It’s hard to believe where the time goes. While it sometimes seems like we filmed First Signal this past summer, it was actually two summers ago with the film being released this past March. With marketing continuing to support our VOD and other efforts, the obvious question is…what’s the next producing project.
Earlier this week SOS United States won Best Screenplay at the Washington Film Festival. This marked our 13th official selection. With nine of these festivals honoring the script with awards, I couldn’t be more pleased with the reception the story is receiving on the festival circuit. It certainly helps to be able to mention these accolades when I’m pitching the project to producers.
Yesterday I hit the halfway mark on my latest screenplay in the First World Universe. With my goal of completing the story by November with the idea of producing it myself, this just may be my next production. This particular story is most certainly a political thriller that just happens to sit in the sci-fi genre. With the creation of a new character titled Kate Cloverton, who is a reporter for a Washington DC newspaper, this story will see the return of several characters from First Signal.
There is, however, one thing I’ll be patiently waiting for over the next couple of months—the first sales reports of First Signal’s VOD release. While the release and marketing strategy worked as planned, there is one factor that is largely out of my control—copyright infringement.
No sooner was First Signal released and it appeared all over YouTube and certain offshore websites. Thankfully, as long as you can prove ownership, it’s very easy to issue a takedown notice and have a film removed from YouTube. However, offshore websites, are literally another world that consists of a labyrinth of site ownership, foreign law, etc. etc. In the end, I just have to hope that piracy didn’t overrun profits for a negative return.
Last weekend we finished filming that WWII short I mentioned in my last blog. It’s nice to meet new actors and crew on these projects as I’m always thinking ahead to when I produce my next film. I can say, without reservation, that if I ever need to film a WWII scene, I’ll use reenactors for authenticity. When we arrived at our final location last Saturday, waiting for us were three WWII vehicles and a motorcycle. The level of detail was spot on. It will be interesting to see what the final product looks like.
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