Marketing planet Earth one project at a time.

General

Desk Set

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The cover photo on First Signal‘s Facebook page.

Since First Signal’s table read last Saturday there has been a flurry of activity behind the scenes. From location scouting between Massachusetts and New Hampshire to waiting to hear from the Department of Defense on production assistance, the pre-production process of a feature film is a myriad of activity that gives new meaning to one word – lists.

With our aim to secure the final locations in the next ten days, those working on the pre-production side will see their respective lists grow exponentially. As I believe organization is critical to any production, keeping a well ordered list means that you’re one step closer to the start of production.

Speaking of productions, this past week was an interesting one from the acting side of things.  When I was auditioning for a film in Boston, I ran into one of the actors that I cast in First Signal. I think we were reading for the same part! To quote Bette Davis in Now, Voyager, “The world is small, but Boston is big”.  Suffice to say we shared some interesting stories while waiting to be called.  The one thing I’ve learned about the New England market, is that there are a number of us that operate on both sides of the desk. Personally, I prefer it that way as it gives me a fresh perspective on the business.

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In First Signal a Milstar satellite receives an alien signal.

However, it was all business on Friday when I was at Charles River Media Group.  A few weeks ago I was cast in a book promo/trailer. The book is not a work of fiction, but fact. The story takes place in Austria during World War II.  The producer, who is also the author, gave all the actors a personally signed copy. I started to read the book last night and it’s a page turner. I’ll write up the project once the production releases stills.

This was my first time working with this director (who was also the director of photography). From the costuming he sourced to the way he directed the shoot, his style was engaged and calming. The actors were tremendously professional and took their respective parts seriously. The end product should be stunning.

Indeed this market is a small one. No sooner did I arrive and I recognized one of the actors I worked with from the Joint Base Cape Cod exercises. Although another actor doesn’t know it yet, when the time comes I plan to reach out to him to see if he’d like to play one of the secret service agents in First Signal.

This week I also launched the Facebook and Twitter accounts for First Signal. Suffice to say I was encouraged by the response. These are only the first steps towards developing the overall marketing communications plan for the project.

Checklist.

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Location scouting in Lowell.

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First Summit

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The table read is set in the Jupiter room at The Verve Crowne Plaza in Natick, MA.

Whenever I’m involved in the production of an event, I always arrive early. First, I hate to be rushed. Second, it’s about setting everything up.  Finally, I like to just sit and take it all in for a few moments. I don’t meditate. It’s about quiet time. Because the time for this event was starting shortly before 11 AM – the table read for First Signal.

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Patience McStravick and Adam LaFramboise.

This journey didn’t just start when I wrote the script for First Signal, it started back in 2006 when I wrote First World. When you write a screenplay you never really know where it’s going to go or who is going to be involved. But when I was watching Lindy Nettleton reprieve her character of Allison Colby, the Prime Minister of the United Kingdom from First World, I was not only enormously thankful for her return, but the realization of the journey this project has taken since those early days.

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Kim Gordon, Lindy Nettleton and Yefim Somin.

As a writer, there is something surreal about watching actors bring your characters to life. I’ll admit, when I was writing First Signal I had several actors in mind for certain parts. There’s a reason why you see filmmakers work with the same actors because you know what you’re going to get in a performance. But then there is also the excitement about working with new actors and crew. They bring things to the table that you just don’t see. Not because you don’t want to, but as the writer you tend to have blinders on to keep the train of the story on a certain track.

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Stephanie Eaton and Kim Gordon (that’s me in the back).

Case in point when Vernon Aldershoff and Adam LaFramboise were in a confrontational moment. Vern suggested the line of “You can sit down” or “Sit down” before his character answers Adam’s. As I mentioned to the room, I have no problem with such additions (or deletions) if it adds to the vibrancy of the story. As a filmmaker you have to let a story breathe. The key, is to make sure it’s remembered by the actors and then noted by the director. Yes, I made a variety of notes from yesterday’s table read and will be following up with the actors and crew.

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Vernon Aldershoff and Paul Noonan.

This is the first time I’ve held a table read and I’m glad I did. It wasn’t just about hearing the words come to life, it was about the actors and crew meeting each other and getting familiar with their respective styles. In the end it’s about chemistry for the next time we are all together it will be on set.

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Phoenyx Williams enters the scene.

It’s impossible to thank the actors and crew enough for believing in First Signal.  Your dedication and talent means a first rate production. And from their hosting of First Signal’s auditions in April to yesterday’s table read, my thanks is also greatly extended to The Verve Crowne Plaza in Natick. Indeed, a film has many behind the scenes partners. Each one of them is part of the production engine that finds its way to the silver screen.

Action.

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Testing the drone with Patience McStravick at the location of the field.