Since my last post I’ve traveled to a variety of events; a World War 1 reenactment, the USS Salem and “Cars and Coffee” at Fort Adams in Newport. Although I’ve always been someone who takes a fair amount of pictures, I now find myself looking to tell a story through some sort of video. Sure, it’s the filmmaker in me that wants to tell a story, but I can tell it’s all leading up to something else.
That’s the great thing about this industry. First, we have so many tools at our disposal. No longer are we limited to the cost of entry to the trade, when the barriers have come so far down economically. What it comes down to is our respective imaginations to create or even better—experiment.
Yesterday when I was leaving Fort Adams I drove down a street back to town I’ve taken numerous times. But this time I stopped. I wanted to capture some sort of drone shot of Newport with all the sailboats. As I walked towards the water I noticed something in the near distance. I soon found myself at the statue of Jean-Baptiste Donatien pointing towards Newport. Needless to say I did a few takes and will be creating a video shortly that starts with this French nobleman.
The one thing that usually happens when I’m shooting with my DJI Spark are the inevitable conversations I have with total strangers. So many hear about drones, but to actually see one in action is still relatively rare. Yesterday, two tradesmen that were rebuilding the pyramid next to the statue of Donatien started asked me a variety of questions. From range, to types of shots, to cost, to how it’s operated, I’m always happy to offer what I can in response. This particular encounter worked out great as I lost my sunglasses in the area shortly thereafter. After they saw me walking around several times clearly looking for something, they offered to help. In total Sherlock Holmes reconstructive fashion, they showed me where I walked and low and behold one of them found the sunglasses!
Over the years I’ve met so many interesting people through my films and other projects. The one thing I don’t think you can be in this business is an extrovert. This is an industry of engagement and introducing others to new experiences and your work. Sadly, I know some talented people that are very gifted but rely on others do to their promotion. By example I met someone several weeks ago who built a great website, but then stated they didn’t share it to social media because they don’t like to promote themselves. In a total defeatist tone, they continued by saying, they just weren’t good at it. What’s the point in creating something if you aren’t going to promote it? This doesn’t mean you have to be a braggart, but it’s OK to say “I’m pleased to present my new website.”
Speaking of websites, before I started doing my “pre-production” work leading up to AFM in November, I found some of mine needed updates. Thankfully, with development platforms like Wix or WordPress we can now build and update our own websites that don’t require a bank of programmers.
I’ll never forget the day Adam Starr brought his drone to the set of Justice Is Mind. When I wrote the part in the story that called for a drone, I count myself lucky that Adam had one. In those days (2012) a drone for an independent film was a novelty. Adam had recently purchased a drone for a commercial shoot so thankfully he had one. As you can see from the image below, he did a great job. And with his VFX skills he transitioned from drone footage to special effects seamlessly.
Last weekend was a bit of a drone adventure for me. After my successful shots at the McAuliffe-Shepard Discovery Center earlier in the month, I went to a WWII event at Battleship Cove. I go every year, but this time I brought my DJI Spark. Although I’ve been working with the drone for a few months now, I never really put it through the paces. The image above was from the drone’s maximum height (without the remote controller). Yes, “Big Mamie” is a big ship! To watch the video, click this link.
The next day I went to Newport, RI and toured The Breakers. Although I took a picture of Marble House with the drone when I was at one of the “Cars & Coffee” shows, I had yet to video one of the Gilded Age “summer cottages.” After the tour I started to envision what I wanted to see from this great mansion that was the home of Cornelius Vanderbilt II. For those that remember the opening credits of Dynasty, that was my motivation. To watch the video, click this link.
To answer what some of you may be thinking, yes, I always get permission to film at museums and the like. The drama you hear about drones is pretty much nonsense. Operating a drone is like driving a car. It’s called practice and being responsible. If I’m not sure about something, I’m not going to try it. One of the cardinal rules is pretty simple—always be able to see your drone. Today’s drones have so many wonderful features built right into their programming. For mine, I can just tap “return to home” and that’s exactly what it does.
As part of SOS United States takes place on the USS Massachusetts, I’ve always wanted to do some filming at the museum. My interest in The Breakers was obvious. What filmmaker wouldn’t want to film such a grand residence? Because these two locations are so unique, my aim was to get two different looks if you will. But there are those moments when you kick yourself. I was approaching the low battery warning and had one more chance to get a shot at The Breakers. I hit “tap to fly” and the Spark was moving forward nicely. After a few moments I hit return to home. But I forgot to hit record when it was flying! Thankfully, I had enough footage.
Of course I originally purchased this drone for First Signal. Although actor and crew scheduling conflicts meant moving the film to 2019, this actually gives me more time to experience the capabilities of the Spark. There’s lots to shoot in the region!
As for First Signal, SOS United States, and my other projects, I always have a plan b. This November I’ll be traveling to the American Film Market. I haven’t been to Los Angeles since Justice Is Mind had its west coast premiere in 2014. It will be great to make new contacts and visit with friends and colleagues from my days in “Hollywood.”