This past week I adapted the first 20 pages of my screenplay SOS United States into a first draft novel. Having run it through some programs, it seems to be about 37 pages so far in book form. If all goes well, I think I’ll have a completed draft by the end of March.
I have to say it’s nice to have a new project to work on. Particularly one that I know will be produced at some point next year. By produced, I mean published. Whether it’s picked up by a traditional publisher (which is ideal) or I self-publish (and I act as publisher through The Ashton Times), it will see the light of day. And, of course, while this is all happening, I continue to work on getting the film version produced.
When I was touring The Elms in Newport yesterday, I started talking to one of the docents about the process of filmmaking. As some of you may know the HBO series The Gilded Age was partially filmed at The Elms and other Newport mansions. Standing in the kitchen, she remarked about the sheer number of people it took, along with time, to produce a scene. She continued by saying that now having seen how the process works, the illusion of how movies (or in this case TV) are made is gone.
This certainly is a natural reaction to those outside the industry watching the production process. But it’s a process that gives any witness an appreciation of the patience involved in bringing these stories to life. The same can be said for publishing a book. While a book may appear to involve only one person (the author), there is a team that brings it to life and eventually to market.
I titled this end of year post Station Keeping for a reason. Planning for the next film (or book) takes time with the majority of the work being in the creation phase. From writing, finance, pre-production, etc., the consumer only sees the finished product on their screen or bookshelf. I call this period ‘the valley’ when I’m planning, writing, editing and pitching new projects. In other words, sometimes our ships are in port for refurbishment, renovation or some other activity that requires they be properly docked before sailing towards another adventure.
In addition to a trip to Florida earlier this year (love visiting NASA!), one thing I took advantage of in 2022 were a variety of weekend events. My many travels to Newport for Cars & Coffee (Audrain Auto Museum) along with the American Heritage Museum and New England Air Museum were certainly the highlight. While having an enjoyable experience is always nice, I usually learn something new or interesting that I can incorporate into my creative world. I have always been a proponent of traveling whenever you can. Whether it’s a day trip or weeklong adventure, expanding one’s horizons and new experiences certainly helps me as a storyteller.
As this year comes to close, I want to thank those that have watched and propelled First Signal around the world. Now available on numerous VOD platforms, its dedicated viewers like you that make independent film like First Signal possible.
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