In all my years being involved in the industry the only “equipment” I’ve purchased was the screenwriting software Final Draft. Is that equipment per se? No, but if you don’t have a solid script all the equipment in the world doesn’t matter. As a filmmaker, I’ve always contracted with those that have their own equipment. We all have own way of navigating this industry and, as I’ve often said, you can’t do everything. Or more precisely, have everything. I believe the best projects come together through a myriad of partnerships where everyone brings something to the table.
But sitting right on the table next to me is the DJI Spark. While I’ve spoken about the technological improvements in the industry, it truly is incredible where the drone world has gone since we filmed Justice Is Mind in 2012. Of course drone technology has been around for some time, but in the world of true indie films I was just starting to see it used back then. Now it seems to be de rigueur.
In First Signal there are some particular scenes that call for drone photography. I suppose these scenes could have been done without it, but the point was to open up the visuals after we spend a good amount of time in a conference room. There’s a few other reasons for it as well, but I don’t want to give away the story!
This week was another National Guard training exercise at Joint Base Cape Cod. The exercise was formally called the Massachusetts and New England National Guard HRF and CERFP External Evaluations. Approximately one hundred casualty role players (actors) participated in this exercise. I was brought in as the Casualty Role Player Coordinator.
For those that have been wondering what’s involved in these exercises, it’s pretty straight forward. In the event of a disaster (natural or man made), the National Guard is called up. These exercises involve search and rescue scenarios along with medical evaluation, triage and decontamination from radiation exposure. Needless to say, they’re important.
As this has been the third time in a month I’ve participated in one of these exercises, it has been great to work with so many familiar faces. These exercises reminded me of some of the large scale film productions that come through the region. Just like a film the actors go into wardrobe and makeup and then proceed to “set” or what is called the insertion point of the exercise. If you have a chance to participate in one of these exercises, I highly recommend it. It’s not only a great experience on a variety of levels, but you are also providing a vital service to the preparedness of the National Guard.
As we are about one month away from First Signal’s table read on June 16, we had a location confirmation lock with the expansive field we needed. I couldn’t be more pleased with this location. It’s exactly what the script called for.
As this location is on private property I won’t reveal its location. With an outdoor location, private property is better to shoot on. Why? It’s about privacy. While I’m all about someone learning the process of making a film, the actual process of making one is time consuming detailed work. On private property you don’t have onlookers watching from the sidelines and getting in the frame of the shot. But it’s also about taking pictures and posting them to social media, etc. Unfortunately, the wrong picture can ruin an entire film. Anyone that works in the industry knows the general policies that go with on set photography. Most sets have “still photographers” that take a variety of pictures that encompass an entire production.
While additional locations are being scouted, along with numerous other behind the scenes activity, the one thing I’m very cognizant of is the film market itself. There is no better market than Cannes to provide a fresh perspective on where the industry is going. As Alex Walton of Bloom tells the Hollywood Reporter. “International distributors are in need of product, but they’re also incredibly cautious because they’re in need of the right product. There are fewer films, fewer packages and fewer things to buy, so when we approach Cannes now, even compared to five or six years ago, it is with a completely different mindset,” Adds Entertainment One CEO Darren Throop who tells the Hollywood Reporter, “The whole concept of buying a good package on the open market and reselling it to cinema, pay and TV — that whole model has changed. The very foundation of independent film has changed.”
The one thing that has changed in the last several years is the development of franchises and the sci-fi genre has pretty much been a solid bet. As a director my job is to create a quality film that’s ready for the market. But as a producer I am making a bet on the market. It’s an interesting line to balance.
But putting aside numbers, market share and all that comes after the fact, it is the process of making a film that’s the most exciting. Watching the actors and crew bring life to your story is tremendously satisfying. As a screenwriter we spend hours, weeks and months behind a computer coming up with, what we hope, is an interesting story. But it’s seeing that story emblazoned on the silver screen that makes the entire process a worthwhile endeavor.
Part of that process is equipment. Yesterday, I purchased a drone for a pivotal shot at the end of the film. But no sooner did I complete this purchase and I’m suddenly thinking of all the other creative areas we can use a drone in First Signal. This technology has changed so much since we used one in Justice Is Mind. Add to that the cost has come down exponentially. This is why the process of filmmaking is so enticing and exciting. The democratization of the entire process from creating to distributing has changed for the better.