Yesterday I did something I haven’t done in well over 20 years. I went skating. I realized some weeks ago that if this project was going to move forward, it might not be a bad idea to get my skating legs back underneath me. So into the basement I went and I found my skates in busted box. I was thankful that my cats didn’t use it to….nevermind. To my surprise the boots weren’t bad, but the blades had a fair amount of rust on them. Just as I did in days long past, it only took a visit to “Cooke’s” to get them in relative working order.
It seemed oddly fitting that on my first day back on the ice after two decades my first coach Denise Marco, who normally doesn’t teach on Saturday, was there. Not only is Denise the Executive Director of Northstar Ice Sports but she will be playing Elizabeth Rogers in Serpentine with one of her star students playing Suzanne Wilson.
I remember the days in the late 1970s when my mother would drive me to Denise’s house at 5 in the morning (we lived in the same town) to ride with her to the rink for a 6 AM skate before school. Who possibly could have thought that we would reunite in 2016 to make a movie!
What’s also fitting about the Serpentine project is the number of people from First World and Justice Is Mind that will be joining this production. While this will be a great reunion, there’s some terrific new actors and crew members that have joined Serpentine. My plan is to still formally announce the project by October 1.
As of this moment, there are just about 30 people involved in Serpentine. And this is just a short film. I remember with Justice Is Mind, when all was said and done, that number was just over 200. Producing a film is no easy feat. From scheduling to organizing to execution, it is not for the faint at heart. But what it does require is a commitment. And not a lackadaisical one.
I know of so many that want to be part of the industry but they seek instant gratification or worse fame. This industry is about hard work, consistency, sacrifice and dedication. Each project builds some sort of value for the next. It all has to start somewhere. Did I ever think that those first days on the ice decades ago and that first high school play would lead to being on a network TV show or directing films? We can’t predict the future, but we can plan the present.
As for the present, it looks like a great conference room for our last needed location has come forward. The phrase “Location. Location. Location” is often used in real estate. The same holds true in filmmaking. For me, once the locations are secured, I start to visualize the story from script to screen.