When I set out to write First Signal in 2017 my goal was to simply write a prequel to First World. What I couldn’t have foreseen was the timeliness of the film when it was released in 2021. It was in 2017 when The New York Times suddenly released videos that purported to be UAPs (Unidentified Aerial Phenomena). Provided by Luis Elizondo, who was once the head of the Advanced Aerospace (or Aviation) Threat Identification Program, the videos sparked a media frenzy the world hasn’t seen in decades on this subject.
In early June the head of the U.S. intelligence community along with the secretary of state will be delivering to the U.S. Senate a report on the topic of UAPs also know as UFOs. What will be revealed in that report and what will be disclosed to the public, I’m fairly confident will be two different things. But one thing is certain, the questions on who or what is behind these videos simply will not stop. In fact, any concealment by the government will only further exacerbate the claim that the government is hiding something from the public.
I was about halfway through writing First Signal when these videos were released. While I wanted to include them in the story, I also wanted to broaden the “government coverup” aspect to not only include the central storyline of First Signal, but what the government may or may not do during such a crisis.
In one scene, General Reager states quite clearly that public doesn’t have the right to know the truth, “I call it protecting the people from themselves.” President Colton echoes his position when she states, “There are some matters of state that can’t be disclosed.” Do I believe that this may be the case with the upcoming June report? Who knows. But given present world events, I don’t think those of us that would frankly welcome an alien presence on Earth are going to be told much…if anything.
But putting aside my personal feelings on the matter of UFOs, the media around this subject is most certainly a boon for films like First Signal. As an independent filmmaker we do what we can with the resources we have to attract attention to our projects. Yet we always hope for some sort of outside influence to further propel our films forward. This happened with Justice Is Mind when suddenly “thought identification” technology was in the news during the time the film was released.
One does have to wonder if this report to Congress could create something on the order of an Operation Troy like we see in First Signal. Honestly, if the military knows about an alien presence on Earth or in our solar system, wouldn’t they use every conceivable method at their disposal to fully understand it? Of course they would along with, more than likely, linking with the militaries and intelligence agencies of other countries. They say knowledge is power, but sometimes one must also ask the question, “Do you really want the answers to the questions you seek?”
On a personal level, I do hope in my lifetime we definitively learn that we are not alone in the universe. I truly believe that this knowledge will benefit our planet not hinder it. As Cedric Yonah says in First Signal, “This is a time to study and investigate. Can you imagine what you could learn from them?”
Last night I attended the world premiere of Daniel Groom’s Alternate Ground to a sold-out crowd at Chunky’s Cinema Pub in Nashua, NH. Although Dan has directed several short films, this was his feature film directorial debut. Alternate Ground’s combination of sci-fi and horror worked brilliantly in this UFO abduction film. While watching Alternate Ground unfold, I was reminded of some classic sci-fi and horror films from the 1970s and 80s that I adore. I don’t know if that was his intention or not, but from a marketing point of view it was a brilliant combination of classic film with contemporary storytelling. Suffice to say it was well done.
Prior to the film’s start, Dan remarked to the audience about the importance of independent film and the filmmakers that bring them to life. The word “sacrifice” doesn’t even begin to describe what the filmmakers, cast and crew do to bring art to the silver screen. I promise you the passion in a truly independent film such as Alternate Ground is 1000x more than any studio could achieve. Last night you could see that passion on screen and from those attending. It’s that passion that drives the independent filmmaker to continue pushing forward to do one thing – create.
Some years ago, I was asked by someone why I work so hard on my film projects when the promise of a return is nebulous at best. I simply responded, it’s a story I need to tell. This person continued to press me on the subject until I finally said something on the order of, it’s people like me that create what you see on TV, in the theatres and the books you read. Without creatives there is no substance to society. Without creatives life is just black and white with no color. The person that was pressing me was someone who, sadly, works a terribly boring job. And while I can say I’ve worked many boring jobs in my life, you must find the time to be creative, to express yourself in whatever medium that brings you, and hopefully others, some joy. To Daniel Groom, his cast, crew and partners, you brought a great amount of joy last night.