On Thursday Serpentine’s final location came through via a marketing partnership with the The Verve, Crowne Plaza Natick in Natick, MA. Our “FBI” conference room scene will be shot in their stunning Aquarius Boardroom. This location in terms of looks and geography is perfect. As Serpentine’s cast and crew is coming from all over the state, and southern New Hampshire, a Metro West location is ideal.
The day before I paid a visit to my friend Al Mercado’s home. His house will serve as Suzanne Wilson’s residence. Although I’ve been to Al’s house many times, now I’m looking at it literally through a different lens. For the story I needed a ranch house on a corner lot with a front door and back door on opposite sides of the house. Now that all our locations are secured, the next step is to complete a shot list.
As I am a person who lives and dies by lists, nothing is more sacred to me than the shot list. For those of you that follow this blog but don’t necessarily know the process of filmmaking, a shot list is a list of the shots that you need to shoot for coverage of a scene. From wide to mid to close ups to inserts, etc., it’s making sure you have everything before principal photography “wraps”. And with each shot consisting of 2-4 takes (sometimes more), that’s why a seemingly simple scene on paper can take some time to film. But before the shot list is implemented on that first day of principal photography, there are the inordinate number of things that need to be done in pre-production. One of these are test shots.
Also on Thursday I met Jeremy Blaiklock, our Director of Photography, and Liz Carr, our Assistant Director, at Northstar Ice Sports for some test shots. For more reasons than I can count, the Northstar shoots will be the most involved. Between the scope of the facility and on the ice shooting requirements, it was important to run through some tests with Isabella Ramirez who will be playing Suzanne Wilson. Filming two actors standing stationary in a room is one thing, filming a skater execute jumps, spins and footwork is entirely another. But in the end we were all very pleased with the tests.
It seems like it was just yesterday that I came up with the idea for Serpentine and then attended a World Figure Skating Championships after a ten plus year hiatus. But here we are less than a month from filming the first ten pages of the script. Yes, it’s very exciting.
In so many ways it reminds me of those early days when I was preparing First World for production. I was living in Los Angeles at the time and had just struck a deal with a hotel in Boston, MA to serve as the Secretary of State’s residence. Like Serpentine, that deal for First World was the last location I needed to secure for the production.
While creating a new production is both exhilarating and challenging, I am also reminded that this is where a project goes from script to screen. Seeing a project develop from one dimension to three is why we love what we do.