Marketing planet Earth one project at a time.

Market Minded

More mainstream publications are writing about neuroscience in the courtroom.

More mainstream publications are writing about neuroscience in the courtroom.

During the course of any week there are a mountain of activities I try to accomplish. From pitching media, potential marketing partners, additional distribution outlets, theatres and investors. It’s just part of the world of independent filmmaking and making your voice heard in a literal sea of other projects. The word “filmmaker” means a bit of everything these days.

Just this week Jon Reiss published a post on Seed & Spark that claimed 30,000 – 50,000 films are produced on an annual basis with limited (if any) distribution options.  Yes, I have come across filmmakers that after the “one big screening” you never hear about that film again. Or, worse, they thought film festivals were going to be the answer for revenue. At the end of the day, there really isn’t a right or wrong answer because every film is different. For me, it just comes from a near obsessive drive to market my projects and controlling my rights. I’m fine with signing some rights away if the deal makes sense—but it has to make sense not only for the film but for the wallet as well. Bottom line, I, along with so many others, have worked too hard to see something disappear.

In a nod to both First World and SOS United States, an article was published in China Topix claiming "China's Space Program Will Block U.S. Military Communications".

In a nod to both First World and SOS United States, an article was published in China Topix claiming “China’s Space Program Will Block U.S. Military Communications”.

When I was publishing magazines, my former staff can attest to my determined push to give the magazines their widest possible distribution. The same holds true for my film projects. I’m not going to wait for opportunity, you present an opportunity for someone to consider.  The world of filmmaking, is getting more competitive and involved from a technical and logistics point of view. But in my opinion, it’s also opening a world of opportunities. It’s just like auditioning. You might go for fifty auditions, get five callbacks and maybe one gig. The same is true when I presented Justice Is Mind for our theatrical release. I probably pitched fifty plus theatres. In the end a dozen picked up the film and we had a theatrical release with reportable revenue.

This weekend I finished some editing updates on In Mind We Trust the sequel to Justice Is Mind. My next steps in the process are the development of a business plan and laying the ground work.  But like I do for First World and SOS United States, I present these projects in multiple levels. Yes, all three of these projects can be produced on the “indie” route or could involve a “mid-studio” level budget. It really just comes down to what makes sense.

If there is one thing that came out of the Academy Awards this year was that independent films were front and center. The studio system is sadly leaning primarily towards tent poles and super hero films. While I have no issues with that (I loved the Man of Steel), it will, simply by market demand, create opportunities for smaller films. As one of  our supporters who saw Justice Is Mind in a theatre said on Facebook this morning, “I thoroughly enjoyed Justice is Mind and am certain that the sequel will be just as good, if not better. I also feel that Justice is Mind was far superior to many of the films that hit local theaters.”

While any filmmaker loves comments like that, I also know that Justice Is Mind has not been for everyone. That’s the world of filmmaking or any performance art, you develop a thick skin that accepts both accolades and admonishment.

This week should start pretty interesting. I’ll be testing Variety Insight & Vscore’s service for the next couple of days. I had a demo on Friday. It’s a fascinating and comprehensive service.

New opportunities.

Henri always loved ar1-page-0

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