After dealing with a massive snowstorm the day before, the first day back at the Naval Justice School went well. As this is my fifth time doing the program, these are like class reunions between the actors and staff. But with every new class, we have new actors join the program.
I can’t speak for other regions, but in New England the acting community really is about six degrees of separation. While I may not have worked directly with some of the new actors, the other actors have or are familiar with their work. What struck me interesting with one of the new actors was him telling me about a project of his own that he’s putting into production himself. Sound familiar?
While any actor, screenwriter, cinematographer, etc., wants to be hired, there’s nothing more satisfying than creating your own work. It truly is magical watching your performance, your words and your images come to life. But one does not magically snap their fingers to get a project off the ground. In the end it’s about partnering with good people that believe in bringing the project to life.
In addition to the casting notices going up this week for First Signal, location searches will also begin in earnest. As I mentioned to someone already involved in the project, the way I approach a location is to trade the opportunity to shoot with a mutual public relations and marketing plan. I’ve taken this approach with the films I’ve produced and, with the exception of $100 to shoot in church for Justice Is Mind, it has worked.
The last thing you do as an “independent” filmmaker is ask what their rate or how much they would charge. I promise you, you’ll get frustrated when you hear numbers that are impossible to meet. Worse, you meet them and go broke in the process. You want to work with people and companies that are excited about the project. But that excitement is not without responsibility.
On a set I am the first to arrive and the last to leave. Why? Because it’s my responsibility to insure that I leave a location the same way I found it. Case in point was the conference room we used in Serpentine. In the film, the location was at the FBI in Washington, D.C. In the real world that was the Aquarius board room at The Verve Crowne Plaza in Natick, MA.
That room worked out great in the film, but it needed to be dressed. I purchased Washington, D.C. images to cover up the posters on one wall and added The Brandenburg Gate during the Cold War era to highlight a certain moment in the story (it was also an Easter Egg for Justice Is Mind). How did the viewer know they were at the FBI? Stock footage the moment before that showed the exterior of the FBI. What’s interesting about that footage is that one of my favorite shows, Madam Secretary, has also used that same clip.
With the script breakdown for First Signal almost complete, look for a casting notice in the coming days. And that military exercise I mentioned last week? Looks like that contract is coming through.
If you’ve seen Justice Is Mind, First World or Serpentine: The Short Program, you know I don’t shy away from using multiple locations to tell my stories. I’ve been very lucky with my productions to secure some unique locations.
Each one of those projects had one or two critical locations. For Justice Is Mind it was a courtroom and MRI facility. For First World it was a presidential suite and a horse farm. For Serpentine it was a figure skating complex. Each of those locations brought gravitas to their stories.
For this new project, my aim is a simple one. Keep the story largely contained to one interior room and one outdoor scene. My goal is both for story and cinematography. With the primary story taking place in a windowless bunker one of my inspirations is Alfred Hitchcock’s Dial M for Murder. For those that have seen this classic, the story primarily takes place in an apartment. As that film was first produced as a play, it largely makes sense that it would be confined to one location.
This new story is a prequel to First World and revolves around one particular meeting. While I would obviously love to see First World produced, I also know that it’s a science fiction epic that would require, while maybe not an “epic” budget, certainly one in the seven figures. For this project, the aim is to contain production costs for independent production.
While Dial M for Murder is one inspiration, another is Fail Safe. The scenes in the Pentagon’s “war room” worked on a variety of levels. What I particular liked was the rear projection that was used to display the military crisis between the United States and U.S.S.R. Because this type of “special effect” was produced while the movie was being photographed, it saved time in post-production.
With a good amount of my research completed, I’ll shortly start the writing process. The fall and winter months are my favorite time to write an original story. Believe me, it’s the cold weather that will set the mood for this piece!
This story will revolve around a particular signal intercept and how certain government and military officials are responding to it. To give you an idea of the conflict in this story, I’ll borrow a quote from Valkyrie, “This is a military operation. Nothing ever goes according to plan.”