I programmed SpaceX’s launch date into my calendar. The upcoming launch of the Falcon Heavy was an event I wasn’t going to miss! But as can often happen with a launch, the time (and even date) can change at a moment’s notice. When the launch time did change, I went to the gym. As the time ticked down, most of the news oriented stations started to report on what was either going to be an historic success or a catastrophic failure.
I soon found myself paying attention to who was watching and who wasn’t. Yes, there were a good number of people watching (particularly in my age group). But then there were those that just didn’t seem to care. Judge Judy and Dr. Phil are fine enough shows, but you only get one chance at seeing history in the making and remembering where you were at the time. While I remember seeing the later Apollo missions on TV, at four years old I was a bit too young to remember Apollo 11. To this day I still remember those grainy black and white images. But today’s broadcast was being carried in vivid HD.
Watching the Falcon Heavy liftoff from the same pad as Apollo 11 was epic. It reminded me of what’s possible when we join together to create greatness. It’s this type of science, cooperation, ingenuity and forward thinking that makes this country great not myopic politicians. Although the political winds of the Cold War set the space program on the course it achieved in the 1950s and 60s, it’s private enterprise that will take us on the next step of this final frontier.
There’s no question that my following of the space program led to my interest in science fiction. While the 60s had Star Trek (again, a bit before my time), my introduction to science fiction was in the 70s with such programs as UFO and Space: 1999. Each of those programs had a base on the Moon along with a fleet of ships.
Launching oneself into the world of screenwriting also carries its own set of risks (but not nearly as much as an actual rocket launch!), the primary one being the risk of getting a story wrong. Writing an original story is not an easy process. It takes time and research. When I set out to write a story, I usually do some baseline research so when I start to write I don’t need to stop until I reach that next point of needed additional research. When I wrote Justice Is Mind the first phase of research was around thought identification with the second phase being the legal process around a court proceeding. For First Signal, the majority of the research revolved around satellite communications and the Deep Space Network.
As the submission process continues for First Signal, I’ll also be having a meeting this week with a filmmaker. I recently saw some of his work and he had that number one thing that’s so important when working with a crew – inspiration. From my own projects to others, I’ve been on a variety of sets over the last year. And while inspiration is expected from actors, it’s just as important with members of a crew. You can easily see who’s on point and who needs a sharpening.
From actors I’ve cast in past projects to learning about new talent in the region, since the notice went live I’ve been very encouraged by the quality of the submissions. However, for this project I’ll be reaching out to additional sources for certain roles. The goal of the table read isn’t just to hear the script, it’s also about casting possibilities for the feature film itself.
The character of Cedric Yonah is particularly important to the overall story. Not only does the actor need to be great at his craft, but he also must have a certain look. I can almost say that I’ve received enough quality submissions for all other characters, but I’m still looking for this one. This isn’t exactly “The search for Scarlett” but let’s just say the search is ongoing.
This reminds me of the classic sci-fi film The Day the Earth Stood Still. As I understand from the development process, director Robert Wise didn’t want to have a recognizable actor walk out of the spaceship as it wouldn’t have been believable. But it had to be an actor with gravitas and a certain look. The casting of Michael Rennie as Klaatu/Mr. Carpenter was brilliant.
Casting is not an easy process. I remember the three hundred plus submissions for Justice Is Mind. While I was fortunate to find some of the leading roles from the short film version Evidence, there were numerous parts that I needed to cast. In as much as you want to see a quality audition, it’s also about how you get along with the actor during that brief time. I do believe it comes down to the sixty second impression.
However, what I still don’t understand is how simple submission instructions aren’t followed. When I submit for a project I make sure I follow the instructions to the letter (why wouldn’t I?). If you refuse to follow submission instructions, how are you going to be during filming? I kid you not I received a submission that literally said here is my IMDb link and Google me. Sorry, if you can’t submit a required headshot, resume and link to your reel you just get relegated to archive.
But this is just part of the development process. Every project takes on a life of its own. I always find it interesting where a project gets its start. First Signal started at the Naval Justice School. But Justice Is Mind actually got its start when I wrote the sequel to First World and was researching mind reading technology. Thus my discovery of the 60 Minutes story from 2009 on thought identification being developed at Carnegie Mellon University (CMU). Four years after that story Justice Is Mind screened at CMU.