On August 18, 2016 Justice Is Mind will celebrate its third anniversary. The same week that will see the website completed for the figure skating political thriller I’ll be announcing soon. Some ask where does the time go, for me it’s about taking the time to develop projects that I’m passionate about.
When I was writing Justice Is Mind back in 2010 writing a political thriller around the sport of figure skating was the furthest from my mind. The same could be said about Justice Is Mind when I was writing First World in 2006. As a screenwriter, it’s the idea that first calls to me and then if it sticks around a while I start to write those first few pages of a screenplay. I’m not one that writes a story using index cards, beet sheets or other devices, rather I let the story unfold as I build characters and the world they live in.
When I look at my dashboard on Amazon Video Direct and see how my films are doing across all their territories, yes, it’s a pretty cool feeling. Just like when you see your film screen in a theater. There is that sense of accomplishment that all involved in the project can share. Because, making a film is a project that does involve a village.
It is precisely because it takes a village that developing a new project takes a considerable amount of planning. Part of that planning is visiting possible locations, meeting with potential talent and laying the foundation before I seek to bring on a crew. This past week I had a great meeting at Northstar Ice Sports and from that meeting went to a local competition at the Cape (one that I competed in myself many years ago!).
I forget how small a world the sport is. No sooner do I arrive and I see one of the judges who I used to talk to regularly when I was actively involved in the sport. We still to this day reminisce about our time together at an International Skating Union Congress in Davos, Switzerland back in the 90s. I was one of the few members of the media to attend and she was moving up the ranks in the judging system. It was also nice running into a couple of coaches I haven’t seen in a while. All in all it was a great time.
This morning I was reading C. Hope Clark’s latest email newsletter and there was a particular passage that really stood out, “We should strive to be in awe of our work, and awe-struck by others. Instead of production, maybe we ought to focus on our power to seek and create awe. After all, wouldn’t you rather be remembered for the one, lone book than the fact you published a lot of forgettable stories? Or maybe you can find a place in the middle, but to do so, you need to slow down and think about the quality you produce.” I couldn’t agree more with her statement as it greatly applies to filmmakers.
If you’ve ever sat through the end credits of film you see the number of people that were involved that made the film come to life. Unlike a stage production that can be tweaked along the way once you wrap a film, it’s up to creative editing, or god forbid expense reshoots if you didn’t get what you wanted in the first place. I can thankfully say we didn’t need to do any reshoots on Justice Is Mind.
While there won’t be a special theatrical screening of Justice Is Mind this week, there will be online promotion to further introduce the film to a worldwide audience and build momentum for the sequel In Mind We Trust.
Indeed, while past projects continue to be promoted and marketed a new one is about to be announced.
I only subscribe to a handful of writing and filmmaking newsletters. In today’s day and age anyone can have a newsletter, but what it really comes down to is content. Many years ago my former business partner recommended that I subscribe to C. Hope Clark’s FundsforWriters. The amount of useful and insightful information about the world and industry of freelance writing is nearly unlimited. For me, I always enjoy Hope’s “EDITOR’S THOUGHTS” and the featured article. I was honored when Hope asked me to write the featured article for this week’s newsletter. Titled “From Bookstore to Theater, Turning Your Book into a Movie”, you can read my article at this link.
Writing an original story is not easy by any stretch and we all approach our stories differently. But in each and every case, there is that one moment when we are inspired to write that one word or phrase that will ultimately result in a book a movie or both. When I wrote a screenplay for a friend last year based on his book, there was a road map of sorts, a foundation in which to build off the primary story. The book was the original idea, the screenplay was the adaptation. A couple of weeks ago at the World Figure Skating Championships in Boston, a friend of mine was passionately telling me about an original story that they want to turn into a movie.
And therein lies that one word that drives us creatives – passion. I can only speak for myself when it comes to writing an original story, but passion is the number one driving force for me. When you are “world building” an original story, if you aren’t excited about the concept why should anyone else be? I was having dinner with a friend last night who mentioned the complexities of the Justice Is Mind story and how it compared to a particular author and the movies that followed. The comment was very flattering.
For me, I like a complex story. A story that isn’t paint by number, but one that you need to watch more than once. I like characters that are multi-dimensional or suddenly change their tone. Take for example Margaret Miller in Justice Is Mind. In the beginning we see a concerned wife who happens to be a novelist. Suddenly in her desperate attempt to save her husband she goes against type by retaining a dubious private investigator to steal what she wants.
Having spent over three decades in the sport of figure skating in a variety of capacities, I suppose it had to be inevitable that I would conceive of a story around the sport. When talking about the concept a couple of weeks ago, I referenced the political thriller Marathon Man that starred Dustin Hoffman and Laurence Olivier. But there is another movie, a bit obscure, that is having another influence on this story—the conspiracy thriller Executive Action that starred Burt Lancaster and Robert Ryan. I say obscure, because when you look up the film you’ll see what happened when it was initially released.
In the end the goal, of course, is to write a story that audiences will enjoy. For me films are a living legacy. Long after their creatives are gone, a film lives on. One of my favorite thrillers is Alfred Hitchcock’s The Lady Vanishes (1938).
But before I vanish into this new world I’m writing, I’ll leave you with a sample piece of dialogue from an FBI supervisor, “If I know this much you can bet that someone else sure as hell does. Because suddenly, there’s a concerted effort to get Wilson’s daughter to the World Championships in a country that has no extradition treaty with the United States.”