China is moving along at a rapid clip, they are disadvantaged in certain areas of military might, particularly in aircraft carrier development, thus the conflict in my political thriller around the HMS Queen Elizabeth aircraft carrier and her ordnance.
But it is the continued cyber-attacks by groups in China directed against United States interests that really is the crux of the world we live in and a major plot element in SOS United States. And let us not forget how Chinese warships entered United States waters off Alaska this week.
In my view, every film whether the subject is good, bad or indifferent needs some sort of hook. Something that will pull the audience in from the real world while they escape into the narrative world of a movie.
This past week was another exciting one for both space history and the space program. From the 46th anniversary of the Apollo 11 landing on the Moon on July 20, 1969, to new images from New Horizon’s flyby of Pluto and the discovery of ‘Earth’s cousin’ Kepler 452b , NASA continues to excite and motivate a new generation just as it did back during the days of Apollo.
I have always loved the space program and, of course, science fiction. From Destination Moon in 1950 to Apollo 11 in 1969, we see time and time again the influences movies have in the real world and visa-versa.
The same can hold true for the science fiction of mind reading I postulate in Justice Is Mind. Just this week, two articles came out that not only further the conversation of neuroscience in the courtroom, but the actual real world implications of the science of mind reading.
In fact, the origins for Justice Is Mind are in the space program of the 1960s. When I was writing the sequel to First World, the idea came to me that on return to the installation on the Moon, inhabitants had to pass through a “mind reading like” device to gain entry. Thus some simple research brought me to a “thought-identification” story on 60 Minutes. The rest, as they say, is history. Justice Is Mind was written, produced and released with our second anniversary screening coming up on August 18.
Regarding the promotional efforts I do for First World, Justice Is Mind and SOS United States, it is always interesting to me to see which one gains the most traction. This past week First World spiked sharply with my Apollo 11 posts, SOS United States saw its highest impressions ever with the U.S. Embassy opening in Cuba and Justice Is Mind increased dramatically with a story titled, “Scientists Say They Can Read Your Mind, And Prove It With Pictures“.
Marketing a film takes time, consistency of message and perseverance. The major studios have the benefits of seemingly endless marketing budgets and A list actors. For a truly independent film like Justice Is Mind, it’s important to have a hook and to see what resonates with audiences. For this project, I have always seen consistent engagement when it comes to media related articles that have to do with mind reading and their real world applications in court or the perceived abuse by government.
When doing my follow calls to the media this week, the one thing that has resonated well was that the sequel is in development and that a concept trailer exists. We shall see how this all pans out in the next couple of weeks as we lead up to the second anniversary screening of Justice Is Mind on August 18 at Cinemagic in Sturbridge, MA.
This weekend I hit page 110 of the sequel to Justice Is Mind. For the last several pages the characters and related plot points have been converging to an end point. It’s moments like this in my writing that I find myself going back to the beginning of the script to make sure I haven’t left anything out. But this is the first draft, and like any first draft, there will be edits.
As some may know, one of my favorite authors is Barbara Taylor Bradford who wrote A Woman of Substance. I came across an interview she did in Gotham last year on what some of her writing secrets are. She makes an outline that doesn’t go more than 10 pages. That’s generally about the same practice I employ. For me, I want to have an idea where the characters are going, but to give them flexibility if some new idea or plot twist comes up. In fact, I already adjusted the ending a bit for the sequel.
The one thing I don’t do is over edit. I really believe you can edit too much and water down what may have been OK in the first place. But this is all personal preference. Of course, if a project has been green lit there are those adjustments that sometimes you just need to make for a variety of reasons. I was looking at my first draft for Justice Is Mind back in 2010. I’ll just say this, thank God I changed the last ten pages!
But like Emma Harte in A Woman of Substance had her “Plan with a capital P”, I have the same thing with the “Justice Is Mind” project. It may take some time to implement, and I certainly won’t divulge it all here, but with a short and feature film completed, a sequel in development and notes for the fourth leg of this project, it’s moving. With each leg the goal is to continue to increase the profile of the project. Ambitious? Sure. But so was the feature film.
Speaking of the feature film, I’m pleased to report that Justice Is Mind can now be streamed on Roku through the new VHX channel. VHX just announced it last week. It’s certainly a great development and it just gives audiences more viewing options. I’m hoping to announce some additional distribution options for Justice Is Mind shortly.
On the political front I was more than delighted to read last week that relations between the United States and Cuba continue to thaw. In my political thriller SOS United States, it’s Cuba that comes to the aide of the United States. When I think of the number of times I have travelled in the Caribbean (mostly by cruise ship) only to see Cuba just over the horizon. It’s time this failed embargo is lifted.
And just as I was finishing up this blog post one of our supporters said, “You know when folks see a movie I don’t think they really get the work, the really hard work the writer has thinking up every word and making it come out sounding natural.” Suffice to say I appreciate those words!
From the writing of the screenplay, raising the money, producing, directing and marketing, audiences really have no idea what goes into the production of a film. And as Emily Best of Seed & Spark said in an article this week, “Every film is a business.” Because in today’s day and age of independent filmmaking, there is one thing you need to have.
I was delighted to discover Jonathan Cullen’s review of First World: Covenant over at The Future Fire. When I read phrases such as “Its basis is audacious and inventive” and “The protagonist…Kathleen Gould, is absolutely memorable and interesting,” it’s very satisfying as a writer to know that you’ve created something of interest for a reviewer – the all important ingredient for marketing a book.
I agree with Mr. Cullen’s analysis that sometimes the mix of points of view in the same scene can be frustrating. As I write Synedrion, these are important notes I take into consideration as clarification of story is key. First World, in particular, is laden with a variety of characters that are critical to moving the story forward.
It’s curious, Kathleen Gould, the protagonist in Covenant, was just a minor player in the original First World story (she only had about a dozen lines in the script). As some of you know, I wrote Covenant a couple of years ago as a web series and established Gould as a new major player along with the monolithic Bank of Shinar International at One World Trade Center. In Synedrion, Gould takes drastic steps to separate herself from the ever monitoring Central (their computer system). The sequel to Covenant is still on target for a late fall 2011 release.
Someone asked me a couple of weeks ago how I created First World. It all originated out of an idea I had for a scene in which these great “Concorde” style ships just appeared over the beach in Ogunquit, Maine (in the short film the location was Cape Cod) and my further thought that there is no better observation of Earth than from the Moon.
When I read on Space.com this morning that the International Space Station might be getting a name and at one point it was called Alpha, I couldn’t help but be reminded of one of my favorite science fiction TV shows Space: 1999. Starring Martin Landau and Barbara Bain, the show is set in year 1999 when the Moon, and the inhabitants of Moonbase Alpha (built in the crater Plato), are blasted out of Earth orbit when the nuclear waste dumps explode sending them on a journey through the universe.
NASA named the first space shuttle Enterprise after the starship U.S.S. Enterprise from Star Trek. I vote the consortium of countries name the International Space Station after Moonbase Alpha. It even looks good in print – ISS Alpha.
To quote Professor Victor Bergman from Space: 1999 “We are Mankind. We came from planet Earth, and we built this base, called Alpha, to learn more about space.”
The Paris Air Show is known as the worlds largest and for good reason. Not only is it the oldest, but it acts as a grand exhibit hall to the latest and greatest in aviation. This year, however, the talk was all about the ZEHST – The Zero Emission Hyper Sonic Transport.
Since the Concorde last flew about eight years ago, the commercial aviation market has stayed subsonic. While it might be nice to fly in the luxury of the A380, it saddens me that there’s no longer a choice if you want to fly supersonic.
EADS, the parent company of Airbus, introduced the ZEHST concept. The idea is that it will be able to fly at Mach 4 with over 100 passengers at over 100,000 feet and make the journey from New York to Tokyo in only 2.5 hours.
There’s no question that the ambition is an impressive one. But will it ever fly? From what I’ve read, EADS claims it could have a working model by 2020 and be in the market by 2050. I wish we could go back to the heady days of Apollo and Concorde when we decided to just do something great. The science and engineering are there so to quote Nike “Just do it!”
As the article states, the United States government classifies lunar samples as national treasures and well it should. Aside from the fact that these objects are from another world, they were brought back to this one by man for all of mankind to study and learn from. I for one believe it should be illegal for anyone to try to sell lunar objects.
Finally, for those of you that don’t subscribe to my email newsletter or missed it on Facebook or Twitter, last month yours truly was cast in a short science fiction film called Approved by Durjaya. The film “centers around a dystopian society in which there are strict rules enforced by a higher authority and each citizen is assigned to a group that determines their job and subsequently their life.” I play one of the two protagonists. The film is scheduled for release in December.
In closing, I’m also running a promotion for First World: Covenant. For those of you that purchased the ebook, I am offering a FREE autographed cover of Covenant that would be suitable for framing. Details can be found in my latest email newsletter.
In the First World universe the primary method of transportation by the Lunarians is the Arctran (Anti-gravity Robotic Command Transport Rapid Aeronautic Navigation). Styled like the retired Concorde, with the length of a 747 and in “Boeing Silver,” an Arctran’s primary function is to act as transportation between Central’s four Earth bases and the domed installation on the Moon, Lunaria. Of course no fictional story would be complete without putting the Arctrans to the test of combat, something they were never designed to do – well, maybe they’ve had some modifications along the way.
Anti-gravity propulsion is certainly nothing new in science fiction. One of my favorite movies that used anti-gravity as a plot device was The First Men in the Moon (1964). The one thing that I love about science fiction from the 1950s and 60s is that they try to explain the science behind the science fiction. In The First Men in the Moon, a scientist by the name of Joseph Cavor invents Cavorite – a gravity blocking substance with the properties of Helium. When this substance is applied to an object it defies the laws of gravity and propels itself. In the film, Cavor uses Cavorite painted blinds on his spacecraft (a sphere) to navigate. Imagine if it was that simple
In the real world, the last seventy years has seen a variety of research into the harnessing of anti-gravity technologies. During the Third Reich, Die Glocke was allegedly some sort of “Bell” that resisted gravity with electromagnetic propulsion. The only proof of whatever did actually exist is a test rig.
For years it has been speculated and reported that Boeing has been working on anti-gravity propulsion with the code name GRASP – Gravity Research for Advanced Space Propulsion. When we consider that the black technology computers used during the Apollo space program are now household technology, I think we can safely speculate that there are propulsion systems being tested that the public has yet to witness.
Next weekend I’ll be at the Rhode Island Air Show, maybe I’ll arrange for an Arctran to make an appearance. Better still, maybe our military would like to surprise us with something new.
When I was visiting Space.com this morning, I was reminded of the opening paragraph of Covenant. One can only wonder if a civilization in the Camelopardalis constellation will intercept Voyager 1 when it reaches that part of space in the next forty thousand years. Even more interesting, where will our civilization on Earth be in that time?
I frankly don’t subscribe to the doomsday theorists on how and when life on this planet will end. As we all know, life on Earth has evolved, been destroyed and re-evolved again over millions of years. When we stop to think that dinosaurs walked this Earth tens of millions of years ago, I think we can safely say that life on this planet will always exist in some form.
But that does not mean that we shouldn’t take responsibility for our time in the here and now. Believe me if the dinosaurs could have deflected an asteroid to avoid their extinction they would have. Not only do we have the technology to deflect an asteroid, but the very real capability of taking care of this planet environmentally and its people.
Someday, I truly believe, that the Golden records on the Voyager spacecraft will be played by another space faring civilization. Imagine their excitement to realize that they are not alone in the universe.
But there was a time in contemporary memory where life on this planet nearly extinguished itself.
During the height of the Cold War the Soviet Union’s installation of nuclear weapons in Cuba nearly ignited Earth into a war that would have ended all wars. Thankfully, the Soviet Union blinked and we are still here today to talk about it. As one student said in the theatre, “My God, we almost killed ourselves.” That student was a high school senior. History doesn’t have to repeat itself in the present if we know the past.
It has recently been publicized that President Kennedy had a lot of misgivings about committing the United States to the herculean ambition of putting man on the Moon. Sure it was motivated by the Sputnik moment, sure it was motivated by beating the Soviet Union to the Moon, but Kennedy was a realist and knew full well that the United States had a lot of pressing domestic issues that needed to be addressed from both a humanitarian and cost point of view. But this is what made his presidency so legendary, to think in the here and now and the tomorrows yet to come.
“I believe that this nation should commit itself to achieving the goal, before this decade is out, of landing a man on the Moon and returning him safely to the Earth.” — President Kennedy before a Joint Session of Congress, 25 May 1961
China’s ambitious space program and military development seemed to have caught some countries, including the United States, by surprise. Why, I don’t know. I wasn’t surprised at all to read that President Obama would be interested in partnering with China on a manned mission to Mars. Frankly, I don’t see one nation (never mind a commercial space company) pulling it off in the economic climate of the early 21st century. From a technology point of view, NASA could certainly put man on Mars. But the International Space Station proved that partnering is the way to go. It just makes sense from a cost sharing and technology point of view.
It is indeed unfortunate that China is absent from the International Space Station (although, I read that they wanted to be involved). This lack of participation has only solidified their resolve to build their own space station called Tiangong-1. To quote a NASA official in the article it’s a “potent political symbol.” I respectively disagree on that point. It’s time to put politics aside and look at the greater good. Trust me, if China develops an economical launch system the international commercial contracts will fast come their way.
When I was developing First World, my research revealed some mentions that China was hoping to achieve a manned mission to the Moon by 2020. In looking to apply some plausibility to the First World story, I theorized that China could possibly accomplish this goal by 2018 if they were motivated to accelerate their efforts if their sovereignty was threatened. That threat being their discovery, during the Beijing Olympics, that a unified covert military insurgency was operating in most of the world’s military organizations.
As I begin to write Synedrion this weekend, the sequel to Covenant, readers will be introduced to President Robert Anderson who discovers, not only the classified missions of the Apollo space program, but the fact that a large part of this military insurgency lies within United States Armed Services – a realization that propels cooperation between China and the United States on a global and off-world scale.
Finally, we welcome home the space shuttle Endeavour after a fantastic mission to the International Space Station. And back to the science fiction front, I’m really looking forward to X-MEN: First Class this weekend.
I am pleased to announce that First World: Covenant has been published. My first ebook went live on Amazon yesterday afternoon.
For those of you that may not be familiar with First World, the story is set in the year 2018 when China announces its first manned mission to the Moon which sets forth the unraveling of a worldwide cover-up that began when Apollo 11 discovered a domed installation in the Sea of Tranquility, and with it, the origins of mankind.
Covenant is a prequel novella that takes place twenty-four hours prior to the events in First World: Revelation. Covenant revolves around four characters that each have a stake in the coming of a new world order and provides some additional background to the primary story that starts in Revelation. The synopsis can be found on the Covenant page and in the official press release.
The First World story really began in 2006 with one scene. I just imagined being on the beach when suddenly these space-like ships appear out of nowhere. OK, now where did I want the story to go.
Ever since I can remember, I have loved science fiction. I’m particularly fond of the classics from the 1950’s. I have also been fascinated with the number of conspiracy theories surrounding the Apollo missions. It’s hard to believe that some people actually think we never went to the Moon. So then where did these Saturn V rockets go?
Another area of interest of mine has been the various religious beliefs that are held by most of the human population on this planet and the governments that, let’s face it, control the population.
When I started to “pen” First World one of my other goals was to ground the story in history and major events. You’ll see what I mean when you read Covenant.
Since 2006, First World: Revelation has placed in three writing contests at leading film festivals, been produced as a short film that has screened at twenty science fiction conventions in over six countries and is running on Hulu.com through the IndieFlix channel (Yes, I am working on securing production of the feature-length version). As I mention in the acknowledgments, the words Thank You don’t nearly express my gratitude for all those that have supported this…adventure!
I hope you enjoy Covenant. I look forward to your comments.