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New Worlds

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Justice Is Mind – In a future where MRI technology can read your mind, the trial of the century soon begins when a defendant faces his own memory for a double murder he doesn’t remember committing.

This past week I approached the near half way point in the political thriller I’m writing around the sport of figure skating. And coincidently some great articles recently came out about the process of screenwriting, the spec market and a wonderful piece about Kevin Walker who wrote Se7en (one of my favorites). All three of these articles are a must read for those of us that write screenplays. But some of the biggest takeaways for me was Jason Buff’s INDIE FILM ACADEMY: Reverse Engineering Your Screenplay.

As I have often said, if you ask 100 people an opinion about your screenplay (or film) you will get 100 different opinions. Are you going to take all those opinions and redo your entire screenplay? Of course not and rightly so. But I promise you there are those selling their services that will talk to you like you’re a third grade moron. Why? Because they want to sell you something—their expertise. There are many great experts in this industry, but like all things Caveat Emptor applies “Let the buyer beware”.

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First World – China’s first manned mission to the Moon reveals the Apollo 11 cover-up that mankind has never been alone.

I could not agree more with Jason when he wrote “As many successful screenwriters will tell you, there are no rules”. Of course you need some sort of structure in your screenplay. Your characters need to do something in the world you have built for them. I think the important thing to remember is that you are writing for an eventual audience, but it should also be a story that you want to see. I believe that’s where the word “passion” applies. As writers, we are passionate about our stories. If we aren’t, why should anybody else be?

I was a reader once for a film festival and it didn’t take me long to see who had passion and who “phoned it in”. Yes, it’s important to understand what EXT. and INT. mean, when to use (or usually not use) a parenthetical, flashback sequences, intercuts, etc.  At the end of the day, the very end of the day, you have to simply assume that someone other than you is going to read your screenplay. Does it flow? Do the characters move from one action to another in a logical progression? That doesn’t mean that they don’t go against their own character, it just means that they move along in the story. Think about it in real life. We all know someone who for some odd reason does something out of character and then falls back into themselves. If it’s one thing contemporary audiences like it’s a twist.

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SOS United States – A state visit by the Prime Minister of the United Kingdom turns into a political crisis when the President of the United States learns that a nuclear bomb is on an ocean liner heading to Boston.

Writing a screenplay, again in my view, should be an enjoyable experience. While it’s certainly not easy creating new worlds and characters, the joy is in that creation — you’ve created something from nothing. At one point in your story you’ll find that the characters start to talk to you. Thankfully, as I’m a Gemini and have a split personality, that Zodiac trait helps!

To quote one of my favorite films “Now, pull your own weight. I’ve taught you the technique, now use it. Forget you’re a hidebound New Englander. Unbend, take part, contribute. Be interested in everything – and everybody.”

Now, Voyager

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Bette Davis and Claude Rains in Now, Voyager

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