In preparation for the second anniversary screening of Justice Is Mind on August 18, I’m going to Cinemagic tomorrow to give them the film. They’ll have our theatrical DVD and a DCP (Digital Cinema Package). The DCP was created for us by the Chatham Theatre. Sometime next week they’ll run the DCP test. Out of all the theatres which have screened the film, it looked and sounded the best in this theatre. While I know what the DVDs are capable of, I am looking forward to seeing the film in its highest possible resolution.
Since my last post, art is starting to imitate life. In SOS United States a Cyber Pearl Harbor by China takes out the United States power grid and military satellite communications. Last week the United States strongly believes that China is behind a cyber-attack that compromised millions of Americans. These weren’t just any Americans, the agencies targeted were the Office of Personal Management (OPM) and the Interior Department.
As part of the development process of SOS United States, I reached out to the media relations office of the National Security Agency a couple of weeks ago. This is the same process I did for First World when I contacted the Secret Service and the various universities and law schools for Justice Is Mind. For me, as a filmmaker and screenwriter, it’s important to get as many facts straight as possible. I believe adding reality brings believability and plausibility to a movie.
On a personal note, I have no problem with the work the NSA does. Unless you live under a rock and off the grid, we live in a very complicated world. A world that needs to be monitored for the safety of its citizens. As General Blair says in In Mind We Trust at a Congressional hearing, “Senator don’t talk to me about privacy when most of the planet posts their most intimate details voluntarily. You know as well as I that the next attack on the United States isn’t going to come over the pole as a nuclear device, it’s going to come from a computer.”
Speaking of In Mind We Trust, I am developing a concept trailer along with Justice Is Mind composer Daniel Elek-Diamanta. Originally, I was thinking it would be just about a minute long, but given the scope of the story we are expanding it to over two minutes. The first minute introduces elements in Justice Is Mind that propel the In Mind We Trust storyline.
Continuing with the development process, I was invited on Chris Denmead’s show Radio of Horror on WCUW 91.3 FM a couple of weeks ago. You can listen to the interview at this link where I talk about a wide variety of subjects around filmmaking. I met Chris when he participated in Justice Is Mind during the flashback wedding scene. As I’ve often said, this is an industry of networking and relationships.
Just as this week was coming to an end, I was alerted to this article in the Huffington Post stating “Scientists Can Read Your Mind Using These Images of the Brain”. It was great to read the latest news from Carnegie Mellon University’s research in this area and Dr. Marcel Just’s quotes. As some of you may know, I was inspired to write Justice Is Mind after seeing Dr. Just on a 60 Minutes story in 2009 that talked about ‘thought identification’. Justice Is Mind had the opportunity to screen at Carnegie last year.
These past two weeks the entire world has been front and center on news surrounding the United States’ National Security Agency and a “whistleblower/traitor” that is now “residing” in Hong Kong. Whatever your opinion is on this matter one thing is certain—someone has pitched a story to a producer, a script is being written and a film will go into production by the end of this year.
In Justice Is Mind one of the tracks in the story is loss of privacy. Our primary character, Henri Miller, makes an elected choice to give up privacy with that decision secured by biometric signatures. Miller’s information is digitized, sent electronically to a foreign company and held in a central library of like “minded” information. Trapped by his own memories, he soon finds himself on trial. But in an age of social media and immediate news gathering, while the law may say “innocent until proven guilty”, let us not kid ourselves. Despite the democracies that we live in anyone charged is guilty first and only innocent after the public says so.
When it comes to marketing Justice Is Mind, I have been working closely with my entertainment attorney Arnold Peter. Sure, we are submitting to targeted film festivals and making presentations to sales agencies and distributors, but the major push for the film will be in the very democracies that have allowed us, the citizen, to sign away our rights of privacy by our own choice. Speaking of choices, I’d love to have Justice screen in Tehran (that probably just got me on a list).
One country that we will be having a presence in is India—the world’s largest democracy. This would not be my first foray into that country. My first short film First World was the only science fiction film to screen at India’s first national discussion on science fiction. It was an honor and a distinction that I will never forget. Presenting Justice Is Mind in India is just as important as the United States as the whole point is to establish discussion around key areas of the film—where does privacy start and stop?
In the digitized and social media world we live in the loss of privacy in the general sense must just be accepted. One of my favorite films, Gattaca, sequences DNA and decides your societal fate. In Justice Is Mind your memories decide your legal fate. Make no mistake, these sciences are largely here in the year 2013. Maybe not as developed as the films they are represented in, but like Star Trek literally invented the cell phone, fiction will be fact soon enough. Get used to it or live in a cave.
When it comes to writing, production and directing a film you want your audience to leave thinking. That’s how a film establishes a long shelf life. That’s how a film finds audiences long after its world premiere. That’s why films like Judgment at Nuremberg, 2001 and Guess Who’s Coming to Dinner still resonate today. They had something to say and weren’t afraid to say it. Justice Is Mind is not politically correct. It is designed to elicit conversation and to remind us that our life is largely dictated by the choices we make. And in the case of Justice the choices of…sorry you’ll have to wait until the film is released for the end of that sentence.
Thankfully our democracies still give us the right of choice. And like those that we elect to office to represent us in our respective governments, we want our films to also win in the court of public opinion. Because it really comes down to three words–
WE THE PEOPLE.