Over the last couple of weeks I’ve been talking to my friends in the UK about the upcoming “Brexit” vote. They all had different points of view from those that wanted to stay in the European Union and those that wanted to leave. This post isn’t about one American’s position, but about my special relationship with our friends across the pond.
Putting aside what we learned in school, I was somehow introduced to Barbara Taylor Bradford’s masterpiece A Woman of Substance. The story is based in the UK and to quote “A Woman of Substance charts the life of Emma Harte, from kitchen maid at the beginning of the 20th Century, to respected business woman and Grandmother in the 1980’s.” The book was turned into a brilliant mini-series that saw such famous British landmarks as the storied Harrods turned into Harte’s. You can bet that one of my first destinations was tea at Harrods!
When I started a newsmagazine for the sport of figure skating in the early 1990s, I found myself again in the UK when I attended the 1995 World Figure Skating Championships which were held in Birmingham, UK. I soon found myself conducting business in the country from distributing our magazine to working with editors. At one point I had struck a deal with the national governing body to conduct an all too “United States” direct mail effort. I say United States, because I learned the biggest lesson at the time…I discovered that the English like to buy their magazines at kiosks (newsstands). Oh sure we had a nice amount of subscribers, but we also secured a pretty good newsstand contract in the country as well.
After publishing, my first screenplay First World was partially based in the UK. Part of the story has the Prime Minister calling for an emergency meeting with the President of the United States at a military base in the UK to reveal the actual mission of the Apollo space program. I filmed that segment actually down the street where I now live. To this day we were so fortunate to have a wonderful British actress who now resides in the States to play the Prime Minister.
I’ll never forget her audition. I was staying at a hotel with some of the cast filming another scene when Lindy Nettleton arrived along with Jeffrey Phillips (who played the President). Owing to scheduling and space limitations the audition took place in a hallway. They were both brilliant. After the film was released, we had a few screenings at science fiction conventions in the UK.
When I posted notices for cast and crew for my first feature film Justice Is Mind we received responses from literally all over the world. But there was one composer from England by the name of Daniel Elek-Diamanta. In today’s day and age of the internet it doesn’t matter where you live, talent is talent. To say he had talent would be an understatement. Instinctively, not only did we click, but he understood Justice Is Mind instantly. He scored the entire film to critical acclaim. When our original sound mixer dropped out, he found a terrific company in Visionary Sound headed up by Timothy McHugh. In the end, they both saved the day.
Of course, perhaps one of the highest tributes Justice Is Mind received was when we had our international premiere on Cunard Line’s Queen Elizabeth ocean liner in 2014. Suffice to say you can’t get any more British than Cunard!
My point to all of this is simple, no treaty keeps people from working together for the common good. Talent doesn’t know boundaries it simply wants to create. From magazines to film, those that I’ve worked with in the UK have brought something special to the projects I’ve worked on. That’s what the “special relationship’ between the United States and United Kingdom means to me.
“We make a living by what we get, but we make a life by what we give.” – Winston Churchill