Today I received notice that First Signal is a Semi-Finalist in the International Moving Film Festival in Iran. This marks our 21st film festival acceptance. I could not be more pleased with our results to date. What I’m particularly enjoying is the global reach of First Signal. From the United States to India; the United Kingdom to Russia; France to Iran, these are just some of the countries that selected First Signal for their festivals. What these festivals represent is a worldwide acceptance of the story in the film. I never wrote First Signal for one particular audience or demographic, I wrote it to appeal to a wide and culturally diverse audience.
There are thousands of festivals to submit to and a limited budget for submission fees. Too often we hear the same lecture about the importance of getting accepted to the top tier festivals. Worse media outlets continue to support that narrative. I read in Videomaker magazine last week that “the rest of them are worthless.” That pious elitism by inexperienced biased journalists in the industry does nothing but insult festivals and filmmakers. There are countless wonderful film festivals that make it their mission to review, accept and promote all types of films. This industry is about the voices of many not the few.
As First Signal has reached the halfway mark on the festival circuit, I’m excited to see what 2021 brings (I think we will all be glad to leave 2020!). There are many things from a marketing and promotion perspective that I hope to introduce next year. The goal is to develop some noise to cut through the traditional and social media clutter.
While First Signal continues into 2021, it’s time to look forward towards the sequel First Launch—The President faces a military coup and extrasolar war when a covertly built second generation space shuttle reveals a worldwide military destined to confront an alien presence on Earth. First Launch takes place two years after the events in First Signal and weeks before the events in First World. I always let my screenplays “sit” for a bit before I write the synopsis. In my view a synopsis is probably the hardest thing to write. There are many ways to write a synopsis. I endeavor to keep mine to one page and not to give everything away. You can read the synopsis at this link.
It’s hard to believe that my idea for this “First World Universe” started in 2006 when I wrote First World. Here we are fourteen years later in 2020 with the start of that universe being First Signal. I remember like it was yesterday making the endless pitches for First World. I looked at the submission file the other day and it was staggering. But when you are determined to do something you see it through as long as you possibly can. Sometimes things happen quickly, sometimes they can seem to take forever. But when a film project is finally realized, the time from concept to completion just evaporates.
Hi Mark. The synopsis sounds a bit complicated to me. What’s the logline? I generally hate loglines, but I find it helpful to boil down the essence of a movie concept in under 50 words. Helpful both for me and for the producers I submit to.
December 6, 2020 at 11:03 pm