And so it begins. The casting notices for First Signal have been posted to Backstage and New England Film. Audition dates are scheduled for April 14 in Nashua, NH and April 15 in Natick, MA. So far the responses have been very encouraging. Although the cast for First Signal is substantially smaller than Justice Is Mind, that just raises the importance of casting the right actor for each part.
The characters listed on the casting notice are open, but three of the lead characters have already been cast (The President, Prime Minister and Major Sampson). The one thing I’ve learned about casting and directing is that once you work with a certain set of actors, you know what they can bring to the table. This is why you see so many directors working with the same actors from one film to another. It’s not that they aren’t interested in discovering new talent, it’s that they know the actor can breathe life into these characters and are easy to work with. But make no mistake about it, I love discovering new talent. Then there are the actors I’ve worked with in the past who are auditioning for the same part in First Signal. I promise you casting is not an easy process.
But the one thing I don’t believe in is the taped audition. Sure, all actors send in a reel of past work, but you can’t evaluate an actor properly unless they are standing in the same room with you. They may deliver a dynamic and exciting audition on tape, but how do they get along with others on set? Are they friendly or standoffish? Do they like the director? Sometimes it’s not about talent but about fit of personality.
As for fit, the April 15 auditions will take place at The Verve Crowne Plaza in the same conference room in which we produced Serpentine. Another part of the filmmaking process is about developing relationships with location and marketing partners. Thanks for having us back!
Last week I had a meeting with a filmmaker about the development of First Signal. While he knows I watched his work, what immediately struck me was that he watched some of mine as well. Isn’t this what the process is all about? Learning about each other’s work before you work together?
When I’m in a pitch meeting with a possible producer, I might not watch all the movies they’ve produced, but you can be sure I’ve watched some. When I’m looking to cast an actor, I read their resume to see if we have any common background or talking points. Likewise, when I’m cast in a project I always look up the director. You never know where a conversation of mutual interests can take you.
I figured the meeting was going to go well, but you never really know until you have a face to face. The result of that meeting was a change in process on the production of First Signal. While a table read was nearly cast and scheduled, the decision was made to go straight to auditions in April with production in August.
The decision to forgo the table read really came down to a few things. First, there were some scheduling conflicts in early March, a preliminary working budget was largely agreed to and it appeared to be an extra step in the process that we just didn’t need. Naturally, once the actors have been cast the requisite rehearsals will take place prior to shooting. A formal casting notice will be posted on Backstage and New England Film in late March, but for now please visit this link for more information.
The process of making a feature film is an exciting one, but also a careful one. It all comes down to planning and execution. When I think of the days when I produced some major events (some out of the country), and what has gone into my film projects, I’m a firm believer in the importance of pre-production. A film is like a train. Once the train leaves the station it’s almost impossible to stop. Best to have everyone board at the station rather than trying to jump on while racing down the tracks.