The booking came through last week. I was cast as a NAZI officer in the upcoming feature film The Man Who Killed Hitler and then The Bigfoot. Other than the aforementioned designation, I didn’t know much about the part itself or even the film. Researching the film was easy enough, but the part remained elusive until I arrived on set.
Whether it’s a film of my own or one I’m cast in, I always arrive early. For me I like to get the lay of the land and get oriented to the surroundings, cast and crew. I knew this part was going to involve some sort of action when I found myself in hair and makeup getting a 1930s haircut. After being outfitted, I then learned what my part entailed.
For reasons of confidentiality I can’t divulge specifics. But let me just say this, my studies of World War II history, and in particular the rise and fall of The Third Reich, helped enormously. I only had to be told what the scene entailed and I understood what was involved with my character. I knew from that moment the mindset I had to find myself in and play it accordingly. There is no half way of playing a character like this, it must be 110% for authenticity. That moment of character happens when you put the uniform on to understand what it represented. At the end of the day we must never forget the atrocities of history dare they be repeated in the future.
As a filmmaker I was particularly impressed with the level of detail the director brought to this scene. He probably knew that certain details wouldn’t be seen on camera. But my guess is it wasn’t about that, it was about the actors believing they were in the moment. It is that type of detail that places directors like Robert D. Krzykowski above so many. It’s directors like this that you want to work with and give a performance that’s worthy of the efforts of so many on both sides of the camera. When the scene wrapped he thanked us all for being part of it.
When this scene was being produced I naturally couldn’t help but thinking of the time I directed Vernon Aldershoff in Justice Is Mind when he played a NAZI officer. I remember to this day the countless details from the uniform I ordered along with the action of the story itself. You only know if you got it right after it premieres. It was after the international premiere on Cunard Line’s Queen Elizabeth when a few Jewish women came up to me after the screening to comment positively on how I struck the balance between that moment in history and the conclusion of the film.
The entire process of filmmaking is designed to provoke emotions. We either enjoy a film or we don’t. It’s called free will. Like we don’t burn books, we don’t ban movies. When Deadline reported that Gone with the Wind, in which Hattie McDaniel won an Academy Award, was pulled from a theater in Memphis, TN because it was deemed insensitive, it’s clear that this theater and its patrons don’t want to understand history or the signal their action sends. Once you start going down this slippery slope, a return can be next to impossible.
By example I find, with the exception of Brokeback Mountain, most gay films to be ridiculous. It’s the same stereotypical story film after film after film. So you know what my answer is? I don’t watch them. There’s no mandate that because I’m gay I have to watch and support gay films. We either watch films that interest us or don’t watch. But the last thing we do is ban and sensor. Because there is one thing I do want–
July 20 should be a national holiday because it marks an unprecedented milestone in the history of the human race – the day we set foot on the Moon in 1969.
Imagine for a moment what it must have been like for Neil Armstrong and Buzz Aldrin to look at their home, the planet Earth, from 238,000 miles away. July 20, 1969 marked the very pinnacle of research, science and mankind’s determination to explore the unknown when Armstrong famously said “That’s one small step for man, one giant leap for mankind.”
Yet, sadly, there are those ignorant dangerous fools that still believe the manned missions to the Moon were a hoax. Somehow an achievement that exceeded the mysterious building of the Great Pyramids was created by the Hollywood studios. It’s unbelievable to me in today’s day and age that such ignorance permeates our existence. When evidence is there for everyone to hear and see, they turn deaf and blind by deliberate choice. Some of these misguided morons have tried to post their so-called views on First World’s Facebook page. Thankfully it’s called a delete and ban.
Yes, as you can surmise I feel very strongly about the aforementioned. For if there is one thing the Apollo space program taught us was that anything is possible if we remain singularly focused on just such a mission. In the 1960s there’s no question that the United States government was motivated to compete against the then Soviet Union. Say what you want, but that was a healthy competition because the fruits of all those scientists lay in the very technology we enjoy today.
But decades before Apollo 11 there were the steps of over 300,000 allied soldiers that were evacuated from Dunkirk. The Battle of Dunkirk is well known as a substantial turning point in World War II and has been brought back to life by Hollywood.
Christopher Nolan’s epic Dunkirk is most certainly a must-see film. But more importantly it is a history lesson for those that may not know the story. It is a story about what’s possible when faced with the impossible. How do you evacuate over 300,000 people off a beach? The answer was as miraculous as it was obvious—you mobilize a fleet of small civilian boats to effect a rescue.
While I greatly enjoyed Nolan’s version of Dunkirk, if anything because it reintroduced this critical moment in world history to 21st century audiences, I found myself enjoying the 1958 version better. For me it provided a larger backstory as it followed several characters between England and France until they arrived on the beaches of Dunkirk.
But whether you liked the 1958 version over the 2017 entry isn’t important. What’s important is that these films are watched. What’s important is that we learn from history. Who would have thought back in 1940 that the United States, United Kingdom, France and Germany (and Japan) would someday become great allies in years to come? For it’s allies that truly unite mankind. Building off that first step on the Moon, modern day space programs are a coalition of cultures.