Exactly one month from today Justice Is Mind will celebrate its Second Anniversary on August 18 at Cinemagic in Sturbridge, MA. Actors and crew continue to RSVP their attendance, traditional and social media is picking up, photographers are confirmed and the theater has the film. Believe me there’s still plenty to do with the media follow ups and general marketing push, but the event is tracking well. For me it comes down to planning and organization. Time moves quickly and before you know it you are seeing your event come up on the horizon.
When I was writing In Mind We Trust, the sequel to Justice Is Mind, there were a few things I wanted to make sure the sequel captured. First, the Miller family was still the nucleus of the primary story while key plot points from part one (Justice Is Mind) were expanded. In the case of In Mind We Trust it was the government’s involvement with mind reading and their partnership with Reincar Scientific. Also, when you consider TV shows like The Blacklist, Fringe, etc., audiences enjoy what I call “intelligent intrigue”.
I am pleased to present the concept trailer for In Mind We Trust. The trailer can be watched on Vimeo or YouTube. My aim with the concept trailer was to introduce elements from Justice Is Mind that carry forward into the sequel In Mind We Trust. From part one we know the United States government and intelligence agencies are, for some reason, involved with mind reading technology. The answers become clear in the sequel, thus the concept trailer sheds some light on where the story will go. And as the U.S. Supreme Court has now become the defacto policy maker in our government, the concept trailer, like the screenplay, ends at America’s highest court in the land.
Of course, I want to thank Daniel Elek-Diamanta for the tremendous score he wrote for the concept trailer. The gravitas of his score just brings the entire concept trailer to life. Those of you that have been following Justice Is Mind know that Daniel scored the entire film. Indeed, as one of our actors said recently, it’s worth the price of the ticket just to hear his score. For those of you that can’t make our screening on August 18, please visit www.justiceismind.com for VOD viewing options.
But the real new horizon this week was not a movie, it was the actual New Horizons interplanetary spacecraft and successful Pluto flyby on July 14. The word “stunning” doesn’t even begin to describe the quality of the images New Horizons set back to Earth.
I was a bit too young (4) to appreciate the Apollo 11 Moon landing, but the excitement shared around the world about New Horizons encounter with Pluto was truly one for the history books. From NASA’s scientific achievement to the sheer enthusiasm of audiences around the world waiting and watching for those early pictures. I can only imagine how the New Horizons team felt when they were waiting for the spacecraft to communicate after its closest flyby. Nearly ten years in space, and years of planning before that, and you are waiting for a signal, until…
New Horizons phoned home.
To learn more about New Horizons and its historic mission to Pluto, please click this link.
Last Monday I finished the first draft of the sequel to Justice Is Mind. By the early reports from those that have read it, they really enjoy the story. Certainly as a first draft there are edits, but all in all, I’m happy with it. It’s a continuation and expansion of the original story.
I think in the back of my mind I always had the idea for the sequel and planted clues all along the way in Justice Is Mind. Now with the sequel completed, it is also set up to continue as a pitch for a TV series.
When I first started to contemplate the sequel there were a variety of things that I knew would encompass a continuation. First, the sequel would start where the original left off. With a sequel you have to assume that some won’t see the original so you need some background to carry it forward. As I’ve publicly stated, Henri Miller has not been killed. It’s his resurrection that bridges the world of science and mysticism. From intelligence agencies, to secret courts, to scientific companies and the exploits of the Miller family, the story concludes at the Supreme Court of the United States.
The majority of the characters from Justice Is Mind return, but it’s in the sequel where we learn more about them and their various motivations. Combining the original characters with a variety of new voices, brings a new story to life that travels from New England, to Washington, DC, to Germany, Russia and Italy. From Senator Caraway leading the congressional investigation into pre-life memories to General Blair of Joint Special Operations Command on terrorism in Washington, DC to the President of Reincar Scientific. But through all this, the story centers around the Miller family. From the horrors of World War II to the present, the secrets of the Miller family are revealed in vivid detail.
In all my writing and research over the years, I can’t remember tackling something as involved as the sequel to Justice Is Mind. From past life regression, to intelligence operations, to the secretive FISA court, to Germany in World War II and studying case law and procedure for the Supreme Court of the United States. Personally, that’s one area of writing I enjoy – the research. You wind up learning things that you would probably never know unless you experienced it personally or actually wrote about it. While a satisfying experience, it is a labored one. This is why I’m such an advocate for laying the foundation with a complete and vetted script. The last thing I want to think of during production is the story, I just want to shoot.
While Justice Is Mind has 42 speaking parts (not including extras), the sequel has 61 with Margaret and Henri Miller leading in the number of dialogues and scenes. In so many ways the production of Justice Is Mind was a proving ground in terms of what was possible to accomplish. The sequel takes it up a deserving few notches – Margaret, Henri and Cast of Hundreds. Yes, a slight turn in title to a book about the making of my favorite film of all time –Gone With the Wind. For those that love that movie, I highly recommend Scarlett, Rhett, and a cast of thousands: The Filming of Gone With the Wind.
Those that follow me know me well enough that I’ve already started the process of developing the sequel for production. But that being said, a few observations of the New England entertainment market. We need a TV series in the region that incorporates a diverse set of talent – both known and unknown. As Justice Is Mind proved, talent on both sides of the camera need not be a household name for success.
What’s next? Synopsis.
In every film there is the inciting incident. That moment (or moments) that drives the story in Act 1 from the established world of the characters to a turning point when the characters have to “act” to drive the story in Act 2. In Justice Is Mind it’s when Henri Miller collapses on his property. In SOS United States it’s when we learn there is a nuclear bomb on an ocean liner. In First World it’s when we learn what Apollo 11 discovered on the Moon. In the sequel to Justice Is Mind it’s when….sorry can’t reveal that yet!
There is one area of Justice Is Mind that has resonated universally well with audiences and those were the courtroom scenes. In the United States I live in a country of perpetual congressional hearings. I swear they should have their own network! In Justice Is Mind we learn that there were congressional hearings that approved the FVMRI procedure. In the sequel, a new round of congressional hearings is now underway. As a writer it will be interesting to explore this process and how it works. Much like I had to do with the courtroom scenes in Justice Is Mind, it comes down to research. In addition to how congressional hearings are administered, I’ve also been revisiting fringe science in terms of mind-reading and DNA sequencing. Suffice to say it’s been an interesting journey so far.
With a few investor conferences scheduled this week, it should be an interesting one for SOS United States and First World as well. A screenplay, in my view, is like an architectural drawing. There it sits while one proposal after another is submitted to secure funding to break ground and build something new. Indeed, that’s the way Justice Is Mind was built. And really is this process any different from that of an actor going on an audition? Like an actor wanting to secure a part in a solid production, the same thing holds true with securing an investor for a film. It’s more than just talent and capital, it’s about long-term partnerships.
I read an article in one of the trades some months ago where a producer mentioned something along the lines of “do I want to be in business with these people for five plus years”. That really is what this industry comes to…a long tail approach. Sure, you have your “premiere” but the business continues long after that. Just this past week I had a couple of conversations with schools that may be interested in screening Justice Is Mind and there are more VOD platforms coming online soon. Building your new architectural wonder may be the fun part, but then you have to have it occupied.
Speaking of building, that’s what I’m doing with the sequel to Justice Is Mind. When it’s completed I’ll have a slate of three films ready for production. I’m writing the sequel not only because I want to, but because some people have queried me on a sequel. Why not have something at the ready or at least in the works?
But like a building, a screenplay just can’t be thrown together. It has to be carefully constructed. And like the original story in Justice Is Mind, the sequel isn’t just an addition it has to tower on its own.