As filmmakers we tend to operate in a vacuum. We generally write our screenplays in a bit of isolation and only expand our audience when our projects go into production. It’s easy to take refuge in people that will like our work, but we all know that’s not realistic. As creatives we look for our work to be seen by audiences outside of our own. Of course, there’s always that worry of what others will think. But that’s the very nature of what we do—we create to exhibit.
“For all those avid fans and not-so fans of sci-fi theme, this is a movie that edges all others this season and will go a long way in the mainstream if launched globally.”
This past week a notification popped up on First Signal’s Facebook page. When I clicked on it, I couldn’t believe what I was reading. It was a posted review. As I haven’t been promoting First Signal to the media for reviews, I was wondering how it came about. I then saw where the post originated. The Utah Film Festival & Awards posted, what could only be described, as a glowing review. Every word was a positive one. What I particularly enjoyed was the following passage, “For all those avid fans and not-so fans of sci-fi theme, this is a movie that edges all others this season and will go a long way in the mainstream if launched globally.” You can read the entire review on the screenshot below or their Facebook page.
Being thankful for this review would be an understatement. After I read it a few times I started to reflect on the origins of this project and how it came so close to never happening on more than one occasion. One thing I learned is that perseverance is key. If you believe in your project, you have to keep pushing despite all obstacles. Those that have worked with me know that I’m someone that doesn’t give up. As a literary agent friend told me last year, “You are truly a dog with a bone.” The First World Universe, that First Signal is part of, has been in development for over a decade.
I’m also pleased to announce that First Signal is an official selection of Beyond the Curve International Film Festival. When I was looking at their selections page and saw First Signal’s poster among a sea of films, I was struck by the sheer quality of the other projects. Some of these posters are truly works of art. My congratulations to all.
As for art, I saw Tenet last week and could easily attribute it to the surrealism of a Salvador Dali. The one thing about a Christopher Nolan film is he demands that his audience think. Not just in one dimension, but at least three. When I first see a Nolan film, I take in the stunning cinematography that’s always complimented with a rapturous score. The first viewing must be seen in a theatre as that’s where it’s designed to be experienced. The second time I focus on just the story to grasp the message. But it’s the third time, with captions on, that I do my best to understand the nuances of what Nolan wanted to achieve. What I love about his films are the subtle messages through numerous clues. I think this is why I love The Man in the High Castle so much – with every viewing I learn something more. I’ve always believed a film (or TV series) should be multi-layered.