Marketing planet Earth one project at a time.

Posts tagged “reincarnation

The Concept

From the In Mind We Trust concept trailer.

From the In Mind We Trust concept trailer.

When I wrote Justice Is Mind in 2010 I don’t recall thinking about a sequel. It’s hard enough getting a feature film made in the first place, never mind a continuation of the original story. But no sooner was Justice Is Mind released in 2013 than ideas started to come together from one of the underlying plots in the film – the government’s involvement with mind reading and one family’s search for the truth. After about four months of intense research and writing, In Mind We Trust was complete.

One of the more popular ways to bring projects to life is with a concept trailer also known as “proof of concept”. One of the most popular of these trailers was for a project called The Leviathan. I love high concept sci-fi and this had it in spades. By all reports it looks like The Leviathan will be turned into a feature film.

The concept trailer links Justice Is Mind to In Mind We Trust with stolen NAZI artwork.

The concept trailer links Justice Is Mind to In Mind We Trust with stolen artwork from World War II.

In Mind We Trust is not only high concept, it also involves the intricacies of intelligence agencies, past life regression, stolen artwork and complex legal issues around the Fourth Amendment. The aim with the concept trailer is to distill it down to just over a minute and to find just the right video clips to make it work. In my search for clips, the ones I thought were going to be impossible to find showed up on the first search, while some I expected to be easy took me a few days. But in the end, I believe I have a workable presentation. At 2:36 the concept trailer starts with Justice Is Mind and then introduces the key elements of In Mind We Trust. The plan is to release it just prior to Justice Is Mind’s 2nd anniversary screening on August 18 at Cinemagic.

As for the upcoming 2nd anniversary screening on August 18, things are moving forward nicely. Tickets went on sale this past week, some listings are showing up and Pizza Post is back on board with their special promotion (ticket purchasers get a dollar for dollar redemption).  Look for our press release next week.

Tickets now on sale for Justice Is Mind's second anniversary screening.

Tickets now on sale for Justice Is Mind‘s second anniversary screening.

There was a great article in MovieMaker magazine this week about the 2015 Produced By conference in Los Angeles.  You can read the article at this link. For me, there were so many excellent takeaways. From, “Don’t be afraid to cold call or email”, “Partnerships with companies”, “A great script is the foundation for any project” and “Never produce a project you don’t feel good about”.

But perhaps the most important statement at the conference was, “The one thing that was said in ALL panels regardless of the topic. CONTENT IS KING!! At the end of the day, all that matters is what’s on screen or going to be on screen.”

In development.

In Mind We Trust-page-0


The Agenda

Justice

I’ve always had an agenda. My present agenda is pretty obvious, getting one or more of my slate of film projects into development.  When I was reading about Joel Silver’s financing saga, it reminded me of the countless projects I am aware of that are in the development stage or still looking for a distribution home.

From government and commercial space program interests, to military and political conflicts to the mysteries of neuroscience and reincarnation, the market for First World, SOS United States and In Mind We Trust (the sequel to Justice Is Mind) is most certainly there. What it simply boils down to is equity. Ask any filmmaker, even the ones on the recently released The 30 Most Powerful Film Producers in Hollywood in the Hollywood Reporter, it doesn’t matter the size of the project they all require some equity.

IN MIND WE TRUST, the sequel to JUSTICE IS MIND involves the CIA and NSA in Germany.

IN MIND WE TRUST, the sequel to JUSTICE IS MIND, involves the CIA and NSA in Germany.

But it’s more than just cash, it’s the ability to see a project through from start to market. Notice I didn’t say “finish”. Yes, it’s all very exciting making a film and being on set, but none of it matters if the film isn’t released or distributed. It saddens me when I see a project I’m familiar with, or have been tracking, get sidelined for whatever reason. Look, make no mistake about it, filmmaking is not easy. The commitment level it takes is in years, not months, if you hold the title of writer, producer or director.

In FIRST WORLD there's an installation on the Moon. The European Space Agency is proposing to build a Moon base.

In FIRST WORLD there’s an installation on the Moon. The European Space Agency is proposing to build a Moon base.

In my business plans it’s stated that my commitment to a project once it gets the greenlight is, at minimum, two years. Look at Justice Is Mind as an example. Script was written in 2010, short film produced in 2011, feature film produced in 2012, released in 2013 and marketed through 2015 (and beyond). Studios understand this level of commitment or else they wouldn’t have a library of films. Seriously, how long does it take to update a Facebook page or post to Twitter? It’s one thing coming across a website, but nothing screams abandoned like a social media account that hasn’t been updated in months or years. This is an industry of perception.

I often reflect on my early efforts with First World. I wrote the script in 2006 and produced the short film version later that year. The film was released in 2007 and I spent over three years marketing the film that resulted in twenty screenings along with a DVD and VOD release. As of this writing, First World is still generating strong VOD sales.

But my current agenda is just that, an agenda I need to put together for a production meeting this week.

Presenting.

The National Review reported that the U.S. Navy is accessing how it projects power - a central theme in SOS UNITED STATES.

The National Review reported that the U.S. Navy is accessing how it projects power – a central theme in SOS UNITED STATES.