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Posts tagged “Newport Rhode Island

New Perspective

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Battleship Cove.

I’ll never forget the day Adam Starr brought his drone to the set of Justice Is Mind. When I wrote the part in the story that called for a drone, I count myself lucky that Adam had one. In those days (2012) a drone for an independent film was a novelty. Adam had recently purchased a drone for a commercial shoot so thankfully he had one. As you can see from the image below, he did a great job. And with his VFX skills he transitioned from drone footage to special effects seamlessly.

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A drone shot in Justice Is Mind from 2012.

Last weekend was a bit of a drone adventure for me. After my successful shots at the McAuliffe-Shepard Discovery Center earlier in the month, I went to a WWII event at Battleship Cove. I go every year, but this time I brought my DJI Spark.  Although I’ve been working with the drone for a few months now, I never really put it through the paces. The image above was from the drone’s maximum height (without the remote controller). Yes, “Big Mamie” is a big ship! To watch the video, click this link.

The next day I went to Newport, RI and toured The Breakers. Although I took a picture of Marble House with the drone when I was at one of the “Cars & Coffee” shows, I had yet to video one of the Gilded Age “summer cottages.” After the tour I started to envision what I wanted to see from this great mansion that was the home of Cornelius Vanderbilt II. For those that remember the opening credits of Dynasty, that was my motivation. To watch the video, click this link.

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The Breakers.

To answer what some of you may be thinking, yes, I always get permission to film at museums and the like. The drama you hear about drones is pretty much nonsense. Operating a drone is like driving a car. It’s called practice and being responsible.  If I’m not sure about something, I’m not going to try it. One of the cardinal rules is pretty simple—always be able to see your drone. Today’s drones have so many wonderful features built right into their programming. For mine, I can just tap “return to home” and that’s exactly what it does.

As part of SOS United States takes place on the USS Massachusetts, I’ve always wanted to do some filming at the museum. My interest in The Breakers was obvious. What filmmaker wouldn’t want to film such a grand residence? Because these two locations are so unique, my aim was to get two different looks if you will. But there are those moments when you kick yourself. I was approaching the low battery warning and had one more chance to get a shot at The Breakers. I hit “tap to fly” and the Spark was moving forward nicely. After a few moments I hit return to home. But I forgot to hit record when it was flying! Thankfully, I had enough footage.

Of course I originally purchased this drone for First Signal. Although actor and crew scheduling conflicts meant moving the film to 2019, this actually gives me more time to experience the capabilities of the Spark. There’s lots to shoot in the region!

As for First Signal, SOS United States, and my other projects, I always have a plan b. This November I’ll be traveling to the American Film Market. I haven’t been to Los Angeles since Justice Is Mind had its west coast premiere in 2014. It will be great to make new contacts and visit with friends and colleagues from my days in “Hollywood.”

Next shot.

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The Challenge

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NCIS Challenge Coin

This past Friday I finished my fifth class playing an NCIS Special Agent in the Naval Justice School’s mock trial program.  When I first started in this program back in December 2016 I was simply cast as an actor, given background information to learn and literally jumped into the deep end of the pool. For those of you that have been following this blog for the last year, you know how much I enjoy this assignment. It’s important work. Not just for me as an actor, but for the school, the students and the military.

Now that I direct and supervise this program for the government contractor the responsibility level elevates. It’s not just important that I do my job as an actor, but I need to insure that others are doing their job as well. As a director my goal is that they present a strong performance on stage and off.

This round was particularly special for me when a recently retired NCIS Special Agent joined our group as an actress playing an “NCIS Special Agent”. Obviously, she brought a wonderful perspective to the part and was a joy to work with. But when she presented me with an “official” NCIS challenge coin, well that just made this round all the more exciting. But rewarding for me came at the end when I was getting ready to leave on Friday. One of the students walked up to me and thanked me for the work I did. Likewise, I thanked him for his service and the work he is doing. In the end, that’s what this is all about.

But as for out and about, it wasn’t all business. I had time in my schedule to visit the Audrain Automobile Museum to see their latest exhibit.  If you find yourself in the Newport, Rhode Island area, I highly recommend a visit.

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In First Signal a military satellite intercepts an alien signal.

In regard to visiting, I will be at the Joint Base Cape Cod for a National Guard training exercise on April 6-7 and 10-11. To quote from the registration link for those interested in being a Casualty Role Player, “The training exercises will simulate an emergency response to a manmade or natural disaster including a structural collapse and/or nuclear, biological or chemical incident.” I will be there in a production capacity. To learn more, and to be considered as a Casualty Role Player, please visit this link.

It’s hard to be believe that auditions for First Signal will soon be here. With auditions set for April 14 in Nashua, NH at the Nashua Library and April 15 in Natick MA at the Verve Crowne Plaza, we have some great talent scheduled.

With First Signal being the first installment of what I hope to be a franchise in this “First World” universe I created a decade ago, the challenge is finding the right actors for the right parts.  I’ve been fortunate over the years to work with some wonderful talent. Actors that are not only great at what they do on camera, but a joy to be around when the cameras turn off. That’s vital when casting a film. Because long after the last “cut” is heard and the cameras are turned off, it’s on to promotion and marketing.

Performance.

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